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CAPTIONING MADE POSSIBLE
BY BMG VIDEO

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Narrator:
WHEN LESTER GRIMM WAS 15,

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HE WENT ON HIS FIRST DATE
WITH A CLASSMATE NAMED PAULINA.

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THEY SAW THE RULES OF THE GAME
BY JEAN RENOIR...

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AND ATE AT A NICE ITALIAN
RESTAURANT IN THE VILLAGE.

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LESTER PAID
WITH HIS OWN ALLOWANCE.

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AND WHEN IT CAME TIME
FOR THE GOOD NIGHT KISS...

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HE DIDN'T HAVE THE NERVE
TO DO ANYTHING.

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2 MORE DATES OF
A SIMILAR NATURE FOLLOWED.

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AND THEN,
AT A CLASSMATE'S PARTY,

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LESTER FOUND HER KISSING
A 24-YEAR-OLD CLUB PROMOTER.

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THIS INCIDENT,
BEING LESTER'S FIRST REAL
ROMANTIC EXPERIENCE,

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HAD A DEEP IMPACT ON HIM.

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SUBSEQUENT GIRLFRIENDS
WERE SUBJECTED TO
INFORMAL INQUIRIES

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CONCERNING THEIR FIDELITY,

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OR EVEN MORE DISTURBING,
THEIR PAST BEFORE HIM,

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WITHOUT HIM.

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...REALIZE PEOPLE
ARE LAUGHING AT E
BECAUSE...

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IN COLLEGE, SENIOR YEAR,

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LESTER'S GIRLFRIEND
OF 9 MONTHS, ARIANA,

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ENJOYED COMPARING LESTER
TO HER PREVIOUS LOVER.

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NOT SO MUCH OBSESSED
AS CURIOUS--

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THAT WAS HIS DISTINCTION--

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LESTER FOLLOWED ARIANA'S
EX-BOYFRIEND AROUND

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FOR SEVERAL NIGHTS.

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LESTER HID IN BUSHES,
DUCKED BEHIND POLES

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AS IF HE WERE A PRIVATE
DETECTIVE SHADOWING A SUSPECT.

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THE INVESTIGATION
UNCOVERED NOTHING,

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AND HIS GIRLFRIEND LEFT HIM
BECAUSE HE WAS NEVER AROUND.

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LESTER BLAMED PAULINA.

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BUT GIRLS MATURE QUICKER
THAN BOYS, HE'D BEEN TOLD.

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HI, SCOTT.

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AND THEN THERE WAS RAMONA.

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WAIT, HOLD ON A SECOND.
THAT'S THE OTHER LINE.

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HELLO?

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WHEN RAMONA HAD TIME
TO ASSESS HER LIFE,

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SHE SAW HERSELF AS ONE OF
THOSE GIRLS YOU READ ABOUT
IN FAIRY TALES

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WHO SAVES WOUNDED BIRDS
OR TAKES IN HOMELESS PEOPLE
AROUND THE HOLIDAYS.

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OF COURSE, SHE WOULDN'T DO
ANYTHING OF SORT.

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BUT SHE DID HAVE TROUBLE
SAYING NO,

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AND AS A RESULT,
WOUNDED FRIENDS CALLED HER,

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AND SHE TOOK ON
MORE THAN SHE COULD HANDLE.

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UM...HELLO?

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SCOTT.

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OK. OK.

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ALL RIGHT. BYE.

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HELLO?

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WHO

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JENNIE!

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Narrator: THIS IS THE STORY
OF LESTER AND RAMONA,

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AND HERE'S HOW IT ALL BEGAN.

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SIMPLE ENOUGH.

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VINCE AND LUCRETIA,
RECENTLY ENGAGED

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AND FEELING GENEROUS
WITH LOVE,

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DECIDED TO INTRODUCE
2 OF THEIR FRIENDS.

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Vince: I THINK SHE LOOKS
MORE LIKE HIM

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THAN HE LOOKS LIKE HER.

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A-AHEM.

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I'M SHY. ARE YOU SHY?

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THEY WENT ON DATES.

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LESTER, WHO HAD MORE THAN
A PASSING INTEREST IN FILM,

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TOOK HER TO REVIVALS.

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AND RAMONA TOOK HIM
TO ART EXHIBITS.

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SHE WAS A TOUR GUIDE
AT THE BROOKLYN MUSEUM

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AND GETTING HER Ph.D. IN
ABSTRACT EXPRESSIONISM
AT COLUMBIA UNIVERSITY.

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ON THEIR SECOND
OR THIRD DATE,

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NEITHER ONE COULD
REMEMBER EXACTLY,

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THEY ENDED UP AT A RESTAURANT
BOTH SWORE THE OTHER
HAD RECOMMENDED.

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ARE YOU SURE?
'CAUSE I THOUGHT
YOU HAD BEEN HERE.

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LESTER HAD A STRONG FEELING
ABOUT RAMONA,

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AND HE MADE A REAL EFFORT
NOT TO FALL BACK INTO
OLD PATTERNS.

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HE EVEN WENT OUT WITH HER
AND AN EX-BOYFRIEND, CURT,

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WHOM SHE'D REMAINED
FRIENDS WITH.

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IT WAS EASIER THAN HE'D
EXPECTED NOT TO IMAGINE
THE 2 OF THEM IN BED TOGETHER.

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THEY BECAME A TEAM,
LESTER AND RAMONA.

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RAMONA TAUGHT HIM A WHISTLE
THAT THEY'D USE AT PARTIES.

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♪♪

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♪♪

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Narrator:
BUT I'M GETTING AHEAD OF MYSELF.

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LET'S GO BACK TO BROOKLYN
FOR THEIR FIRST DATE.

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WHAT DO YOU WANT TO BE
WHEN YOU GROW UP,
LESTER?

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I...TEACH NOW.

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WELL, STARTING
TOMORROW, I TEACH.

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WHAT DO YOU TEACH?

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A LOT OF THINGS.

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I'M A SUB, ACTUALLY.

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GROSS.

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YEAH, EVERYONE
HATES A SUB,

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ESPECIALLY
AT NEW UTRECHT
HIGH SCHOOL.

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OH, I WENT OUT
WITH A GUY
AT NEW UTRECHT.

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MARK OSINS. WEIRD.

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I WENT TO MIDWOOD.

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I TRIED TO WRITE.
I DID WRITE, BUT,
UH, I DIDN'T WANT TO

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GET CAUGHT UP WITH,
YOU KNOW, ALL THE
POLITICS.

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ALREADY ON YOUR
THIRD CAREER. WOW.

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WHAT WOULD YOU DO
IF I BIT YOUR FACE
RIGHT NOW, SUDDENLY?

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UH, HA...
I DON'T KNOW.

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I...I GUESS I'D
BE IN PAIN.

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SO WHERE'S
YOUR ACCENT,
BROOKLYN GIRL?

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IT DISAPPEARED.

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NO ACCENT, HUH?
THAT'S A SHAME.

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I HATE IT WHEN
PEOPLE DON'T LIVE
UP TO THEIR
STEREOTYPE.

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LESTER SOAKED IN RAMONA'S
ENVIRONMENT:

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OBJECTS, STYLES HE IMAGINED
EX-BOYFRIENDS BROUGHT IN

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AND THEN DROPPED OFF
ON THEIR WAY THROUGH HER LIFE.

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IF HE DISAPPEARED TODAY,
HE WONDERED,

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WHAT EVIDENCE OF HIS PERSONALITY
MIGHT HE LEAVE BEHIND?

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BUT RIGHT THEN AND THERE,
HE DIDN'T WANT TO GO ANYWHERE.

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I HEARD THIS WAS
GOOD.

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I READ SOMEWHERE.
SOMEBODY SAID
THIS WAS GOOD.

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IT'S OK. THE BOOK.
YOU KNOW, I MEAN,

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BUT ALL THIS
NEW YORK TIMES
HE'S THE VOICE

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OF OUR GENERATION CRAP
IS RIDICULOUS.

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HE'S YOUNG?

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UH, YEAH.
HE'S OUR AGE.

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MY AGE. MY AGE.

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HE'S...30.
I THINK.

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YOU'RE WHAT?

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18.

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OH, MY GOD.

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NO, I'M 30.

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31. SORRY. WHEW.

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AND HE'S OUR AGE? WOW.

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I CAN'T BELIEVE I THOUGHT
YOU WERE 18.

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I'M SO GULLIBLE.
I'M ALSO TERRIBLE
AT TELLING AGE.

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I MEAN, YOU KNOW,
HE'S NOT THE VOICE
OF MY GENERATION.

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HE'S FROM SOMEWHERE
ELSE IN AMERICA,

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LIKE I WANNA SAY
MICHIGAN,

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MIDDLE CLASS, UH,
WENT TO CORNELL.

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AND NOW HE WRITES
THIS BOOK ABOUT
YOUNG MANHATTANITES.

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CORNELL.

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HMM. BUT, YOU KNOW,
I'M BIASED BECAUSE

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I WENT OUT WITH HIM
FOR A YEAR.

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MORE POWER TO HIM.

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BEER?

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THANKS.

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ANYWAY, IT WAS
MY FIRST YEAR
OUTTA COLLEGE,

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AND HE WAS STILL
STRUGGLING WRITING
HIS FIRST STORIES...

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Narrator:
FUNNY HOW PEOPLE LIKE TO FLIRT
BY MENTIONING THEIR PAST LOVERS,

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LESTER THOUGHT.

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IT ACTUALLY WASN'T
THAT FUNNY AT ALL,

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BUT THESE WERE CLEVER
GETTING-TO-KNOW-YOU STORIES,

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STORIES THAT WEREN'T REALLY
ABOUT ANYTHING BUT ACTED AS
TIME FILLERS

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SO THAT MAYBE THEY COULD
FALL IN LOVE.

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ISN'T THAT FUNNY?
I THINK THAT'S FUNNY.

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THAT'S GREAT.

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RAMONA.

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THAT'S A...

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REAL ROCK 'N'
ROLL NAME.

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RAMONA.

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YEAH.

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I THINK...
WE ALL NEED THERAPY.

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THAT'S MY NEW THING.

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VINCE IS ON THIS
THERAPY KICK.

155
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HE RECOMMENDS IT
TO EVERYONE EVEN
THOUGH HE'S NOT BEEN
IN IT HIMSELF.

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Lester:
HE COULD USE IT.

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IF I HAD THE TIME
OR THE MONEY,
I'D DO IT.

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HE TOLD MY FATHER
TO GET THERAPY.

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YEAH. HE TOOK IT
LIKE IT WAS AN INSULT.

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IT'S A COMPLIMENT.
IT MEANS I SEE YOUR
CRAZINESS, AND IT CAN
BE HELPED.

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MY DAD DOESN'T WANT
ANY HELP WITH HIS
CRAZINESS,

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AND HE'D RATHER
YOU DIDN'T SEE IT,
EITHER.

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VINCE, I'M STARVING.
WHAT ARE YOU GETTING?

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CHEESEBURGER
DELUXE, KID.

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I THOUGHT YOU SAID
YOU WERE ON A DIET.

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I ON A DIET. I--

167
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WHAT KINDA DIET?

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THE--THE--I GOT THAT
ON THE FRIDGE, THE MEALS
I'M ALLOWED TO EAT.

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DO NOT COMPLAIN
TO ME ABOUT YOUR
BODY ANYMORE, OK?

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ALL RIGHT, LOOK,
NOT--

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I DON'T WANT
TO HEAR IT!

172
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THIS IS THE WRONG--
THIS IS NOT THE
BEST PLACE.

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Narrator: THE COUPLES WERE
JOINED BY THEIR FRIEND, LINT.

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I'M STILL CONFUSED.
COULDN'T READ THE SUBTITLE
OVER THAT JERK'S HEAD!

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WAS HE HER FATHER OR--

176
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HE WAS THE FATHER!

177
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I CAN'T BELIEVE
YOU WOULDN'T STOP
LOOKING AT HER.

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SHE'S THE LEAD
IN THE FILM.
SHE'S IN PRACTICALLY
EVERY SCENE.

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Lester: I HAD TO PEE
FOR THE LAST HALF HOUR.

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SWEETHEART,
YOU'RE IMAGINING--

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00:09:00,757 --> 00:09:03,891
Lucretia: I MEAN,
IF YOU WANT TO BE
WITH AN ACTRESS...

182
00:09:03,934 --> 00:09:05,196
IS THAT SO? HA HA.

183
00:09:05,240 --> 00:09:07,851
YEAH. AND I THINK
IT'S SO MUCH MORE EROTIC

184
00:09:07,895 --> 00:09:10,985
IF THEY FILM SOMEBODY
IN JUST A BRA
OR JUST UNDERWEAR.

185
00:09:11,028 --> 00:09:13,291
I THINK THAT
THE SUGGESTION OF SEX
IS MUCH HOTTER THAN
THE REAL THING.

186
00:09:13,335 --> 00:09:15,685
REALLY? I FIND
I PREFER TO SEE
BARE BREASTS.

187
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I THINK IT'S
MUCH MORE EROTIC

188
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TO SHOW PEOPLE
AS NAKED AS
POSSIBLE.

189
00:09:19,733 --> 00:09:22,605
OH, REALLY,
IS THAT SO?
AS NAKED AS POSSIBLE.

190
00:09:22,649 --> 00:09:26,000
AS NAKED AS POSSIBLE
AND PREFERABLY IN
SOME COMPROMISING
POSITION.

191
00:09:26,043 --> 00:09:27,741
OH, MY GOD!

192
00:09:27,784 --> 00:09:28,785
MONA?

193
00:09:28,829 --> 00:09:30,004
WHAT A SURPRISE!

194
00:09:30,047 --> 00:09:31,745
HI!

195
00:09:31,788 --> 00:09:33,616
HI!

196
00:09:33,660 --> 00:09:34,704
WHA--HA!

197
00:09:34,748 --> 00:09:35,444
GOD!

198
00:09:35,487 --> 00:09:37,620
DO YOU LIVE
DOWN HERE?

199
00:09:37,664 --> 00:09:39,709
NO, UH, SHE DOES.
SHE DOES.

200
00:09:39,753 --> 00:09:42,625
UH, LOIS, LOIS, MONA.
LOIS. UM...

201
00:09:42,669 --> 00:09:43,408
LESTER.

202
00:09:43,452 --> 00:09:44,714
Ramona: OH!

203
00:09:46,760 --> 00:09:47,848
GOD!

204
00:09:47,891 --> 00:09:49,240
MAN, STEPHEN...

205
00:09:49,284 --> 00:09:50,720
HI.
HI.

206
00:09:50,764 --> 00:09:52,330
I WAS JUST THINKING
ABOUT YOU THE OTHER DAY.

207
00:09:52,374 --> 00:09:54,332
I CAN'T REMEMBER
IN WHAT CONTEXT.

208
00:09:54,376 --> 00:09:57,335
WHA-HA HA!

209
00:09:57,379 --> 00:09:58,815
UH, SO, ANYWAY,

210
00:09:58,859 --> 00:10:00,251
UM...

211
00:10:00,295 --> 00:10:02,340
YEAH. HA HA HA HA!

212
00:10:02,384 --> 00:10:05,039
WELL, I DUNNO.
AHEM.

213
00:10:05,082 --> 00:10:07,607
YOU LOOK...
BEAUTIFUL.

214
00:10:08,956 --> 00:10:09,739
THANKS.

215
00:10:09,783 --> 00:10:10,958
AHEM.

216
00:10:11,001 --> 00:10:12,960
WE WERE JUST COMING
FROM THE MOVIES.

217
00:10:13,003 --> 00:10:14,657
THAT'S WHERE
WE'RE HEADED.

218
00:10:14,701 --> 00:10:16,441
I THINK WE'RE LATE.
UM, IS IT ANY GOOD?

219
00:10:16,485 --> 00:10:18,835
UH, WHICH ONE
ARE YOU GONNA
SEE?

220
00:10:18,879 --> 00:10:21,708
I THINK WE JUST MISSED
THE FRENCH ONE, SO WE
CAN CATCH THE AMERICAN
INDEPENDENT. GOOD?

221
00:10:21,751 --> 00:10:23,753
GREAT.
NOT ONE OF
HIS BETTER ONES.

222
00:10:23,797 --> 00:10:25,755
GREAT. NO, SOUNDS GREAT!DID YOU SEE,
UH...

223
00:10:25,799 --> 00:10:29,367
WELL...GUESS WE
GOTTA BOOGIE!

224
00:10:29,411 --> 00:10:32,109
SO, IT'S GOOD
TO SEE YOU, MONA.

225
00:10:32,153 --> 00:10:34,068
IT'S GOOD
TO SEE YOU, TOO!

226
00:10:34,111 --> 00:10:35,112
NICE MEETING YOU, UM...

227
00:10:35,156 --> 00:10:37,071
LESTER.

228
00:10:37,114 --> 00:10:38,289
Ramona: OH...

229
00:10:38,333 --> 00:10:40,814
SO WEIRD!

230
00:10:42,467 --> 00:10:45,122
I DIDN'T TELL HIM
HE LOOKED GOOD.

231
00:10:45,166 --> 00:10:46,907
SHOULD I HAVE?

232
00:10:46,950 --> 00:10:48,952
Narrator:
LESTER GRITTED HIS TEETH.

233
00:10:48,996 --> 00:10:50,998
RAMONA HAD A LIFE
BEFORE HIM.

234
00:10:51,041 --> 00:10:52,390
LET'S GO. COME ON.

235
00:10:52,434 --> 00:10:54,001
I THINK HE KNOWS
THAT HE LOOKS GOOD.

236
00:10:54,044 --> 00:10:57,091
HEY, LESTER?

237
00:10:57,134 --> 00:10:59,093
HEY, LESTER...

238
00:10:59,136 --> 00:11:00,703
HEY, RAMONA.

239
00:11:00,747 --> 00:11:03,706
TONIGHT...LET'S JUST
HAVE THE SUGGESTION
OF SEX.

240
00:11:03,750 --> 00:11:05,403
NO NUDITY.

241
00:11:05,447 --> 00:11:06,796
HMM?

242
00:11:06,840 --> 00:11:07,884
HMM...

243
00:11:07,928 --> 00:11:09,190
HMM...

244
00:11:10,321 --> 00:11:11,932
DASHIELL IS SPECIAL.

245
00:11:11,975 --> 00:11:13,890
STEPHEN WAS STEPHEN,
YOU KNOW?

246
00:11:13,934 --> 00:11:15,805
HE'S THE ONLY
OLDER GUY
I EVER DATED.

247
00:11:15,849 --> 00:11:17,981
HE WAS VERY SMART.
NO MESSAGES.

248
00:11:18,025 --> 00:11:21,115
AND HE TAUGHT
LATIN AMERICAN
LITERATURE. PUPPY.

249
00:11:21,158 --> 00:11:23,944
HE USED TO TAKE
ME OUT SALSA DANCING
WHICH I LOVED.

250
00:11:30,124 --> 00:11:32,822
I KNOW YOU LIKE
TO READ, SO, AND
YOU WERE LOOKING
AT MINE,

251
00:11:32,866 --> 00:11:35,433
AND IT'S GOOD.
IF YOU CAN GET BY
ALL THE TRENDY
ASPECTS OF IT,

252
00:11:35,477 --> 00:11:37,740
IT'S REALLY GOOD.

253
00:11:41,048 --> 00:11:41,831
THANKS.

254
00:11:41,875 --> 00:11:43,441
HA HA.

255
00:11:43,485 --> 00:11:45,879
Narrator:
"EXHILARATING.
A COMIC TOUR-DE-FORCE.

256
00:11:45,922 --> 00:11:47,924
"POWERFUL AND ORIGINAL.

257
00:11:47,968 --> 00:11:49,447
"A GRAND WORK.

258
00:11:49,491 --> 00:11:52,755
THAT A VOICE SO MATURE
COULD COME FROM A VOICE
SO YOUNG."

259
00:11:53,930 --> 00:11:56,803
WHAT WOULD YOU DO...

260
00:11:56,846 --> 00:11:59,457
IF I CAME OVER
TO YOU RIGHT NOW
AND KICKED YOU
IN THE HEAD?

261
00:11:59,501 --> 00:12:01,024
UM, I'D...

262
00:12:01,068 --> 00:12:04,114
PROBABLY GRAB
MY HEAD IN AGONY?

263
00:12:04,158 --> 00:12:06,029
ASK YOU TO LEAVE?
I DON'T--

264
00:12:06,073 --> 00:12:07,335
I DON'T KNOW.

265
00:12:09,990 --> 00:12:11,469
THOSE YOUR PLAYS?

266
00:12:11,513 --> 00:12:12,470
MM-HMM.

267
00:12:13,515 --> 00:12:15,169
WHAT'S THAT?

268
00:12:15,212 --> 00:12:17,171
OH, THERE'S A VET
NEXT DOOR.

269
00:12:17,214 --> 00:12:19,042
OH...YIKES.

270
00:12:22,611 --> 00:12:24,482
DO YOU EVER GET JEALOUS!

271
00:12:24,526 --> 00:12:25,483
[LOUD
CLATTERING]

272
00:12:25,527 --> 00:12:27,050
OW! OW!

273
00:12:27,094 --> 00:12:28,878
I'M FINE.

274
00:12:28,922 --> 00:12:30,227
DON'T WORRY.

275
00:12:30,271 --> 00:12:32,316
I'M FINE.

276
00:12:32,360 --> 00:12:35,493
DO YOU

277
00:12:35,537 --> 00:12:37,191
UH, NO.

278
00:12:37,234 --> 00:12:39,193
NO, NOT REALLY.

279
00:12:39,236 --> 00:12:41,891
I MEAN, I'VE BEEN
SUSCEPTIBLE TO...

280
00:12:41,935 --> 00:12:44,894
MOST OF THE OTHER
DEADLY SINS,
BUT NOT JEALOUSY.

281
00:12:54,469 --> 00:12:56,253
YEAH.

282
00:12:58,299 --> 00:13:00,301
MR. ARBUSE,
THE GYM TEACHER,

283
00:13:00,344 --> 00:13:02,433
HAD AN INFLAMED GILL
AND WAS HOSPITALIZED,

284
00:13:02,477 --> 00:13:04,174
SO LESTER TOOK OVER
HIS CLASS.

285
00:13:04,218 --> 00:13:05,436
FOUL!

286
00:13:13,444 --> 00:13:15,229
GOOD TRY.
YOU TRIED.

287
00:13:15,272 --> 00:13:18,275
LATER THAT DAY,
LESTER OPENED
AN ACCEPTANCE LETTER

288
00:13:18,319 --> 00:13:21,539
TO THE REPUTABLE UNIVERSITY
OF IOWA GRADUATE
WRITING PROGRAM

289
00:13:21,583 --> 00:13:24,325
THAT HE'D BEEN CARRYING
AROUND WITH HIM FOR DAYS.

290
00:13:24,368 --> 00:13:27,850
HE'D APPLIED EARLIER
IN THE YEAR AND HAD
ALMOST FORGOTTEN ABOUT IT.

291
00:13:35,336 --> 00:13:37,642
HE CHOSE TO HIDE IT.

292
00:13:37,686 --> 00:13:40,341
HE DIDN'T WANT TO
GO BACK TO SCHOOL.

293
00:13:42,212 --> 00:13:44,084
...A VERY GOOD
EXAMPLE

294
00:13:44,127 --> 00:13:48,523
OF HIS FASCINATION
WITH NOT JUST
THE HUMAN BODY

295
00:13:48,566 --> 00:13:51,569
BUT THE TERROR
AND THE LONELINESS

296
00:13:51,613 --> 00:13:54,181
OF THE HUMAN
CONDITION.

297
00:13:54,224 --> 00:13:55,878
THE FIGURE IS...
ALMOST FACELESS.

298
00:13:55,922 --> 00:13:59,621
ALL YOU CAN SEE
ARE THE EYES
AND THE MOUTH.

299
00:13:59,664 --> 00:14:02,450
SHE'S RIGHT.
ALL I CAN SEE ARE
THE EYES AND THE MOUTH.

300
00:14:02,493 --> 00:14:04,147
THE EYES
AND THE MOUTH,

301
00:14:04,191 --> 00:14:07,150
EXCEPT FOR I,
PERSONALLY, THINK
THAT THAT'S AN EAR.

302
00:14:07,194 --> 00:14:09,152
BUT, YOU KNOW,
I'VE BEEN TOLD
THAT IT'S NOT AN EAR,

303
00:14:09,196 --> 00:14:10,501
SO I GUESS EVERYBODY
ELSE IS RIGHT.

304
00:14:10,545 --> 00:14:11,502
DOESN'T IT LOOK
LIKE AN EAR?

305
00:14:11,546 --> 00:14:13,635
IT LOOKS
LIKE AN EAR.
AND...

306
00:14:13,678 --> 00:14:16,290
Lester: VINCE, HAVE YOU READ
THIS GUY DASHIELL FRANK?

307
00:14:16,333 --> 00:14:17,595
NO, UH,
LUCRETIA DID.

308
00:14:17,639 --> 00:14:19,554
WELL, SHE HEARD IT
ON TAPE.

309
00:14:19,597 --> 00:14:21,164
TOM CRUISE READS IT.

310
00:14:21,208 --> 00:14:22,949
SHE LIKED IT.
IT'S ALL ABOUT PEOPLE
OUR AGE.

311
00:14:22,992 --> 00:14:25,125
RAMONA WENT OUT
WITH HIM FOR A YEAR.

312
00:14:25,168 --> 00:14:26,169
THAT POMPOUS,
LUCKY PUSS?

313
00:14:26,213 --> 00:14:28,258
EXACTLY. SO WE CAN CUT

314
00:14:28,302 --> 00:14:30,695
THE I HEARD THE BOOK'S
GOOD, HE WRITES ABOUT
PEOPLE OUR AGE BIT.

315
00:14:30,739 --> 00:14:32,262
YEAH. WHAT AN ASS!

316
00:14:32,306 --> 00:14:33,437
GIMMICKY,
PREDICTABLE BOOK.

317
00:14:33,481 --> 00:14:34,612
HAVE YOU READ IT?

318
00:14:34,656 --> 00:14:37,224
NO! BUT I KNOW
WHAT IT IS. YOU KNOW...

319
00:14:37,267 --> 00:14:38,965
GIMMICKY.

320
00:14:39,008 --> 00:14:41,184
CAN'T BE GOOD.
I WON'T HAVE IT.

321
00:14:41,228 --> 00:14:44,100
YOU THINK PEOPLE
STILL SPIT IN
THE CREAM PITCHER?

322
00:14:44,144 --> 00:14:45,319
YEAH.

323
00:14:45,362 --> 00:14:46,624
OH, P

324
00:14:46,668 --> 00:14:48,322
NO WAY!

325
00:14:48,365 --> 00:14:49,976
YOU AND YOUR
SHELTERED LIVES.

326
00:14:50,019 --> 00:14:52,369
OF COURSE PEOPLE SPIT
IN THE CREAM PITCHER.
WHY WOULDN'T THEY?

327
00:14:52,413 --> 00:14:55,155
I'LL BET MY WRITING'S
MORE THE VOICE OF OUR
GENERATION THAN HIS.

328
00:14:55,198 --> 00:14:56,330
MMM.

329
00:14:56,373 --> 00:14:57,592
YOU STILL WRITING?

330
00:14:57,635 --> 00:14:59,333
WELL, NOT RECENTLY,

331
00:14:59,376 --> 00:15:00,987
BUT I'M READING
A LOT.

332
00:15:01,030 --> 00:15:02,466
I WRITE LETTERS.

333
00:15:02,510 --> 00:15:05,339
I--I READ...
A LOT.

334
00:15:05,382 --> 00:15:06,340
WHAT ARE YOU DOING?

335
00:15:06,383 --> 00:15:07,645
MY HEAD ITCHES,
OK?

336
00:15:07,689 --> 00:15:09,560
WHY DO YOU CONSTANTLY
PARROT ME?

337
00:15:09,604 --> 00:15:11,388
YOU KNOW, IF--

338
00:15:11,432 --> 00:15:12,607
LISTEN, I...

339
00:15:12,650 --> 00:15:15,392
I HAVE TO TELL YOU
GUYS SOMETHING.

340
00:15:15,436 --> 00:15:18,004
JUST...DON'T JUDGE ME, OK?

341
00:15:20,397 --> 00:15:21,746
THE OTHER DAY...

342
00:15:21,790 --> 00:15:24,184
Narrator: AND LESTER RELAYED
THE EVENTS OF THAT DAY.

343
00:15:24,227 --> 00:15:26,403
LESTER HAPPENED TO BE
WALKING IN THE VILLAGE

344
00:15:26,447 --> 00:15:29,232
ONE WEDNESDAY AFTERNOON
AFTER HIS FIRST DENTIST
APPOINTMENT IN 3 YEARS,

345
00:15:29,276 --> 00:15:30,973
AND WHO SHOULD HE SEE
BUT DASHIELL FRANK,

346
00:15:31,017 --> 00:15:34,063
THAT AGGRAVATING
GENERATION-DEFINING WRITER.

347
00:15:34,107 --> 00:15:37,066
DASHIELL WAS RECOGNIZABLE
FROM THE PICTURE ON THE BACK
OF HIS BOOK,

348
00:15:37,110 --> 00:15:40,113
NUMEROUS MAGAZINE PROFILES,
TALK SHOWS, ETCETERA.

349
00:15:43,638 --> 00:15:46,293
LESTER WATCHED.

350
00:15:48,295 --> 00:15:50,297
AND LESTER FOLLOWED.

351
00:15:50,340 --> 00:15:53,300
BECAUSE HE WAS GOING
THAT WAY ANYWAY, HE THOUGHT.

352
00:15:53,343 --> 00:15:56,651
I MEAN, THAT WAS WHERE
THE SUBWAY WAS ANYWAY,
HE SAID TO HIMSELF.

353
00:16:44,090 --> 00:16:44,786
WHAT KISMET.

354
00:16:44,829 --> 00:16:45,787
I KNOW.

355
00:16:45,830 --> 00:16:47,484
TOO BAD HE DISAPPEARED
SO SOON.

356
00:16:47,528 --> 00:16:49,791
OH, I'D LOVE TO
FOLLOW

357
00:16:49,834 --> 00:16:52,315
ONE OF LUCRETIA'S
EX-BOYFRIENDS AROUND.
BRIAN.

358
00:16:52,359 --> 00:16:53,577
YEAH.

359
00:16:53,621 --> 00:16:56,319
IT'S FUN JUST TO
FOLLOW PEOPLE
SOMETIMES.

360
00:16:56,363 --> 00:16:59,366
ANYONE.

361
00:16:59,409 --> 00:17:01,063
LET ME FINISH THE STORY.

362
00:17:01,107 --> 00:17:03,674
A WEEK LATER, LESTER FOUND
HIMSELF BACK IN THE NEIGHBORHOOD

363
00:17:03,718 --> 00:17:05,633
GETTING 2 TEETH FILLED.

364
00:17:05,676 --> 00:17:08,766
AVOIDING THE DENTIST
FOR 3 YEARS WILL COME
TO HAUNT YOU.

365
00:17:08,810 --> 00:17:11,421
HALF OF HIS FACE
NUMB WITH NOVOCAIN,

366
00:17:11,465 --> 00:17:15,773
LESTER WATCHED AGAIN
AS THE GROUP FILED IN...

367
00:17:15,817 --> 00:17:18,472
AND ONE HOUR LATER
EMPTIED OUT.

368
00:17:18,515 --> 00:17:21,475
IT MUST BE NICE TO HAVE
A ROUTINE LIKE THIS

369
00:17:21,518 --> 00:17:24,086
EVERY WEDNESDAY, LESTER THOUGHT.

370
00:17:24,130 --> 00:17:27,394
A ROUTINE WAS SOMETHING
HE HADN'T HAD SINCE HE
QUIT HIS JOB.

371
00:17:41,234 --> 00:17:44,498
LESTER JUST PLANNED TO GET
A GLIMPSE OF AN EMPTY
WAITING ROOM,

372
00:17:44,541 --> 00:17:46,587
BUT TO HIS SURPRISE...

373
00:17:47,849 --> 00:17:49,372
HELLO.

374
00:17:53,855 --> 00:17:55,291
CAN I, UM...

375
00:17:55,335 --> 00:17:57,119
HELP YOU?

376
00:17:59,426 --> 00:18:00,557
UM...

377
00:18:00,601 --> 00:18:02,690
A PATIENT HAD JUST LEFT
THE GROUP.

378
00:18:02,733 --> 00:18:04,822
MANY OF THE MEMBERS
WERE NEW,

379
00:18:04,866 --> 00:18:06,563
AND LESTER SEEMED
VERY SINCERE.

380
00:18:06,607 --> 00:18:08,348
EXCUSE ME?

381
00:18:10,176 --> 00:18:13,266
I JOINED DASHIELL...
RAMONA'S EX-BOYFRIEND'S

382
00:18:13,309 --> 00:18:15,703
GROUP THERAPY.

383
00:18:15,746 --> 00:18:17,835
OH, MY GOD.

384
00:18:17,879 --> 00:18:19,446
NICE.

385
00:18:19,489 --> 00:18:21,143
ONLY FOR
A SESSION OR TWO.

386
00:18:21,187 --> 00:18:23,580
LISTEN, WHEN I SAID
WE ALL NEEDED THERAPY,

387
00:18:23,624 --> 00:18:25,582
THIS IS NOT WHAT
I HAD IN MIND.

388
00:18:25,626 --> 00:18:27,541
I DIDN'T PLAN IT.
IT WAS ACCIDENTAL.

389
00:18:27,584 --> 00:18:30,283
HE JUST APPEARED
IN FRONT OF ME.
I DIDN'T ASK FOR IT.

390
00:18:30,326 --> 00:18:33,242
WELL, I DON'T BELIEVE
IN GOD OR ANY OF
THOSE THINGS,

391
00:18:33,286 --> 00:18:35,549
BUT IN THIS CASE
I'M GOING TO PRETEND
THAT I DO

392
00:18:35,592 --> 00:18:38,552
SO I CAN ARGUE
THAT THE EX-BOYFRIEND
WAS PLACED IN FRONT OF YOU

393
00:18:38,595 --> 00:18:40,728
TO TEST YOU,
AND YOU FAILED HUGELY!

394
00:18:40,771 --> 00:18:42,860
HEY, I JUST WANTED TO SEE
WHAT THE GUY LOOKED LIKE,

395
00:18:42,904 --> 00:18:44,949
AND THEN I SEE
WHERE HE'S GOING...

396
00:18:44,993 --> 00:18:47,822
AND YOU JOINED
HIS GROUP THERAPY?
MY GOD, TO DO WHAT?

397
00:18:47,865 --> 00:18:50,607
IT'S FOR HER...
TO FIND OUT ABOUT
WHAT SHE WAS LIKE,

398
00:18:50,651 --> 00:18:52,653
HOW I CAN DO BETTER.

399
00:18:52,696 --> 00:18:55,612
I'M--I'M--I'M NOT
GONNA SPEAK.

400
00:18:55,656 --> 00:18:57,179
YOU'RE NOT
GONNA SPEAK.

401
00:18:57,223 --> 00:18:58,267
NO.

402
00:18:58,311 --> 00:19:01,618
WHAT DID YOU TELL
DR. POKE?

403
00:19:03,794 --> 00:19:05,753
DR. POKE LIKED LESTER
IMMEDIATELY,

404
00:19:05,796 --> 00:19:07,537
AND WHEN HE ASKED
HIS NAME...

405
00:19:07,581 --> 00:19:09,583
WHAT'S YOUR NAME?

406
00:19:10,845 --> 00:19:12,803
MY NAME IS, UH...

407
00:19:12,847 --> 00:19:14,370
VINCE.

408
00:19:14,414 --> 00:19:15,241
DR. POKE.

409
00:19:15,284 --> 00:19:17,678
HOWARD POKE.

410
00:19:17,721 --> 00:19:19,332
DR. POKE.

411
00:19:23,249 --> 00:19:24,641
NICE.

412
00:19:24,685 --> 00:19:26,643
YOU SAID YOU'D GO
IF YOU HAD THE TIME.

413
00:19:26,687 --> 00:19:28,819
I--I COULDN'T GIVE
MY PERSONAL INFORMATION,

414
00:19:28,863 --> 00:19:30,734
BECAUSE THEN THE WRITER'LL
FIND OUT ABOUT RAMONA.

415
00:19:30,778 --> 00:19:31,996
SO I SAID I WAS YOU.

416
00:19:32,040 --> 00:19:34,912
BUT DON'T WORRY.
I'M NOT GONNA TALK.

417
00:19:34,956 --> 00:19:36,871
IT WAS JUST SO DR. POKE
WOULD LET ME IN.

418
00:19:36,914 --> 00:19:39,003
I'M A SLIGHT BIT
FLABBERGASTED.

419
00:19:39,047 --> 00:19:41,310
SO WHEN YOU GO TO
THERAPY NEXT WEEK,

420
00:19:41,354 --> 00:19:42,659
THE GROUP CALLS YOU...

421
00:19:42,703 --> 00:19:44,835
VINCE.

422
00:19:44,879 --> 00:19:47,708
AND IF THEY ASK YOU
ABOUT YOUR PARENTS?

423
00:19:49,927 --> 00:19:51,929
I'M NOT GONNA SPEAK.

424
00:19:51,973 --> 00:19:54,323
IF THEY ASK YOU.

425
00:19:56,282 --> 00:19:58,371
MARLON AND AMY.

426
00:20:06,379 --> 00:20:07,815
AND WHEN DOES IT MEET?

427
00:20:07,858 --> 00:20:09,991
MONDAYS AND WEDNESDAYS,
3:00-4:00.

428
00:20:10,034 --> 00:20:11,427
SPEAK.

429
00:20:11,471 --> 00:20:14,300
NO, NO, NO. DON'T WORRY.
I'M NOT GONNA SPEAK.

430
00:20:14,343 --> 00:20:15,866
NO, DO, SPEAK, PLEASE.
IF YOU'RE GONNA DO IT,
GET SOME USE OUT OF IT.

431
00:20:15,910 --> 00:20:17,955
FIND A FEW THINGS OUT
FOR ME.

432
00:20:17,999 --> 00:20:21,263
NO, NO, NO, REALLY,
I DON'T PLAN ON
OPENING MY MOUTH.

433
00:20:21,307 --> 00:20:23,787
PLEASE! OTHERWISE,
I FORBID YOU TO USE
MY NAME.

434
00:20:23,831 --> 00:20:26,050
JUST SAY A FEW THINGS
FOR ME,

435
00:20:26,094 --> 00:20:29,793
THEN AT LEAST MAYBE
WE CAN ALL LEARN
FROM THIS EXPERIENCE.

436
00:20:32,448 --> 00:20:34,363
CAN I HAVE YOUR PICKLE?

437
00:20:34,407 --> 00:20:36,931
Narrator:
RAMONA WAS THRILLED LESTER
HAD JOINED THERAPY.

438
00:20:36,974 --> 00:20:39,368
SHE TOLD HIM
SHE WAS PROUD OF HIM

439
00:20:39,412 --> 00:20:41,370
AND THEN ADMITTED
UP UNTIL A YEAR PREVIOUS,

440
00:20:41,414 --> 00:20:43,938
SHE'D BEEN GOING
TO AN ANALYST TWICE A WEEK.

441
00:20:43,981 --> 00:20:45,896
AND WHEN SHE ASKED FOR
THE ADDRESS OF THE OFFICE

442
00:20:45,940 --> 00:20:47,985
IN CASE SHE WANTED TO MEET HIM
AFTER HER WORK,

443
00:20:48,029 --> 00:20:50,640
HE DEFENSIVELY INVERTED
2 OF THE NUMBERS.

444
00:20:50,684 --> 00:20:54,731
THE REAL ADDRESS
OF DR. POKE'S OFFICE
WAS 264 WEST 4th STREET.

445
00:20:57,125 --> 00:20:59,649
RAMONA'S DAYS WERE AS
JAM PACKED AS EVER.

446
00:20:59,693 --> 00:21:03,653
SHE EVEN BEGAN TO WONDER
IF HER BRAIN COULD HANDLE
ALL THE ACTIVITY.

447
00:21:03,697 --> 00:21:07,962
SHE SAW A MATINEE WITH ARLISS
WHO'D RECENTLY DISCOVERED
HIS GIRLFRIEND WAS MARRIED.

448
00:21:08,005 --> 00:21:10,791
ORIGINALLY
I WAS THINKING SHE
WOULDN'T LET ME OVER

449
00:21:10,834 --> 00:21:12,923
BECAUSE YOU KNOW,
SHE WAS MESSY.

450
00:21:12,967 --> 00:21:14,751
NOW I'M THINKING
IT'S 'CAUSE SHE'S
MARRIED.

451
00:21:14,795 --> 00:21:17,841
AND THEN SHE WORKED OUT
FOR AN HOUR AND A HALF.

452
00:21:18,842 --> 00:21:20,801
THEN OVER TO THE MUSEUM
BY 3:00

453
00:21:20,844 --> 00:21:23,107
FOR THE FIRST
OF 5 TOURS.

454
00:21:23,151 --> 00:21:26,589
AT A BREAK BETWEEN TOURS,
SHE WONDERED HOW THERAPY
WOULD GO FOR LESTER.

455
00:21:26,633 --> 00:21:28,939
THIS ROOM IN HERE
HAS ONE OF MY
FAVORITE PAINTINGS.

456
00:21:28,983 --> 00:21:31,986
HAVE YOU EVER SEEN
R. CRUMB AND THAT
CARTOON KIND OF
GROTESQUE IMAGES

457
00:21:32,029 --> 00:21:36,033
THAT ARE LIKE, OH--
UM...

458
00:21:36,077 --> 00:21:37,513
HA HA HA HA!

459
00:21:37,557 --> 00:21:38,993
OK, ACTUALLY,

460
00:21:39,036 --> 00:21:41,343
IT'S ACTUALLY DOWN HERE.

461
00:21:41,387 --> 00:21:44,433
RECENTLY, MARIA HAD BEEN GOING
THROUGH A PARTICULARLY
OBSESSIVE PERIOD

462
00:21:44,477 --> 00:21:46,870
AND HAD BEEN
DOMINATING SESSIONS.

463
00:21:46,914 --> 00:21:49,482
IF I RUB IT AGAINST
HER SOFT PALATE...

464
00:21:49,525 --> 00:21:53,007
PROCEDURE OF THE GROUP
WAS AS SUCH:

465
00:21:53,050 --> 00:21:56,445
WHOEVER'S PROBLEMS SEEMED
THE MOST IMMEDIATE WOULD START.

466
00:21:56,489 --> 00:21:59,883
PEOPLE WERE THEN ENCOURAGED
TO INTERRUPT AND OFFER ADVICE
OR CENSURE,

467
00:21:59,927 --> 00:22:02,712
WHICHEVER SEEMED APPROPRIATE.

468
00:22:02,756 --> 00:22:05,672
Maria: I COULD--
I COULD SPOT HIM...

469
00:22:18,598 --> 00:22:21,514
Narrator: AS SOON AS LESTER
SET FOOT IN THE ROOM,

470
00:22:21,557 --> 00:22:23,124
HE REGRETTED EVERYTHING.

471
00:22:23,167 --> 00:22:25,996
IT WAS A CRAZY IDEA.
WHAT DID HE EXPECT TO LEARN?

472
00:22:26,040 --> 00:22:28,912
TWICE HE THOUGHT OF
GETTING UP AND RUNNING OUT.

473
00:22:32,438 --> 00:22:34,657
BUT HE DIDN'T MOVE.

474
00:22:34,701 --> 00:22:37,660
HE'D MADE A COMMITMENT
TO DR. POKE...AND TO VINCE.

475
00:22:37,704 --> 00:22:40,489
ANY THOUGHTS, VINCE?

476
00:22:41,490 --> 00:22:42,883
VINCE?

477
00:22:46,060 --> 00:22:47,017
AH...

478
00:22:47,061 --> 00:22:49,672
UM...

479
00:22:49,716 --> 00:22:51,848
IN A FEW MONTHS,

480
00:22:51,892 --> 00:22:55,678
I'M--I'M MARRYING
MY GIRLFRIEND...

481
00:22:55,722 --> 00:22:58,202
LUCRETIA.

482
00:22:58,246 --> 00:23:00,857
UH, SHE INITIATED
THE IDEA,

483
00:23:00,901 --> 00:23:04,948
BUT I...I'M STARTING
TO WARM UP TO IT.

484
00:23:04,992 --> 00:23:08,822
UH...

485
00:23:08,865 --> 00:23:12,086
I'D--I'D TELL MY FRIEND
LESTER

486
00:23:12,129 --> 00:23:15,089
ABOUT LUCRETIA AND ME,
ALL THE DETAILS.

487
00:23:15,132 --> 00:23:19,049
FOR INSTANCE,
A FIGHT LUCRETIA AND I HAD--

488
00:23:19,093 --> 00:23:22,052
I WAS AN HOUR LATE
FOR A DATE,

489
00:23:22,096 --> 00:23:24,054
SO SHE...

490
00:23:24,098 --> 00:23:26,883
PUSHED OUR STOVE
DOWN THE STAIRS.

491
00:23:26,927 --> 00:23:29,582
THIS--THIS TOOK
AN HOUR AND 45 MINUTES.

492
00:23:29,625 --> 00:23:34,456
IT WAS A VERY...HEAVY
STOVE.

493
00:23:34,500 --> 00:23:39,113
SOMETIMES I GET THE FEELING
THAT LESTER DOESN'T WANT ME
TO GET MARRIED.

494
00:23:39,156 --> 00:23:42,508
I MEAN, I TELL HIM
THAT I'M NOT SO SURE
ABOUT IT MYSELF,

495
00:23:42,551 --> 00:23:47,077
BUT I THINK HE FEELS
I'M NOT QUITE READY
FOR THAT KIND OF--

496
00:23:47,121 --> 00:23:51,255
SOUNDS TO ME LIKE
THIS LESTER MIGHT BE
SORT OF SUFFOCATING.

497
00:23:51,299 --> 00:23:55,782
HE OBVIOUSLY WANTS YOU
TO DO THE SAME THING
HE DOES, AND THAT'S
NOT FOR YOU.

498
00:23:59,568 --> 00:24:02,528
WELL, AH...

499
00:24:02,571 --> 00:24:06,532
I THINK HIS FRANKNESS
IS--IS APPRECIATED.

500
00:24:06,575 --> 00:24:09,709
SURE, HE MAY NOT BE
AS FAR ALONG IN LIFE
AS HE'D LIKE,

501
00:24:09,752 --> 00:24:14,496
BUT HE'S VERY, UM...
SMART,

502
00:24:14,540 --> 00:24:17,934
AND I THINK THAT
GOOD THINGS WILL
HAPPEN FOR HIM.

503
00:24:17,978 --> 00:24:19,501
[DISGUSTED
GRUNT] UGH...

504
00:24:19,545 --> 00:24:20,937
I HOPE.

505
00:24:20,981 --> 00:24:23,287
THOSE FRIENDSHIPS
THAT ARE BASED ON

506
00:24:23,331 --> 00:24:25,812
WHEN YOU WERE DIFFERENT;
YOUNGER PEOPLE CAN OFTEN
BE DEBILITATING.

507
00:24:25,855 --> 00:24:27,901
FROM WHAT YOU SAY,WELL, I--

508
00:24:27,944 --> 00:24:30,773
HE ENJOYS HEARING YOU
COMPLAIN, AND YOU ENJOY
DOING IT...

509
00:24:30,817 --> 00:24:32,645
BUT THEN NOTHING
COMES OF IT.

510
00:24:32,688 --> 00:24:34,168
WELL, WHAT ARE YOU
TRYING--

511
00:24:34,211 --> 00:24:36,736
I HATE SEEING MEN
GETTING INTO THOSE
SITUATIONS

512
00:24:36,779 --> 00:24:38,781
WHERE ALL THEY DO
IS PROMOTE ONE ANOTHER'S
INSECURITIES.

513
00:24:38,825 --> 00:24:40,870
ARE YOU GONNA MARRY
LUCRETIA AND START A LIFE,

514
00:24:40,914 --> 00:24:43,133
OR ARE YOU GONNA
STAY WITH YOUR FRIENDS
CALLING EACH OTHER KID?

515
00:24:43,177 --> 00:24:45,309
ISN'T THAT WHAT
YOU SAID YOU CALLED THEM?MY TAKE ON TH--

516
00:24:45,353 --> 00:24:46,702
KIDS?

517
00:24:46,746 --> 00:24:48,878
YEAH. WE CALL
EACH OTHER KIDS.

518
00:24:48,922 --> 00:24:50,837
TRUST YOUR INSTINCTS.
YOU LOVE LUCRETIA,
RIGHT?

519
00:24:50,880 --> 00:24:52,142
YES. I--

520
00:24:52,186 --> 00:24:54,971
LOVE HER.

521
00:24:55,015 --> 00:24:56,756
I LOVE LUCRETIA.

522
00:24:56,799 --> 00:24:58,192
WELL,
THAT SETTLES IT.

523
00:24:58,235 --> 00:25:00,847
AND LESTDOESN'T
WANT YOU TO BE HAPPY.

524
00:25:00,890 --> 00:25:02,718
OH, NO, NO, NO,
NO. HE DOES.

525
00:25:02,762 --> 00:25:04,981
YOU JUST SAID
HE DIDN'T.

526
00:25:05,025 --> 00:25:07,027
WILL YOU LET ME AIR
A LITTLE UNCERTAINTY?

527
00:25:07,070 --> 00:25:09,769
HE'S MY BEST FRIEND.
HE GIVES ME GOOD
ADVICE.

528
00:25:09,812 --> 00:25:11,074
BEST.

529
00:25:11,118 --> 00:25:14,077
AND IT'S...SELFLESS,
AND HE CARES ABOUT ME.

530
00:25:14,121 --> 00:25:16,950
HOW DARE YOU SUGGEST
ANYTHING ELSE?

531
00:25:16,993 --> 00:25:19,692
I AM JUST RESPONDING
TO WHAT YOU SAY TO ME.

532
00:25:19,735 --> 00:25:21,171
WELL, READ BETWEEN
THE LINES.

533
00:25:21,215 --> 00:25:22,999
JEEZ!

534
00:25:23,043 --> 00:25:26,220
Maria: CAN I SAY
WHAT I WAS GONNA SAY NOW?

535
00:25:26,263 --> 00:25:29,179
THAT NIGHT, AFTER GROUP,
LESTER WAS PREOCCUPIED.

536
00:25:29,223 --> 00:25:31,181
HAVING DASHIELL
IN FRONT OF HIM,

537
00:25:31,225 --> 00:25:34,228
CONFIRMING THAT THE EX
WAS INDEED AN EXISTING
HUMAN BEING,

538
00:25:34,271 --> 00:25:37,231
TURNED LESTER'S THOUGHTS
TO DARKER THINGS.

539
00:25:37,274 --> 00:25:40,190
LESTER COULD ONLY BRING
HIMSELF TO GLANCE AT THE BOOK,

540
00:25:40,234 --> 00:25:42,062
TO READ A LITTLE
AT A TIME.

541
00:25:42,105 --> 00:25:44,194
THE FIRST STORY,
THE SENSUALIST,

542
00:25:44,238 --> 00:25:46,240
WAS ABOUT A YOUNG WRITER
FROM THE MIDWEST

543
00:25:46,283 --> 00:25:49,156
WHO, UPON MOVING TO MANHATTAN,
DATED A WOMAN FROM BROOKLYN.

544
00:25:49,199 --> 00:25:52,246
SOUNDED FAMILIAR.
LESTER READ A LITTLE FURTHER,

545
00:25:52,289 --> 00:25:56,119
AND THEN HIS EYES BEGAN TO
DRIFT AWAY FROM THE PAGE
AND INTO HIS OWN MIND.

546
00:25:56,163 --> 00:25:58,121
THERE WERE THINGS
DISTINCTLY RAMONA-LIKE

547
00:25:58,165 --> 00:26:00,080
ABOUT THE CHARACTER CHARLOTTE.

548
00:26:00,123 --> 00:26:01,864
BROOKLYN-BORN,
THE INDISCRIMINATE TOUCHING,

549
00:26:01,908 --> 00:26:04,301
THE PASSION FOR LEARNING.

550
00:26:04,345 --> 00:26:06,695
BUT OTHER DETAILS...
CHARLOTTE'S INTEREST
IN THEATER...

551
00:26:06,739 --> 00:26:09,045
RAMONA DIDN'T FOLLOW THEATER
AS FAR AS LESTER KNEW.

552
00:26:09,089 --> 00:26:12,135
CHARLOTTE WAS NOT TALKATIVE.
RAMONA SAID WHAT CAME
TO HER MIND.

553
00:26:16,096 --> 00:26:17,010
YEAH?

554
00:26:17,053 --> 00:26:18,402
Ramona: HEY,
IT'S ME.

555
00:26:18,446 --> 00:26:20,883
SO ANYWAYS, HE WAS
GOING ON AND ON--

556
00:26:20,927 --> 00:26:22,929
IT'S CORY HALL.
REMEMBER I TOLD YOU
THIS STORY?

557
00:26:22,972 --> 00:26:26,236
SO THIS KILLED.
I GO UP TO HIM,
LITERALLY, AND I SAY,

558
00:26:26,280 --> 00:26:28,282
ONE SOLITARY SWALLOW

559
00:26:28,325 --> 00:26:30,893
DOES NOT MAKE A SUMMER.

560
00:26:30,937 --> 00:26:31,981
THAT PRETTY MUCH
SHUT HIM UP.

561
00:26:32,025 --> 00:26:33,200
Lint: WHAT?

562
00:26:33,243 --> 00:26:36,377
VINCE OFTEN KNOCKS
ON THE DOOR OF
PROFUNDITY

563
00:26:36,420 --> 00:26:38,205
AND RUNS AWAY.

564
00:26:43,340 --> 00:26:44,690
OH!

565
00:26:44,733 --> 00:26:45,647
LESTER'S IN THERAPY.

566
00:26:45,691 --> 00:26:46,909
OH, WOW!

567
00:26:46,953 --> 00:26:49,608
THAT'S GREAT!

568
00:26:51,218 --> 00:26:52,741
HEY! WOW!

569
00:26:52,785 --> 00:26:54,961
HOW ABOUT THAT?
GOOD FOR YOU.

570
00:26:55,004 --> 00:26:58,007
Lucretia:
ARE YOU FEELING ANY
DIFFERENT, LESTER?

571
00:26:58,051 --> 00:27:00,009
IT'S STILL...
IT'S PRETTY EARLY ON.

572
00:27:00,053 --> 00:27:01,750
REALLY GOOD, MAN.
IT'S TERRIFIC.

573
00:27:01,794 --> 00:27:03,360
GOOD FOR YOU, LESTER.
MY MAN.

574
00:27:03,404 --> 00:27:05,885
DON'T GET ANY
IDEAS, VINCE.
WE CAN'T AFFORD IT.

575
00:27:05,928 --> 00:27:07,408
OH, NO, NO, NO, NO.
NOT ME.

576
00:27:07,451 --> 00:27:08,844
NO, IT'S GOOD FOR YOU.

577
00:27:08,888 --> 00:27:10,193
LESTER.

578
00:27:10,237 --> 00:27:11,804
A-NUMBER ONE.

579
00:27:20,726 --> 00:27:25,339
Narrator: LESTER NECESSARILY HAD
TO CENSOR HIS REPORT TO VINCE.

580
00:27:25,382 --> 00:27:27,297
THAT'S IT?

581
00:27:27,341 --> 00:27:29,952
ALL THEY--
ALL THEY SAY IS
I SHOULD BE CAREFUL

582
00:27:29,996 --> 00:27:31,954
GETTING MARRIED,
MAKE SURE
I'M CERTAIN?

583
00:27:31,998 --> 00:27:34,783
YEAH, WELL, YOU DON'T
WANT TO MAKE YOUR
PARENTS' MISTAKES.

584
00:27:34,827 --> 00:27:36,219
JUST...BE MORE
CONFIDENT.

585
00:27:36,263 --> 00:27:37,786
IT SOUNDS TO ME
LIKE YOU'RE NOT REALLY

586
00:27:37,830 --> 00:27:39,179
REPRESENTING ME
ALL THAT WELL.

587
00:27:39,222 --> 00:27:40,267
BELIEVE ME--

588
00:27:40,310 --> 00:27:43,183
LIKE YOU'RE MAKING ME
SOUND TOO SANE.

589
00:27:43,226 --> 00:27:46,186
HEY, I'M MAKING YOU
AS SICK AS POSSIBLE.

590
00:27:46,229 --> 00:27:48,144
IT'S TOUGH, THOUGH.
THESE THINGS
TAKE TIME.

591
00:27:48,188 --> 00:27:51,321
YOU CAN'T EXPECT
A  CHANGE
OVERNIGHT.

592
00:27:51,365 --> 00:27:53,410
YEAH, WELL,
IT'D BE NICE.

593
00:27:57,371 --> 00:27:58,764
UH, HOW ABOUT
THE WRITER?

594
00:27:58,807 --> 00:28:00,113
DOES HE HAVE
ATTITUDE?

595
00:28:00,156 --> 00:28:02,376
HE'S A PRICK.
WHAT DO YOU THINK?

596
00:28:02,419 --> 00:28:04,204
YEAH, BOY, FAME.

597
00:28:04,247 --> 00:28:07,337
WELL, I GUESS
IT'S NICE TO KNOW
HE'S LIKE US,

598
00:28:07,381 --> 00:28:10,210
PUTS HIS PANTS ON
ONE LEG AT A TIME...

599
00:28:13,039 --> 00:28:15,694
HOW MANY WOMEN
HAVE YOU SLEPT WITH?

600
00:28:17,173 --> 00:28:19,088
OH, I--I DON'T
KNOW EXACTLY.

601
00:28:19,132 --> 00:28:20,873
OH, COME ON.
OF COURSE YOU KNOW.

602
00:28:20,916 --> 00:28:22,788
WE USED TO MAKE
LISTS TOGETHER.

603
00:28:22,831 --> 00:28:25,268
WE JUST HAVEN'T
TALKED ABOUT THIS
IN A WHILE.

604
00:28:25,312 --> 00:28:26,966
YEAH, BECAUSE
WE'RE ADULTS NOW.

605
00:28:27,009 --> 00:28:29,098
WE'RE ALL SUPPOSED
TO JUST ASSUME

606
00:28:29,142 --> 00:28:31,884
WE'VE SLEPT WITH THE
SAME NUMBER OF PEOPLE--
THE ADULT NUMBER.

607
00:28:31,927 --> 00:28:34,016
SO YOU'RE UP TO,
WHAT, 6?

608
00:28:34,060 --> 00:28:35,888
I HATE THIS GAME.
NOT HERE.

609
00:28:35,931 --> 00:28:37,803
THIS IS NOT A GAME.
WE'RE HAVING
A CONVERSATION.

610
00:28:37,846 --> 00:28:39,065
I--OH.I NEED A BUCK.

611
00:28:39,108 --> 00:28:40,370
Lint: JUST GIVE HER
THE WALLET.

612
00:28:40,414 --> 00:28:42,111
JUST GIVE ME
THE WHOLE WALLET,
TIGHT ASS.

613
00:28:42,155 --> 00:28:44,113
♪♪

614
00:28:44,157 --> 00:28:46,376
♪♪

615
00:28:47,900 --> 00:28:49,858
THANKS.

616
00:28:52,426 --> 00:28:54,384
PLEASE DON'T
LET'S DO THIS.

617
00:28:54,428 --> 00:28:57,344
5 OR 6.
I DON'T KNOW.
I'VE BEEN CHOOSY.

618
00:28:57,387 --> 00:28:59,172
I'M ONLY AT...14,

619
00:28:59,215 --> 00:29:02,044
AND THAT'S IF YOU COUNT
MYRNA LEAHY.

620
00:29:02,088 --> 00:29:05,569
I THINK RAMONA'S
UP TO, UH...

621
00:29:05,613 --> 00:29:09,225
CLOSE TO...20...5.

622
00:29:09,269 --> 00:29:12,881
I TRY TO KEEP COUNT,
YOU KNOW, WHENEVER SHE
MENTIONS SOMEONE NEW.

623
00:29:12,925 --> 00:29:15,928
THERE ARE 26 MEN
OUT THERE WHO FUCKED
MY GIRLFRIEND.

624
00:29:15,971 --> 00:29:17,451
HEY, IT'S NOT
LIKE THAT.

625
00:29:17,494 --> 00:29:19,322
OK. FINE.
THERE ARE 26 MEN

626
00:29:19,366 --> 00:29:21,803
WHO HAVE MADE
TENDER LOVE
TO MY GIRLFRIEND.

627
00:29:21,847 --> 00:29:26,199
I MEAN, BEING IN THERAPY
REALLY OPENS UP
THESE FEELINGS.

628
00:29:27,156 --> 00:29:29,419
I'M TRYING TO
FIGURE SOMETHING OUT.

629
00:29:29,463 --> 00:29:34,250
WHEN RAMONA THINKS OF
STEPHEN OR DASHIELL

630
00:29:34,294 --> 00:29:36,862
OR...WHOMEVER...

631
00:29:36,905 --> 00:29:40,474
AND IT'S ONLY NATURAL
THAT SHE'D THINK OF THEM...

632
00:29:40,517 --> 00:29:48,177
THE TIMES THEY HAD,
POSITIONS THEY DID IT IN...

633
00:29:48,221 --> 00:29:51,050
SHE HAS THE AFFAIR
ALL OVER AGAIN.

634
00:29:52,486 --> 00:29:53,617
YEAH...

635
00:29:53,661 --> 00:29:55,576
I THINK YOU'RE
TOUCHING ON
A DARKER AREA

636
00:29:55,619 --> 00:29:57,534
THAT WE'RE NOT
SUPPOSED TO
THINK ABOUT...

637
00:29:57,578 --> 00:29:59,101
LIKE OUR DEATH.

638
00:29:59,145 --> 00:30:00,929
WHEN YOU BRING UP
THANKSGIVING,

639
00:30:00,973 --> 00:30:03,018
MAKE SURE YOU MENTION
MY GRANDMOTHER
WAS DRUNK AGAIN.

640
00:30:03,062 --> 00:30:04,454
SO I THINK
THIS WHOLE AREA

641
00:30:04,498 --> 00:30:06,282
WAS ORIGINALLY ZONED FOR
THESE SORTS OF CLUBS.

642
00:30:06,326 --> 00:30:08,632
OF COURSE, THERE WERE
7 OF THEM AT THE TIME.

643
00:30:08,676 --> 00:30:10,286
Ramona:
YOU OK?

644
00:30:10,330 --> 00:30:13,420
IRENE AND I HAD CHINESE
THE OTHER NIGHT,

645
00:30:13,463 --> 00:30:17,076
AND SHE'D HEARD ME RECENTLY
ON NATIONAL PUBLIC RADIO,

646
00:30:17,119 --> 00:30:19,295
AND THE INTERVIEWER
KEPT ASKING ME

647
00:30:19,339 --> 00:30:21,515
HOW MANY OF MY STORIES
WERE AUTOBIOGRAPHICAL.

648
00:30:21,558 --> 00:30:25,954
THE GUY...
THE GUY ON THE RADIO,
MATT SOMETHING,

649
00:30:25,998 --> 00:30:29,523
ASKED ABOUT ONE OF
THE SEX SCENES IN THE
STORY THE SENSUALIST--

650
00:30:29,566 --> 00:30:33,919
A PARTICULARLY
EROTIC SCENE.

651
00:30:33,962 --> 00:30:39,228
THE PROTAGONIST DOES IT
WITH HIS GIRLFRIEND
IN A PARTICULARLY...

652
00:30:39,272 --> 00:30:43,015
WELL, I DON'T WANT TO
GET TOO SPECIFIC,
NOT HERE, BUT...

653
00:30:43,058 --> 00:30:45,104
IT'S FAIRLY EXPERIMENTAL,

654
00:30:45,147 --> 00:30:47,976
AND IT REALLY DID
UPSET IRENE.

655
00:30:48,020 --> 00:30:50,544
AND SHE ASKED ME
IF IT WAS TRUE,
AND I SAID IT WASN'T.

656
00:30:50,587 --> 00:30:52,502
IT WAS BASED ON MY LIFE,

657
00:30:52,546 --> 00:30:55,114
BUT I SAID IT WASN'T.

658
00:30:55,157 --> 00:30:58,987
BECAUSE I FELT BADLY,
I AGREED TO TAKE OUT
FROM THIS CHINESE PLACE
SHE LIKES.

659
00:30:59,031 --> 00:31:01,337
BAD FOOD.
BUT...GOOD FORTUNES.

660
00:31:01,381 --> 00:31:04,558
AND WHAT...BOTHERS YOU

661
00:31:04,601 --> 00:31:06,168
ABOUT THAT?

662
00:31:06,212 --> 00:31:08,997
IT'S PART OF YOUR PAST,
SOMETHING YOU WROTE ABOUT?

663
00:31:09,041 --> 00:31:10,651
ALL OF IT.

664
00:31:10,694 --> 00:31:13,567
I FEEL LIKE I'M NOT
A GOOD WRITER,

665
00:31:13,610 --> 00:31:16,352
THAT I WROTE A BOOK
OF SHORT STORIES,

666
00:31:16,396 --> 00:31:19,007
BUT I ONLY HAD
ONE STORY TO TELL.

667
00:31:19,051 --> 00:31:21,096
I--I DON'T KNOW.

668
00:31:21,140 --> 00:31:24,360
I GET INTO FIST FIGHTS
WHEN I'M DEPRESSED.

669
00:31:24,404 --> 00:31:27,276
AND I BEGIN TO FEEL
THAT I'M NOT A GOOD PERSON.

670
00:31:27,320 --> 00:31:29,452
MY RELATIONSHIP NOW
WITH IRENE...

671
00:31:29,496 --> 00:31:33,282
WE FINALLY HIT THAT POINT
WHERE I'VE STOPPED VIEWING
EVERYTHING WE DO

672
00:31:33,326 --> 00:31:35,545
AS MATERIAL
FOR MY NEXT BOOK.

673
00:31:35,589 --> 00:31:36,982
THANK GOD.

674
00:31:37,025 --> 00:31:40,594
AND SHE'S...THE FIRST GIRL
I'VE GONE OUT WITH

675
00:31:40,637 --> 00:31:42,596
THAT I HAVEN'T BEEN
UNFAITHFUL TO,

676
00:31:42,639 --> 00:31:45,033
AND I JUST WANT IT
TO STAY THAT WAY.

677
00:31:45,077 --> 00:31:46,556
I DON'T WANT TO
BE UNFAITHFUL.

678
00:31:46,600 --> 00:31:48,123
BUT IT'S HARD--

679
00:31:48,167 --> 00:31:50,386
STOP FEELING SORRY
FOR YOURSELF!

680
00:31:50,430 --> 00:31:53,563
Narrator: IT WAS RARE
THAT LESTER EVER SPOKE

681
00:31:53,607 --> 00:31:56,392
WITHOUT THINKING A HUNDRED TIMES
ABOUT WHAT HE WAS GOING TO SAY,

682
00:31:56,436 --> 00:31:57,959
BUT THIS DAY WAS AN EXCEPTION.

683
00:31:58,003 --> 00:31:59,352
WHAT?

684
00:31:59,395 --> 00:32:02,050
TAKE SOME RESPONSIBILITY
FOR YOURSELF.

685
00:32:02,094 --> 00:32:04,096
DON'T BLAME IT
ON YOUR NATURE.

686
00:32:04,139 --> 00:32:05,358
HOW CAN YOU SAY,
AT YOUR AGE,

687
00:32:05,401 --> 00:32:07,099
THAT YOU'VE NEVER BEEN
FAITHFUL TO ANYONE?

688
00:32:07,142 --> 00:32:08,448
WHAT KIND OF
BOYFRIEND ARE YOU?

689
00:32:08,491 --> 00:32:10,145
WHAT KIND OF PERSON
ARE YOU?

690
00:32:10,189 --> 00:32:13,279
I'M NOT CONDONING IT.
THAT'S WHY I'M HERE.

691
00:32:13,322 --> 00:32:14,976
BUT YOU LAMENT
THE INEVITABLE DEMISE

692
00:32:15,020 --> 00:32:16,064
OF YOUR FIDELITY
WITH IRENE

693
00:32:16,108 --> 00:32:18,066
WHEN YOU CAN CONTROL IT.

694
00:32:18,110 --> 00:32:20,155
YOU CAN REMAIN FAITHFUL
IF YOU CHOOSE TO.

695
00:32:20,199 --> 00:32:22,244
IT JUST TAKES
A LITTLE EFFORT.

696
00:32:22,288 --> 00:32:24,594
YOU DON'T KNOW
WHAT IT'S LIKE
WHERE I AM NOW.

697
00:32:24,638 --> 00:32:27,293
VINCE, I DON'T KNOW
WHERE YOU ARE, BUT--

698
00:32:27,336 --> 00:32:29,556
DON'T PATRONIZE ME.
FIST FIGHTS.

699
00:32:29,599 --> 00:32:32,124
YOU'RE NOT HEMINGWAY
OR NORMAN MAILER.

700
00:32:32,167 --> 00:32:34,474
YOU SAY YOU'VE NEVER
BEEN FAITHFUL?

701
00:32:34,517 --> 00:32:38,043
WELL, THAT GOES BACK
TO BEFORE YOUR SUCCESS,

702
00:32:38,086 --> 00:32:40,654
BACK WHEN YOU WERE
JUST SOME JACKOFF WHO
WANTED TO BE A WRITER.

703
00:32:40,697 --> 00:32:42,351
SO DON'T
TALK DOWN TO ME.

704
00:32:42,395 --> 00:32:43,700
LOOK BACK INTO
YOUR PAST, DASHIELL,

705
00:32:43,744 --> 00:32:45,615
YOUR PAST GIRLFRIENDS,

706
00:32:45,659 --> 00:32:49,141
AND FIND OUT WHAT
HAPPENED TO YOU.

707
00:32:49,184 --> 00:32:51,360
WHO WERE THE ONES
THAT MATTERED?

708
00:32:51,404 --> 00:32:54,233
HMM

709
00:32:54,276 --> 00:32:56,496
ALL RIGHT, VINCE,
DASHIELL,

710
00:32:56,539 --> 00:33:00,456
UM...LET'S GET BACK
TO THAT RADIO INTERVIEW.

711
00:33:00,500 --> 00:33:01,718
DASHIELL?

712
00:33:07,724 --> 00:33:09,726
UH...IT WAS
A PLEDGE DRIVE.

713
00:33:09,770 --> 00:33:12,729
UM...THE HOST ASKED ME

714
00:33:12,773 --> 00:33:15,297
WHAT WAS NEXT.

715
00:33:15,341 --> 00:33:18,648
OK. SENOR MUNOZ
HAS HEPATITIS,

716
00:33:18,692 --> 00:33:22,130
SO I'M GOING TO BE
HELPING YOU REVIEW
FOR YOUR MIDTERM.

717
00:33:22,174 --> 00:33:27,092
IT WILL INCLUDE ALL
IRREGULAR VERBS UP TO SABRE.

718
00:33:27,135 --> 00:33:28,571
YES.

719
00:33:28,615 --> 00:33:30,660
¿ME DA EL PASE,
POR FAVOR?

720
00:33:30,704 --> 00:33:33,098
TENGO QUE IR AL BAñO.

721
00:33:35,578 --> 00:33:37,406
OK. YOUR NAME IS...

722
00:33:37,450 --> 00:33:39,713
ME LLAMO NAT.

723
00:33:39,756 --> 00:33:41,758
YOUR NAME IS NAT.

724
00:33:41,802 --> 00:33:45,110
OK, NAT.
I'M GOING TO ASK YOU
TO REPEAT THAT IN ENGLISH.

725
00:33:47,373 --> 00:33:50,158
CAN I HAVE THE PASS?
I NEED TO GO TO THE
BATHROOM.

726
00:33:50,202 --> 00:33:52,160
OH, OK.

727
00:33:52,204 --> 00:33:53,727
FINE. ANYONE ELSE?

728
00:33:56,208 --> 00:33:59,080
ALL RIGHT.
IF YOU HAVE ANY QUESTIONS,

729
00:33:59,124 --> 00:34:02,301
I'M GOING TO ASK YOU
TO ASK THEM IN ENGLISH

730
00:34:02,344 --> 00:34:05,173
BECAUSE MR. GRIMM
DOESN'T SPEAK SPANISH.

731
00:34:05,217 --> 00:34:06,566
NOT A LICK.

732
00:34:06,609 --> 00:34:08,307
HELLO?

733
00:34:08,350 --> 00:34:09,699
HI. IT'S ME.

734
00:34:09,743 --> 00:34:10,700
LESTER.

735
00:34:10,744 --> 00:34:12,746
I KNOW WHO IT IS.

736
00:34:12,789 --> 00:34:15,140
I JUST HAD MAYBE THE WORST
SUBBING EXPERIENCE OF MY LIFE.

737
00:34:15,183 --> 00:34:17,751
YOU KNOW, I SPEAK
NOT A WORD OF SPANISH.

738
00:34:17,794 --> 00:34:19,622
LESTER, I CAN'T TALK
'CAUSE I GOT TO GIVE

739
00:34:19,666 --> 00:34:21,102
A PREVIEW TOUR OF
THE MIRO SHOW.

740
00:34:21,146 --> 00:34:22,364
I'LL CALL YOU LATER.

741
00:34:22,408 --> 00:34:24,845
FINE. YOU WANT TO
HAVE DINNER?

742
00:34:24,888 --> 00:34:28,588
WELL, I DON'T KNOW.
I JUST--WANNA TAKE
THIS NIGHT, YOU KNOW?

743
00:34:28,631 --> 00:34:29,676
UH-HUH.

744
00:34:29,719 --> 00:34:31,765
NO, I MEAN I REALLY DO.
I'M LIKE THAT.

745
00:34:31,808 --> 00:34:34,420
THIS ISN'T AN EXCUSE.
HONEST.

746
00:34:34,463 --> 00:34:36,552
OK. WELL, HOW ABOUT
TOMORROW NIGHT?

747
00:34:36,596 --> 00:34:38,380
SURE. OH! I'M BUSY.

748
00:34:38,424 --> 00:34:40,600
I GOTTA GO TO DINNER
WITH THESE PEOPLE
FROM WORK

749
00:34:40,643 --> 00:34:42,558
AND A FRIEND
OF MINE, FARLEY.

750
00:34:42,602 --> 00:34:44,212
DON'T KNOW HIM.

751
00:34:44,256 --> 00:34:46,301
FARLEY IS--
WELL, I DON'T KNOW.

752
00:34:46,345 --> 00:34:47,781
HE'S TRYING TO KICK
HEROIN,

753
00:34:47,824 --> 00:34:49,609
AND I SAID
I'D SIT WITH HIM.

754
00:34:49,652 --> 00:34:50,697
EX?

755
00:34:50,740 --> 00:34:52,481
NO.
NOT FARLEY.

756
00:34:52,525 --> 00:34:54,396
OK. WELL, LOOK,
WHY DON'T YOU JUST

757
00:34:54,440 --> 00:34:55,571
GIVE ME A CALL
WHEN YOU'RE FREE?

758
00:34:55,615 --> 00:34:56,746
HEY, LESTER.

759
00:34:56,790 --> 00:34:57,791
MM-HMM.

760
00:34:57,834 --> 00:34:59,793
I REALLY DO HAVE
PLANS,

761
00:34:59,836 --> 00:35:01,925
AND I REALLY DO
JUST WANT A NIGHT
BY MYSELF.

762
00:35:01,969 --> 00:35:04,450
I MEAN, WE DON'T
KNOW EACH OTHER
THAT WELL YET.

763
00:35:04,493 --> 00:35:05,364
WE HAVEN'T HAD ONE
OF THOSE THINGS

764
00:35:05,407 --> 00:35:07,148
THAT WE'RE HAVING
RIGHT NOW,

765
00:35:07,192 --> 00:35:08,497
SO YOU MIGHT THINK
I'M JUST MAKING
THIS UP.

766
00:35:08,541 --> 00:35:10,804
YEAH...I BELIEVE YOU.

767
00:35:10,847 --> 00:35:12,197
DO YOU?

768
00:35:12,240 --> 00:35:14,460
BYE.
YEAH. BYE-BYE.

769
00:35:29,649 --> 00:35:32,608
Machine:
NO MESSAGES.

770
00:35:32,652 --> 00:35:36,525
♪ IT'S RAININ' SO HARD

771
00:35:36,569 --> 00:35:39,485
♪ LIKE IT'S GONNA RAIN
ALL NIGHT ♪

772
00:35:42,879 --> 00:35:45,839
♪ I'D LOVE TO BE
HOLDING YOU TIGHT... ♪

773
00:35:45,882 --> 00:35:48,276
Narrator: EVERY TIME
HE PICKED UP DASHIELL'S BOOK,

774
00:35:48,320 --> 00:35:50,322
HE FOUND HIMSELF
UNABLE TO PENETRATE IT,

775
00:35:50,365 --> 00:35:53,847
READING THE SAME SENTENCE
OVER AND OVER AGAIN.

776
00:35:53,890 --> 00:35:56,545
MOREOVER, LESTER HAD FORGOTTEN
WHAT HE DID WITH HIS TIME

777
00:35:56,589 --> 00:35:58,678
BEFORE HE MET RAMONA.

778
00:36:00,636 --> 00:36:03,248
♪ DRIP DROP, DRIP DROP ♪ IT'S RAININ' SO HARD

779
00:36:03,291 --> 00:36:07,469
♪ DRIP DROP, DRIP DROP ♪ IT'S REALLY COMING DOWN

780
00:36:07,513 --> 00:36:10,429
♪ OH

781
00:36:10,472 --> 00:36:13,475
♪ THE RAIN ALL AROUND

782
00:36:13,519 --> 00:36:15,651
HI, IT'S RAMONA.
LEAVE A MESSAGE.

783
00:36:15,695 --> 00:36:17,262
THANKS.

784
00:36:17,305 --> 00:36:20,221
♪ I'D LOVE TO BE
HOLDING YOU TIGHT ♪

785
00:36:20,265 --> 00:36:23,311
♪ I GUESS I'LL
JUST GO CRAZY ♪

786
00:36:23,355 --> 00:36:25,357
♪ TONIGHT

787
00:36:26,401 --> 00:36:29,926
♪ IT'S RAININ' SO HARD

788
00:36:29,970 --> 00:36:31,711
♪ BRINGS BACK MEMORIES

789
00:36:31,754 --> 00:36:33,539
♪ DRIP, DROP

790
00:36:33,582 --> 00:36:34,453
♪ AH

791
00:36:34,496 --> 00:36:36,585
♪ OF THE TIME...

792
00:36:40,459 --> 00:36:43,505
♪ COUNTING EVERY DROP

793
00:36:43,549 --> 00:36:46,813
♪ ABOUT TO BLOW MY TOP

794
00:36:46,856 --> 00:36:49,381
♪ I WISH THIS RAIN
WOULD HURRY UP ♪

795
00:36:49,424 --> 00:36:53,341
♪ AND STOP

796
00:38:02,671 --> 00:38:04,847
[PRESSES
BUZZER]

797
00:38:17,164 --> 00:38:18,818
LESTER?

798
00:38:20,167 --> 00:38:21,342
HEY.

799
00:38:21,386 --> 00:38:22,909
OH.

800
00:38:22,952 --> 00:38:24,867
I'M SORRY, I--

801
00:38:24,911 --> 00:38:26,478
I CALLED--

802
00:38:26,521 --> 00:38:27,957
SORRY, I'M
OUT OF BREATH.

803
00:38:28,001 --> 00:38:29,568
I CALLED.

804
00:38:29,611 --> 00:38:32,353
I WAS IN THE SHOWER.

805
00:38:33,833 --> 00:38:35,356
OH, THAT MUST
HAVE BEEN...

806
00:38:35,400 --> 00:38:36,618
WHEW.

807
00:38:36,662 --> 00:38:39,578
THAT MUST HAVE
BEEN IT.
I'M SORRY.

808
00:38:39,621 --> 00:38:42,145
IT'S OK.
YOU ALL RIGHT?

809
00:38:42,189 --> 00:38:45,888
YEAH, I WAS...
I WAS--I WAS JUST
WORRIED.

810
00:38:48,891 --> 00:38:50,763
JUST SHOWERING.

811
00:38:52,504 --> 00:38:54,462
I--I--I ALSO CALLED

812
00:38:54,506 --> 00:38:56,856
ABOUT A HALF-HOUR
AGO.

813
00:38:56,899 --> 00:38:58,858
YEAH?

814
00:39:00,990 --> 00:39:02,949
WHERE WERE YOU
THEN?

815
00:39:02,992 --> 00:39:06,039
A HALF
UH...I DON'T KNOW.

816
00:39:06,082 --> 00:39:09,651
BECAUSE THE PHONE...

817
00:39:09,695 --> 00:39:12,698
THERE WAS--
THERE WAS NO ANSWER.

818
00:39:14,874 --> 00:39:18,051
OH! I WENT OUT FOR MILK.
I GOT MILK.

819
00:39:18,094 --> 00:39:19,661
FOR COFFEE.

820
00:39:19,705 --> 00:39:22,055
OH! THAT MUST HAVE
BEEN IT.

821
00:39:22,098 --> 00:39:24,405
FINE.

822
00:39:24,449 --> 00:39:26,015
IT WAS MILK.

823
00:39:26,059 --> 00:39:27,365
MM-HMM.

824
00:39:31,107 --> 00:39:32,108
OOH...

825
00:39:34,459 --> 00:39:36,461
ARE YOU ALL RIGHT?

826
00:39:37,200 --> 00:39:38,941
YES. HA HA.

827
00:39:43,032 --> 00:39:44,773
I'LL TALK TO YOU
TOMORROW.

828
00:39:44,817 --> 00:39:45,687
OK.

829
00:39:45,731 --> 00:39:46,427
ALL RIGHT.
GOOD.

830
00:39:46,471 --> 00:39:47,907
BYE-BYE.

831
00:39:47,950 --> 00:39:49,082
BYE.

832
00:39:57,133 --> 00:39:59,048
Man: WHO WAS THAT?

833
00:39:59,092 --> 00:40:02,791
THE NEXT DAY,
LESTER TOLD VINCE
HE WAS LEAVING GROUP.

834
00:40:02,835 --> 00:40:05,664
LESTER, WE HAVEN'T
FINISHED MY ANALYSIS.
WHAT ABOUT ME?

835
00:40:05,707 --> 00:40:07,187
I'M SORRY.
I DIDN'T REALIZE

836
00:40:07,230 --> 00:40:08,797
YOU WERE GETTING
SO MUCH OUT OF IT.

837
00:40:08,841 --> 00:40:11,452
WELL, I FELT LIKE
WE WERE BOTH MAKING
SOME HEADWAY.

838
00:40:11,496 --> 00:40:13,062
I DON'T WANT
THE RESPONSIBILITY.

839
00:40:13,106 --> 00:40:15,456
I JUST WANTED TO LEARN
MORE ABOUT RAMONA,

840
00:40:15,500 --> 00:40:17,110
AND NOW I'M DEALING WITH
YOU AND LUCRETIA

841
00:40:17,153 --> 00:40:18,807
AND OTHER PEOPLE
IN THE GROUP.

842
00:40:18,851 --> 00:40:21,593
I JUST--I FEEL IT TUGGING
AT A SIDE OF ME

843
00:40:21,636 --> 00:40:23,508
THAT MAY NOT BE
SO HEALTHY.

844
00:40:23,551 --> 00:40:26,554
JESUS, LESTER,
I'M NOT PREPARED
TO STOP.

845
00:40:26,598 --> 00:40:29,470
I MEAN, I AM
TERRIFIED OF ENDING IT.

846
00:40:29,514 --> 00:40:32,081
I'LL LET YOU IN
ON A LITTLE SECRET.

847
00:40:32,125 --> 00:40:34,997
I KNOW I APPEAR AS IF
I HAVE IT ALL TOGETHER

848
00:40:35,041 --> 00:40:38,087
THE LAW FIRM, THE FIANCEE,
$75 HAIR CUT--

849
00:40:38,131 --> 00:40:40,960
BUT I AM FUCKED UP.
I'M REALLY FUCKED UP.

850
00:40:42,875 --> 00:40:45,094
I AM TEETERING
ON THE PRECIPICE,

851
00:40:45,138 --> 00:40:48,881
AND YOU'RE GONNA JUST
PUSH ME RIGHT OVER!

852
00:40:52,972 --> 00:40:55,975
JUST ONE MORE SESSION.
ONE MORE WEEK. 2 MORE!

853
00:40:56,018 --> 00:40:57,106
JUST 2 MORE WEEKS!

854
00:40:57,150 --> 00:40:58,586
THAT'S 4 MORE.

855
00:40:58,630 --> 00:40:59,544
4 MORE.

856
00:40:59,587 --> 00:41:00,719
I DUNNO.

857
00:41:00,762 --> 00:41:02,634
OH, MAN!

858
00:41:02,677 --> 00:41:04,766
WHAT AM I GONNA
DO NOW?

859
00:41:04,810 --> 00:41:07,508
I DUNNO.
GET YOUR OWN THERAPY?

860
00:41:07,552 --> 00:41:09,945
FUCK YOU,
MY OWN THERAPY!

861
00:41:09,989 --> 00:41:12,905
YOU STARTED THIS.
YOU CAN'T JUST
TERMINATE IT.

862
00:41:16,169 --> 00:41:17,605
OK.

863
00:41:17,649 --> 00:41:19,999
2 MORE,
BUT THAT'S IT.

864
00:41:24,612 --> 00:41:26,005
GREAT.

865
00:41:27,180 --> 00:41:29,051
LESTER LIKED FIGHTING
WITH DASHIELL.

866
00:41:29,095 --> 00:41:31,314
THAT FELT GOOD.

867
00:41:31,358 --> 00:41:32,664
LESTER FELT THE WRITER
WAS OBVIOUSLY POMPOUS,

868
00:41:32,707 --> 00:41:34,796
SELF-CENTERED, AND IMMATURE.

869
00:41:34,840 --> 00:41:37,886
AND THERE WAS NO MENTION
OF RAMONA--NOT THE REAL
RAMONA, ANYWAY.

870
00:41:37,930 --> 00:41:40,889
JUST CHARACTERS FROM
THE STORIES IN DASHIELL'S BOOK.

871
00:41:40,933 --> 00:41:43,892
LESTER WONDERED...
WAS RAMONA THE WOMAN
DASHIELL DESCRIBED?

872
00:41:43,936 --> 00:41:45,894
THE OTHER NIGHT,
FEELING GUILTY,

873
00:41:45,938 --> 00:41:48,723
I TOLD IRENE
THAT THE CHARACTER
IN MY BOOK, CHARLOTTE,

874
00:41:48,767 --> 00:41:51,334
THE ONE WHO TAKES PART
IN THE EROTIC SEX SCENE,

875
00:41:51,378 --> 00:41:54,294
WAS BASED ON AN ACTUAL
GIRLFRIEND OF MINE.

876
00:41:54,337 --> 00:41:56,296
Dr. Poke:
YOU TOLD THE TRUTH?

877
00:41:56,339 --> 00:41:59,995
CHARLOTTE WAS A GIRL
I DATED IN NEW YORK
AFTER COLLEGE.

878
00:42:00,039 --> 00:42:02,955
THE REAL CHARLOTTE--
GOD, MY MEMORY IS TERRIBLE--

879
00:42:02,998 --> 00:42:05,914
THE REAL CHARLOTTE
WAS A BIT OF A TART.

880
00:42:05,958 --> 00:42:07,612
Lester: A WHAT?

881
00:42:07,655 --> 00:42:10,571
WHAT A PHILIP ROTH CHARACTER
MIGHT CALL A CHIPPY.

882
00:42:10,615 --> 00:42:12,878
SHE HAD A NUMBER OF LOVERS
FOR A WOMAN HER AGE,

883
00:42:12,921 --> 00:42:15,010
AT LEAST IN MY EXPERIENCE.

884
00:42:15,054 --> 00:42:18,231
IN COLLEGE SHE DATED
A LOT OF THOSE
YOUNGER TEACHERS

885
00:42:18,274 --> 00:42:20,233
THAT EVERYBODY
HAD CRUSHES ON.

886
00:42:20,276 --> 00:42:23,628
THE GUYS WANTED TO BE.
THE GIRLS WANTED TO FUCK.

887
00:42:23,671 --> 00:42:27,806
ONE HISTORY TEACHER
IN PARTICULAR...USED TO
BOTHER ME A LOT THEN.

888
00:42:27,849 --> 00:42:30,286
NOW I ONE OF THOSE GUYS.

889
00:42:30,330 --> 00:42:31,679
I JUST WANTED
TO SAY--

890
00:42:31,723 --> 00:42:33,246
PLEASE SHUT UP.

891
00:42:33,289 --> 00:42:36,945
IT'S STILL A LITTLE EMBARRASSING
FOR ME TO WRITE LIKE THAT.

892
00:42:36,989 --> 00:42:39,252
I SPEND A LOT OF TIME
WITH THE WORDS.

893
00:42:39,295 --> 00:42:42,255
IT'S HARD TO AVOID
CLICHES WITH SEX.

894
00:42:42,298 --> 00:42:44,257
I MEAN, I'D MADE LOVE TO HER,

895
00:42:44,300 --> 00:42:46,738
SO I KNEW HER HABITS,
HER SOUNDS.

896
00:42:46,781 --> 00:42:48,914
I THINK ABOUT HER A LOT.

897
00:42:48,957 --> 00:42:51,743
WRITING ABOUT HER
WAS A WAY TO HAVE HER AGAIN.

898
00:42:51,786 --> 00:42:53,832
HOW'S THERAPY BEEN?

899
00:42:53,875 --> 00:42:56,225
YOU KNOW,
WHAT ARE YOU
WORKING THROUGH?

900
00:42:58,097 --> 00:43:00,186
YOUR PARENTS'...
DIVORCE?

901
00:43:00,229 --> 00:43:03,189
OR...YOUR CAREER?

902
00:43:05,321 --> 00:43:07,062
ME?

903
00:43:07,106 --> 00:43:09,151
YEAH. YOU KNOW...

904
00:43:11,763 --> 00:43:13,765
WHICH?

905
00:43:13,808 --> 00:43:15,723
UH...

906
00:43:15,767 --> 00:43:17,725
ALL OF--
OF THOSE THINGS.

907
00:43:17,769 --> 00:43:19,945
YOU KNOW.

908
00:43:21,120 --> 00:43:22,730
I DON'T KNOW.

909
00:43:22,774 --> 00:43:24,819
HOW WHEN MY PARENTS
DIVORCED,

910
00:43:24,863 --> 00:43:27,430
I BEGAN TO REALIZE
THAT THEY HAD REAL
LIVES?

911
00:43:27,474 --> 00:43:29,650
HOW SOMEHOW
I'D IDEALIZED THEM

912
00:43:29,694 --> 00:43:31,957
UP UNTIL THEN.

913
00:43:32,000 --> 00:43:35,743
BUT...
BUT THAT THAT'S OK
AND NATURAL.

914
00:43:37,702 --> 00:43:40,095
BUT HE SAYS THAT IF
I CHOOSE TO GO BACK
TO WRITING WHILE
I TEACH

915
00:43:40,139 --> 00:43:42,271
THAT I'LL PROBABLY
DO VERY WELL

916
00:43:42,315 --> 00:43:45,318
EVEN THOUGH I'M
STALLED A LITTLE NOW,

917
00:43:45,361 --> 00:43:47,276
THAT I'LL GET BACK
ON TRACK

918
00:43:47,320 --> 00:43:49,104
AND PROBABLY BE
VERY SUCCESSFUL.

919
00:43:49,148 --> 00:43:50,105
OH.

920
00:43:50,149 --> 00:43:52,107
AND YOU. YOU AND ME.

921
00:43:52,151 --> 00:43:54,109
DO THEY LIKE ME?

922
00:43:54,153 --> 00:43:56,111
OH, YEAH. VERY MUCH.

923
00:43:56,155 --> 00:43:57,765
BUT WE'VE TALKED ABOUT
HOW DIFFICULT IT IS

924
00:43:57,809 --> 00:44:00,289
FOR A YOUNG
RELATIONSHIP,

925
00:44:00,333 --> 00:44:02,291
WHEN YOU REALLY
CARE ABOUT EACH OTHER

926
00:44:02,335 --> 00:44:05,338
BUT DON'T KNOW ENOUGH
ABOUT YOURSELVES YET.

927
00:44:05,381 --> 00:44:06,121
HMM.

928
00:44:06,165 --> 00:44:07,993
THOSE KINDS OF THINGS.

929
00:44:08,036 --> 00:44:10,169
I DON'T KNOW.
I'VE JUST STARTED.

930
00:44:10,212 --> 00:44:12,345
HMM. OH, HEY.
I'VE BEEN MEANING
TO ASK YOU.

931
00:44:12,388 --> 00:44:14,347
DO YOU LIKE THAT BOOK?

932
00:44:14,390 --> 00:44:15,304
DON QUIXOTE?

933
00:44:15,348 --> 00:44:18,133
NO, NO.
THE ONE THAT I GAVE YOU.

934
00:44:18,177 --> 00:44:20,048
POST EUPHORIA.
DASHIELL'S BOOK.

935
00:44:20,092 --> 00:44:22,137
THE FIRST STORY
IN PARTICULAR.

936
00:44:22,181 --> 00:44:24,357
THE FIRST ONE...
IT'S GOOD.

937
00:44:24,400 --> 00:44:27,360
I'M NOT--I'M NOT
DONE WITH IT YET.

938
00:44:27,403 --> 00:44:29,318
I'M READING IT
OUT OF ORDER.

939
00:44:29,362 --> 00:44:31,799
MMM. I'M INTERESTED
TO KNOW WHAT YOU THINK.

940
00:44:31,843 --> 00:44:33,148
YEAH?

941
00:44:33,192 --> 00:44:35,847
LESTER CONTINUED ON PAST
THE NEXT 2 SESSIONS,

942
00:44:35,890 --> 00:44:37,239
AND ROUTINE SETTLED IN.

943
00:44:37,283 --> 00:44:39,241
IT SEEMED TO HIM THAT
ON THE ROAD TO GETTING BETTER,

944
00:44:39,285 --> 00:44:42,157
THE GROUP ALL BEGAN
TO LOOK A LITTLE WORSE--

945
00:44:42,201 --> 00:44:44,986
MARIA, WHO WAS CONVINCED
SHE AND HER FAMILY WOULD DIE

946
00:44:45,030 --> 00:44:47,510
AFTER AN EXTERMINATOR
SPRAYED HER APARTMENT
WITH A CARCINOGEN....

947
00:44:47,554 --> 00:44:49,512
...WITHOUT MY CONSENT.
I DON'T KNOW WHERE
THAT IS IN THE LEASE!

948
00:44:49,556 --> 00:44:51,950
TREY, WHO WAS GOING THROUGH
HIS FOURTH DIVORCE AT 36...

949
00:44:51,993 --> 00:44:53,778
...GAINED SO MUCH WEIGHT,

950
00:44:53,821 --> 00:44:56,302
I STILL CAN'T GET
MY WEDDING RING...OFF.

951
00:44:56,345 --> 00:44:57,695
AND JOSSELYN WHO CAME AFTER

952
00:44:57,738 --> 00:44:59,348
SHE'D BEEN HAVING AN AFFAIR
WITH HER OTHER THERAPIST

953
00:44:59,392 --> 00:45:01,263
AND THEN,
FEELING HE HAD CURED HER,

954
00:45:01,307 --> 00:45:02,961
LEFT AFTER A MONTH,
AND SO ON.

955
00:45:03,004 --> 00:45:06,181
THE REASON I WAS
AFRAID TO FLY

956
00:45:06,225 --> 00:45:08,270
WAS THAT I WAS AFRAID
OF ERECTIONS,

957
00:45:08,314 --> 00:45:10,272
BECAUSE THEY BOTH
WENT UP MYSTERIOUSLY.

958
00:45:10,316 --> 00:45:12,361
EACH PROBLEM WAS WORKED ON
DILIGENTLY BY THE GROUP.

959
00:45:12,405 --> 00:45:14,494
THEY ALL DEVELOPED A MUTUAL
RESPECT FOR ONE ANOTHER.

960
00:45:14,537 --> 00:45:17,018
LESTER GOT USED TO SITTING
IN THE SAME SEAT,

961
00:45:17,062 --> 00:45:18,498
AND AS THE GROUP,

962
00:45:18,541 --> 00:45:21,196
INSTIGATED BY DASHIELL,
TORE POOR VINCE'S LIFE TO BITS,

963
00:45:21,240 --> 00:45:23,329
LESTER DEFENDED HIS FRIEND.

964
00:45:23,372 --> 00:45:25,287
YOU'RE JUST JEALOUS.
I HAVE GOOD FRIENDS.

965
00:45:25,331 --> 00:45:26,985
WHAT'S SO UNHEALTHY
ABOUT THAT?

966
00:45:27,028 --> 00:45:30,292
AND I THINK COKE
DOES VARY PER CAN.

967
00:45:30,336 --> 00:45:33,121
BUT MORE IMPORTANTLY,
LESTER ATTACKED DASHIELL.

968
00:45:33,165 --> 00:45:35,994
OH, YOU ARE SO WRONG,
SO FULL OF YOURSELF!

969
00:45:36,037 --> 00:45:37,909
HAVE YOU EVER THOUGHT
ABOUT THIS, DASHIELL?

970
00:45:37,952 --> 00:45:39,388
HOW'D THE MET
INTERVIEW GO?

971
00:45:39,432 --> 00:45:42,435
GOOD. I THINK.
GOOD.

972
00:45:42,478 --> 00:45:46,221
IMAGINE WORKING AT
THE METROPOLITAN MUSEUM.

973
00:45:46,265 --> 00:45:47,875
I KNOW.

974
00:45:47,919 --> 00:45:49,398
I DON'T KNOW, THOUGH.

975
00:45:49,442 --> 00:45:51,444
YOU KNOW?

976
00:45:51,487 --> 00:45:53,446
IT'S MORE AU COURANT
AND ALL THAT,

977
00:45:53,489 --> 00:45:55,143
BUT I LOVE BROOKLYN.

978
00:45:55,187 --> 00:45:58,451
I WOULD FEEL GUILTY,
LIKE I'M CHEATING
ON MY MUSEUM.

979
00:45:58,494 --> 00:46:00,801
NO, BUT I WOULD.

980
00:46:00,845 --> 00:46:03,935
VINCE SAID THE MOST
INSIGHTFUL THING
THE OTHER DAY ABOUT US.

981
00:46:03,978 --> 00:46:07,068
I WISH I COULD REMEMBER
WHAT IT WAS.

982
00:46:07,112 --> 00:46:10,550
IT HAPPENED RIGHT AFTER
WE'D HAD THIS FIGHT
ABOUT LINT.

983
00:46:10,593 --> 00:46:13,858
GO BACK TO 34.
WHAT WAS ON THAT?

984
00:46:16,512 --> 00:46:18,471
SOFT-CORE.

985
00:46:18,514 --> 00:46:20,473
MAYBE WE SHOULD
TURN IN SOON, VINCE.

986
00:46:20,516 --> 00:46:21,909
HELLO, WHAT'S THIS?

987
00:46:21,953 --> 00:46:23,476
OH, THIS MOVIE SUCKS.

988
00:46:23,519 --> 00:46:26,131
BY THE THIRD TIME
I SAW IT I WAS, LIKE,

989
00:46:26,174 --> 00:46:28,960
"I CAN'T BELIEVE HOW MUCH
I DON'T LIKE THIS MOVIE."

990
00:46:29,003 --> 00:46:32,485
I HAVEN'T SEEN IT.
HOLD ON.

991
00:46:32,528 --> 00:46:34,487
IT'S TERRIBLE.

992
00:46:38,578 --> 00:46:40,972
BUT THEN THE NEXT DAY
HE APOLOGIZED

993
00:46:41,015 --> 00:46:43,061
AND HE TOOK ME OUT
TO DINNER,

994
00:46:43,104 --> 00:46:45,019
AND WE WERE JUST
TOGETHER.

995
00:46:45,063 --> 00:46:47,152
HE'S GOTTEN
SO INTROSPECTIVE LATELY.

996
00:46:47,195 --> 00:46:49,458
I MEAN, I THINK
HE'S REALLY TRYING
TO CHANGE.

997
00:46:49,502 --> 00:46:51,634
WHICH I THINK IS GOOD.

998
00:46:51,678 --> 00:46:55,290
I MEAN, YOU CAN ONLY
FIND INCOMPETENCE
ENDEARING FOR SO LONG.

999
00:46:55,334 --> 00:46:56,291
YEAH.

1000
00:46:59,555 --> 00:47:01,514
GROUP SHOULD BE
UNDER WAY.

1001
00:47:01,557 --> 00:47:04,343
TO THINK I'M PROBABLY
BEING TALKED ABOUT
RIGHT NOW.

1002
00:47:04,386 --> 00:47:06,867
MY NOSE SHOULD BE
ITCHING.

1003
00:47:11,002 --> 00:47:13,961
SO YOU'RE SAYING
THAT I'M CHOOSING
BETWEEN LESTER AND--

1004
00:47:14,005 --> 00:47:16,485
I'M SAYING LESTER
MIGHT HAVE AN ULTERIOR MOTIVE.

1005
00:47:16,529 --> 00:47:19,662
LUCRETIA JUST WANTS
TO GET MARRIED.
WHO KNOWS ABOUT LESTER?

1006
00:47:19,706 --> 00:47:23,318
GOD, I'D HATE TO BE
TALKED ABOUT IN FRONT
OF ALL THOSE PEOPLE.

1007
00:47:23,362 --> 00:47:26,234
CAN YOU IMAGINE?
OUR SEX LIFE?

1008
00:47:26,278 --> 00:47:29,934
FOR THAT, I AM GLAD
THAT VINCE IS NOT
IN GROUP.

1009
00:47:29,977 --> 00:47:32,501
AND BESIDES,
YOU KNOW, I'D KINDA
BE A BIT SCARED

1010
00:47:32,545 --> 00:47:35,591
THAT HE MIGHT CHANGE,
YOU KNOW, IN A BAD WAY,

1011
00:47:35,635 --> 00:47:38,333
AND, I DON'T KNOW...
WANNA LEAVE ME
OR SOMETHING.

1012
00:47:38,377 --> 00:47:39,378
MMM...

1013
00:47:43,599 --> 00:47:45,514
HOW ARE THINGS WITH IRENE?

1014
00:47:45,558 --> 00:47:49,083
SHE'S FINE.
IT'S JUST THAT...

1015
00:47:49,127 --> 00:47:52,521
RECENTLY I'VE STARTED
TO LOSE INTEREST.

1016
00:47:52,565 --> 00:47:55,916
I'VE STARTED THINKING
ABOUT EX-GIRLFRIENDS,

1017
00:47:55,960 --> 00:47:57,483
PARTICULARLY
BEFORE THE BOOK.

1018
00:47:57,526 --> 00:47:59,093
LIKE WHO?

1019
00:47:59,137 --> 00:48:01,356
I CAN'T REMEMBER
THEIR NAMES.

1020
00:48:01,400 --> 00:48:03,228
I DON'T DWELVINCE.

1021
00:48:05,621 --> 00:48:07,580
LAUREN...

1022
00:48:07,623 --> 00:48:10,583
ABIGAIL, CAROL...

1023
00:48:10,626 --> 00:48:12,933
RAMONA, VICTORIA...

1024
00:48:14,543 --> 00:48:16,589
ANOTHER LAUREN.

1025
00:48:22,638 --> 00:48:24,292
IT'S FUNNY,
IT'S LIKE...

1026
00:48:24,336 --> 00:48:27,121
EVERY TIME SOMETHING
HAPPENS AT A TEMPLE
GROUP,

1027
00:48:27,165 --> 00:48:28,906
IT'S NOT GONNA BE GOOD.

1028
00:48:30,516 --> 00:48:32,474
HEY, VINCE.

1029
00:48:32,518 --> 00:48:34,389
WANNA GET A DRINK?

1030
00:48:38,480 --> 00:48:41,919
HE DID SAY
THAT HE WOULD MEET ME
AFTER GROUP.

1031
00:48:44,617 --> 00:48:47,446
YOU KNOW,
I LOVE MEETING
FOR COFFEE.

1032
00:48:47,489 --> 00:48:48,577
AW!

1033
00:48:48,621 --> 00:48:49,752
I DO!

1034
00:48:49,796 --> 00:48:51,972
DID YOU THINK BACK
AT MILWOOD OR SHEEPSHEAD

1035
00:48:52,016 --> 00:48:53,974
THAT WE WOULD BE
MEETING FOR COFFEE?

1036
00:48:54,018 --> 00:48:55,367
WE DRANK COFFEE
THEN, TOO.

1037
00:48:55,410 --> 00:48:57,586
YOU MAKE IT
SOUND LIKE
WE WERE SAVAGES.

1038
00:48:57,630 --> 00:49:00,589
I KNOW, BUT THIS IS SO
ADULT AND GLITZY,
I LOVE IT.

1039
00:49:00,633 --> 00:49:01,460
I DO!

1040
00:49:01,503 --> 00:49:03,244
HA HA HA HA HA HA!

1041
00:49:03,288 --> 00:49:05,159
AHEM.

1042
00:49:06,291 --> 00:49:07,466
THANK YOU.

1043
00:49:12,427 --> 00:49:13,515
SO...

1044
00:49:13,559 --> 00:49:15,300
Woman, whispering:
That's Dashiell Frank.

1045
00:49:15,343 --> 00:49:17,084
YOU WRITING
ANOTHER BOOK?

1046
00:49:17,128 --> 00:49:18,477
YEAH, I'M WRITING.

1047
00:49:18,520 --> 00:49:20,261
I WAS GIVEN
A HUGE ADVANCE

1048
00:49:20,305 --> 00:49:21,436
FOR THE NEXT ONE,
A NOVEL.

1049
00:49:21,480 --> 00:49:23,090
I'VE NEVER SEEN
SO MUCH MONEY.

1050
00:49:23,134 --> 00:49:25,223
AND I'VE NEVER
WRITTEN A NOVEL.

1051
00:49:25,266 --> 00:49:28,052
I KEEP THINKING
THIS ONE HAS TO BE
THAT MUCH BETTER

1052
00:49:28,095 --> 00:49:30,184
BECAUSE I'M GETTING
SO MUCH MORE FOR IT.

1053
00:49:30,228 --> 00:49:32,447
WELL, YOU'RE RIGHT.
PROBABLY DOES.

1054
00:49:35,233 --> 00:49:38,323
JUST WRITE
WOULD BE MY ADVICE.

1055
00:49:38,366 --> 00:49:40,542
WE'RE JUST HAVING
CONVERSATION.

1056
00:49:40,586 --> 00:49:42,370
I DON'T NEED YOUR
ADVICE.

1057
00:49:42,414 --> 00:49:43,415
FINE.

1058
00:49:43,458 --> 00:49:45,678
I'M JUST GONNA
FINISH MY DRINK.

1059
00:49:47,810 --> 00:49:49,638
LISTEN, VINCE,
I WANTED TO SAY
TO YOU...

1060
00:49:49,682 --> 00:49:51,379
WHAT?

1061
00:49:51,423 --> 00:49:53,381
THAT I...

1062
00:49:53,425 --> 00:49:57,559
APPRECIATE WHAT YOU
DO FOR ME IN THERE.

1063
00:49:57,603 --> 00:50:00,649
I FIND MOST OF
THE GROUP IS AFRAID
TO SPEAK THEIR MINDS.

1064
00:50:00,693 --> 00:50:03,522
I WISH DR. POKE
WOULD ENCOURAGE
MORE OF THAT.

1065
00:50:03,565 --> 00:50:07,482
SINCE YOU'VE JOINED...
I FEEL MUCH BETTER.

1066
00:50:07,526 --> 00:50:10,659
I LIKE OUR LITTLE
BATTLES.

1067
00:50:10,703 --> 00:50:12,748
I HOPE YOU DO, TOO.

1068
00:50:14,185 --> 00:50:15,316
YES.

1069
00:50:15,360 --> 00:50:17,536
I DO.

1070
00:50:21,540 --> 00:50:22,628
HA HA.

1071
00:50:22,671 --> 00:50:25,152
I DON'T SMOKE.

1072
00:50:25,196 --> 00:50:27,676
I'VE GOT THE PATCH.

1073
00:50:27,720 --> 00:50:28,808
I DIDN'T START
TILL COLLEGE.

1074
00:50:28,851 --> 00:50:30,114
IT'S A DISGUSTING
HABIT.

1075
00:50:30,157 --> 00:50:31,593
HA.

1076
00:50:31,637 --> 00:50:33,813
I KNOW THAT'S NOT
A PARTICULARLY
ORIGINAL INSIGHT,

1077
00:50:33,856 --> 00:50:36,076
BUT IT IS DISGUSTING.
LOOK.

1078
00:50:36,120 --> 00:50:38,078
I'VE GOT THIS LITTLE
YELLOW STAIN ON THIS...

1079
00:50:38,122 --> 00:50:40,646
THIS...WHATEVER
YOU CALL THIS
ABOVE THE LIP.

1080
00:50:40,689 --> 00:50:42,691
LITTLE YELLOW
MARK.

1081
00:50:42,735 --> 00:50:45,520
2 MORE JAMIESON.
NEAT.

1082
00:50:45,564 --> 00:50:47,783
WHAT I LOVE ABOUT
THESE BABIES

1083
00:50:47,827 --> 00:50:50,743
IS YOU GET THE CIGAR
WITHOUT THE
COMMITMENT.

1084
00:50:52,353 --> 00:50:54,529
BECKETT
SMOKED THESE.

1085
00:50:58,620 --> 00:51:02,102
YOU KNOW WHAT I SAW
THE OTHER NIGHT WHICH
I'D NEVER SEEN BEFORE?

1086
00:51:02,146 --> 00:51:03,669
WHAT?

1087
00:51:03,712 --> 00:51:05,671
THE MAN WHO SHOT
LIBERTY VALANCE.

1088
00:51:05,714 --> 00:51:07,368
JOHN FORD. GOOD?

1089
00:51:07,412 --> 00:51:09,718
IT IS. VERY.
I WISH I WERE A COWBOY.

1090
00:51:09,762 --> 00:51:12,547
WHAT?
YOU KNOW WHAT
I JUST THOUGHT?

1091
00:51:12,591 --> 00:51:14,201
IRENE'S FATHER
IS SO BALD,

1092
00:51:14,245 --> 00:51:17,726
WELL, AND BALDNESS
RUNS ON THE MOTHER'S
SIDE,

1093
00:51:17,770 --> 00:51:19,772
SO OUR CHILDREN ARE
DOOMED TO BALDNESS.

1094
00:51:19,815 --> 00:51:21,904
HOPE YOU HAVE GIRLS.

1095
00:51:21,948 --> 00:51:23,558
BALD GIRLS.

1096
00:51:23,602 --> 00:51:25,212
IT COULD HAPPEN!

1097
00:51:25,256 --> 00:51:28,215
WHAT'S LUCRETIA'S
FATHER LIKE

1098
00:51:28,259 --> 00:51:28,911
I DUNNO.

1099
00:51:28,955 --> 00:51:30,478
IS HE

1100
00:51:30,522 --> 00:51:33,307
OH, YOU'D LIKE HIM
TO BE, WOULDN'T YOU?

1101
00:51:33,351 --> 00:51:36,310
NO, NO, NO.
SEE, THAT IS
YOUR OTHER FRIENDS

1102
00:51:36,354 --> 00:51:38,312
WHO LIKE COMPANY
IN THEIR MISERY.

1103
00:51:38,356 --> 00:51:41,620
I WOULD BE PERFECTLY
HAPPY TO HEAR THAT
YOUR CHILDREN

1104
00:51:41,663 --> 00:51:43,404
WOULD HAVE
FULL HEADS OF HAIR.

1105
00:51:43,448 --> 00:51:45,841
COME ON. IS HE?
BALD?

1106
00:51:45,885 --> 00:51:48,583
WELL, SORT OF.
I MEAN, HE HAS HAIR
ON THE SIDES.

1107
00:51:48,627 --> 00:51:50,629
THAT'S BALD.

1108
00:51:50,672 --> 00:51:52,718
IF YOU MEAN BALD
IN THAT IT'S JUST

1109
00:51:52,761 --> 00:51:55,416
SORT OF SKIN
ON THE HEAD...YES.

1110
00:51:55,460 --> 00:51:56,809
BALD?

1111
00:51:56,852 --> 00:51:59,290
LESTER'S RIGHT.

1112
00:51:59,333 --> 00:52:01,422
DON'T MARRY
LUCRETIA.

1113
00:52:03,598 --> 00:52:05,731
THEN MY DAD DIED
WHILE I WAS IN
COLLEGE.

1114
00:52:05,774 --> 00:52:07,950
I WAS 21.
IT'S FUNNY,
10 YEARS LATER

1115
00:52:07,994 --> 00:52:11,476
I STILL DON'T FEEL
LIKE THE KINDA GUY
TO HAVE A DEAD FATHER.

1116
00:52:11,519 --> 00:52:13,347
HOW ABOUT YOU?

1117
00:52:13,391 --> 00:52:15,610
YOU KNOW, I WISH
I COULD USE WORDS
LIKE CHICK AND DOLL

1118
00:52:15,654 --> 00:52:18,265
AND SOUND LEGIT.

1119
00:52:18,309 --> 00:52:19,527
I ALWAYS ENVY GUYS
WHO CAN DELIVER

1120
00:52:19,571 --> 00:52:20,876
THAT KINDA SPEAK
TO WOMEN

1121
00:52:20,920 --> 00:52:23,270
WITHOUT SOUNDING
STUPID OR CONTRIVED.

1122
00:52:23,314 --> 00:52:26,665
I CAN WRITE IT.
I JUST CAN'T SAY IT.

1123
00:52:29,320 --> 00:52:30,451
SUBWAY?

1124
00:52:30,495 --> 00:52:32,366
NAW. I'LL CATCH A TAXI.

1125
00:52:32,410 --> 00:52:33,280
GOOD NIGHT.

1126
00:52:33,324 --> 00:52:34,847
GOOD NIGHT.

1127
00:52:37,676 --> 00:52:40,679
I'M SO SORRY.
I COMPLETELY FORGOT.

1128
00:52:40,722 --> 00:52:42,376
WELL, I WAITED.

1129
00:52:42,420 --> 00:52:44,378
I'M SO SORRY.

1130
00:52:44,422 --> 00:52:46,250
OH, LESTER.

1131
00:52:47,729 --> 00:52:50,776
DON'T MAKE PLANS
IF YOU CAN'T KEEP 'EM.

1132
00:52:50,819 --> 00:52:53,561
I KNOW.
IT'S ENTIRELY MY FAULT.

1133
00:52:53,605 --> 00:52:55,476
I'M SORRY.

1134
00:52:55,520 --> 00:52:56,695
HELLO?

1135
00:52:56,738 --> 00:52:58,697
LESTER. VINCE.
WHAT WENT ON TODAY?

1136
00:52:58,740 --> 00:53:00,394
I--I CAN'T TALK
RIGHT NOW.

1137
00:53:00,438 --> 00:53:02,396
NO, JUST GIVE ME
A LITTLE NUGGET.

1138
00:53:02,440 --> 00:53:04,268
I'LL TALK TO YOU LATER.

1139
00:53:04,311 --> 00:53:06,400
WHICH ONE OF
MY SICK FRIENDS
IS THAT?

1140
00:53:06,444 --> 00:53:07,706
THAT WAS VINCE.

1141
00:53:07,749 --> 00:53:10,491
OH, ONE OF
YOUR SICK FRIENDS.

1142
00:53:10,535 --> 00:53:12,319
WHERE THE HELL
WERE YOU?

1143
00:53:12,363 --> 00:53:13,712
UM...

1144
00:53:13,755 --> 00:53:16,671
WELL, IT WAS A FAIRLY
INTENSE SESSION.

1145
00:53:16,715 --> 00:53:20,327
MY MIND WANDERED,
SO I WENT FOR A WALK,

1146
00:53:20,371 --> 00:53:22,721
DAYDREAMED...

1147
00:53:22,764 --> 00:53:26,420
SA THE MAN WHO SHOT
LIBERTY VALANCE
AT CINEMA VILLAGE.

1148
00:53:26,464 --> 00:53:29,423
A GOOD LIAR HAD ONCE TOLD LESTER
THAT DETAIL WAS IMPORTANT

1149
00:53:29,467 --> 00:53:30,946
IN THE BEST FIBS.

1150
00:53:30,990 --> 00:53:33,949
BUT LESTER WASN'T A GOOD LIAR.
HE WAS A TRULY BAD LIAR.

1151
00:53:33,993 --> 00:53:36,735
AND LESTER CLAIMED TO SEE
A MOVIE HE HAD ALWAYS
MEANT TO SEE

1152
00:53:36,778 --> 00:53:38,780
BUT HAD NEVER SEEN BEFORE.

1153
00:53:38,824 --> 00:53:41,522
OH, HOW WAS IT?
I HEAR THAT WAS
GREAT.

1154
00:53:41,566 --> 00:53:43,437
YES. IT IS. YEAH.
YOU HEARD RIGHT.

1155
00:53:43,481 --> 00:53:44,438
DID YOU LIKE IT?

1156
00:53:44,482 --> 00:53:46,440
FOR A GUY WHO SAW
A LOT OF MOVIES,

1157
00:53:46,484 --> 00:53:48,660
HE'D ALSO MANAGED
TO PICK A BLIND SPOT,

1158
00:53:48,703 --> 00:53:51,880
ONE OF THE FEW BLACK AND WHITE
JOHN FORD FILMS HE KNEW LITTLE
TO NOTHING ABOUT.

1159
00:53:51,924 --> 00:53:54,056
IT'S ACTUALLY
JOHN WAYNE THAT SHOOTS
LIBERTY VALANCE, HUH?

1160
00:53:54,100 --> 00:53:55,580
MM-HMM.

1161
00:53:55,623 --> 00:53:57,538
I MEAN, HE'S PRESENTED
AS JIMMY STEWART,

1162
00:53:57,582 --> 00:53:59,540
BUT THEN IT'S
REALLY JOHN WAYNE?

1163
00:53:59,584 --> 00:54:01,977
YEAH. IT'S LIKE THAT.

1164
00:54:02,021 --> 00:54:05,242
MMM. IS IT IN COLOR
OR BLACK AND WHITE?

1165
00:54:08,332 --> 00:54:10,072
WHAT?

1166
00:54:10,116 --> 00:54:13,641
THE FILM.
IS IT IN COLOR
OR BLACK AND WHITE?

1167
00:54:13,685 --> 00:54:16,731
BLACK AND WHITE
OR COLOR?

1168
00:54:16,775 --> 00:54:18,951
COLOR.

1169
00:54:20,039 --> 00:54:21,301
OH.

1170
00:54:23,521 --> 00:54:25,479
IT MUST HAVE BEEN
PRETTY.

1171
00:54:25,523 --> 00:54:26,611
GOOD PRINT?

1172
00:54:26,654 --> 00:54:28,482
WHOA!

1173
00:54:28,526 --> 00:54:30,571
SORRY.

1174
00:54:30,615 --> 00:54:32,834
YES. GOOD PRINT.

1175
00:54:35,097 --> 00:54:36,795
♪♪

1176
00:54:39,406 --> 00:54:40,842
♪♪

1177
00:55:04,388 --> 00:55:06,955
LESTER DIDN'T LIKE
LYING LIKE THAT,

1178
00:55:06,999 --> 00:55:10,394
BUT BEING IN DASHIELL'S PRESENCE
EXCITED HIM,

1179
00:55:10,437 --> 00:55:13,397
HEARING DASHIELL'S PROBLEMS,
COMMENTING ON DASHIELL'S LIFE.

1180
00:55:13,440 --> 00:55:16,008
HE FELT CLOSER THAN EVER
TO RAMONA.

1181
00:55:16,051 --> 00:55:18,706
MAKING LOVE TO RAMONA
THAT NIGHT,

1182
00:55:18,750 --> 00:55:20,708
LESTER FELT THEIR BODIES
CONVERGE.

1183
00:55:20,752 --> 00:55:22,493
HE IMAGINED THEIR SKIN
OVERLAPPED.

1184
00:55:22,536 --> 00:55:25,017
HE FELT HE KNEW HER.

1185
00:55:28,542 --> 00:55:31,806
ALTHOUGH ON OCCASION
SHE COULD BE READ AS
CLUMSY OR CARELESS,

1186
00:55:31,850 --> 00:55:35,027
RAMONA DID PRIDE HERSELF
ON BEING RATIONAL
AND UNSUPERSTITIOUS.

1187
00:55:35,070 --> 00:55:37,029
BUT LATELY SHE DEVELOPED
ODD OBSESSIONS.

1188
00:55:37,072 --> 00:55:39,118
IF SHE DIDN'T MAKE IT
ACROSS THE STREET

1189
00:55:39,161 --> 00:55:41,163
BEFORE THE WALK SIGN
STARTED BLINKING DON'T WALK,

1190
00:55:41,207 --> 00:55:43,601
SHE WOULDN'T GET AN "A"
ON HER LAST ESSAY.

1191
00:55:43,644 --> 00:55:46,560
IF SHE SAW MORE THAN 8 PIGEONS
ON HER WAY TO THE SUBWAY,

1192
00:55:46,604 --> 00:55:48,736
SHE WOULDN'T GET
A RAISE AT WORK.

1193
00:55:48,780 --> 00:55:51,739
IF SHE FINISHED HER LECTURE
IN UNDER 42 MINUTES,
IT'D BE A GOOD DAY.

1194
00:55:51,783 --> 00:55:54,481
IF IT WENT OVER IT MEANT
THE SUBWAY MIGHT BE CROWDED

1195
00:55:54,525 --> 00:55:56,483
OR SHE'D HAVE A FIGHT
WITH LESTER.

1196
00:55:56,527 --> 00:56:00,008
ALL THIS FRUSTRATED RAMONA,
WHO GENERALLY CONSIDERED
HERSELF LEVEL-HEADED.

1197
00:56:00,052 --> 00:56:03,098
LOOK AT THE TIME!
COME ON.
HURRY, LET'S GO!

1198
00:56:06,667 --> 00:56:08,408
IT'S NICE TO SEE YOU.

1199
00:56:08,452 --> 00:56:09,540
YOU, TOO.

1200
00:56:09,583 --> 00:56:11,063
OH, THIS IS IRENE.

1201
00:56:11,106 --> 00:56:12,064
HELLO.

1202
00:56:12,107 --> 00:56:14,066
I HAVE A JACKET
LIKE THAT.

1203
00:56:14,109 --> 00:56:17,504
YEAH, I KNOW.
I LIKED YOURS,
SO I BOUGHT ONE.

1204
00:56:23,684 --> 00:56:26,687
VINCE, I'M SORRY
LUCRETIA COULDN'T MAKE IT.

1205
00:56:26,731 --> 00:56:28,602
YEAH, SO WAS SHE.

1206
00:56:28,646 --> 00:56:30,125
WELL, NEXT TIME.

1207
00:56:30,169 --> 00:56:32,867
WE'RE HAVING
THE GOOD STUFF TONIGHT.

1208
00:56:43,574 --> 00:56:47,012
IRENE, VINCE HERE
HAS BEEN A BIG HELP
TO ME LATELY.

1209
00:56:49,057 --> 00:56:50,755
Y-

1210
00:56:52,887 --> 00:56:54,672
Y-YOU HAVE
BEEN, VINCE.

1211
00:56:54,715 --> 00:56:56,587
HE TALKS
ABOUT--

1212
00:56:56,630 --> 00:56:58,806
Y-Y-

1213
00:56:58,850 --> 00:57:00,895
Y-YOU ALL
THE TIME.

1214
00:57:00,939 --> 00:57:03,681
BEEN LOOKING FORWARD
TO THIS DRINK ALL DAY.

1215
00:57:03,724 --> 00:57:06,553
BEEN BLOCKED TODAY.

1216
00:57:06,597 --> 00:57:08,555
ALL WEEK, ACTUALLY.

1217
00:57:08,599 --> 00:57:11,210
IT'S FUNNY.
I'M STARTING TO THINK
POST EUPHORIA

1218
00:57:11,253 --> 00:57:13,125
WAS ALL I KNEW.

1219
00:57:31,230 --> 00:57:34,146
♪ A CHILD ARRIVED
JUST THE OTHER DAY ♪

1220
00:57:34,189 --> 00:57:36,844
♪ IT CAME TO THE WORLD
IN THE USUAL WAY... ♪

1221
00:57:36,888 --> 00:57:39,847
HEY, IRENE, WHY DON'T
YOU TELL THAT STORY

1222
00:57:39,891 --> 00:57:41,849
ABOUT HOW YOUR FAMILY
HAD BAD CLAMS

1223
00:57:41,893 --> 00:57:43,895
AND YOUR BROTHER PHILIP
THREW UP ALL OVER
THE RESTAURANT?

1224
00:57:43,938 --> 00:57:46,201
H-HOW CAN I
TELL HIM?

1225
00:57:46,245 --> 00:57:49,640
Y-Y-YOU JUST
TOLD HIM.

1226
00:57:49,683 --> 00:57:51,032
THAT'S THE STORY.

1227
00:57:51,076 --> 00:57:54,035
PHILIP HAD SOME
BAD CLAMS AND...

1228
00:57:54,079 --> 00:57:55,950
TH-THREW UP.

1229
00:57:58,823 --> 00:58:00,520
SO...VINCE.

1230
00:58:00,564 --> 00:58:05,525
DID DASHIELL TURN...
Y-YOU ON

1231
00:58:05,569 --> 00:58:08,093
TO...S-SCOTCH...

1232
00:58:09,573 --> 00:58:10,530
TOO?

1233
00:58:11,183 --> 00:58:14,273
HE MAKES ME
DRINK IT.
I--I HATE IT.

1234
00:58:15,753 --> 00:58:19,060
I--I PREFER
VODKA AND...

1235
00:58:19,104 --> 00:58:21,672
C-C-CRANBERRY.

1236
00:58:25,153 --> 00:58:29,114
I C-C-COULD NEVER
GO TO...

1237
00:58:29,157 --> 00:58:31,246
TH-THERAPY.

1238
00:58:31,290 --> 00:58:34,685
I DON'T LIKE TO
TALK ABOUT MYSELF.

1239
00:58:36,687 --> 00:58:37,992
IRENE'S WRITING
AN ESSAY...

1240
00:58:38,036 --> 00:58:40,038
ABOUT
HER STUTTER.

1241
00:58:40,081 --> 00:58:42,954
HER...UH,
DIS-FLUENCY.

1242
00:58:42,997 --> 00:58:44,782
MY DIS-FLUENCY.

1243
00:58:44,825 --> 00:58:46,000
AMONG OTHER THINGS,

1244
00:58:46,044 --> 00:58:49,134
IT'S ABOUT HOW
DIFFERENT PEOPLE
REACT.

1245
00:58:49,177 --> 00:58:51,005
YOU'RE GOOD,
VINCE.

1246
00:58:51,049 --> 00:58:54,182
YOU JUST WAIT.

1247
00:58:54,226 --> 00:58:56,707
OTHER PEOPLE FINISH
MY SENTENCES.

1248
00:59:01,189 --> 00:59:02,713
IT'S A NICE ESSAY.

1249
00:59:07,979 --> 00:59:09,894
YOU KNOW, YOU...
IT'S FUNNY.

1250
00:59:09,937 --> 00:59:11,286
YOU GOT ME
THINKING ABOUT

1251
00:59:11,330 --> 00:59:12,897
ALL THOSE PEOPLE
I KNEW IN COLLEGE

1252
00:59:12,940 --> 00:59:14,725
IN THOSE FIRST
YEARS OUT.

1253
00:59:14,768 --> 00:59:16,683
I HAVEN'T THOUGHT
ABOUT SOME OF THEM
IN SOME TIME.

1254
00:59:16,727 --> 00:59:20,034
I KNOW. I'M LOSING
MY MEMORY, TOO.
I'M CONVINCED OF IT.

1255
00:59:20,078 --> 00:59:20,818
HUH.

1256
00:59:20,861 --> 00:59:23,037
IRENE IS GREAT.

1257
00:59:23,081 --> 00:59:25,692
THAT GIRL...
CHARLOTTE?

1258
00:59:25,736 --> 00:59:27,825
THE ONE IN THE BOOK?

1259
00:59:27,868 --> 00:59:31,219
WE WENT OUT,
HAD SUCH A STRANGE
TIME.

1260
00:59:31,263 --> 00:59:34,179
THE FEELINGS YOU FEEL
ARE SO STRONG, BUT...

1261
00:59:34,222 --> 00:59:37,138
I DON'T KNOW
HOW REAL THEY ARE.

1262
00:59:37,182 --> 00:59:38,662
I MEAN, WHO KNOWS
IF THOSE FEELINGS

1263
00:59:38,705 --> 00:59:39,967
ARE REAL WHEN
YOU'RE THAT AGE...

1264
00:59:40,011 --> 00:59:42,013
JUST OUT ON YOUR OWN?

1265
00:59:42,056 --> 00:59:44,363
PROBABLY NOT.

1266
00:59:44,406 --> 00:59:47,671
YOU KNOW...I AM
SO GLAD YOU CALLED ME
ON THAT LINE.

1267
00:59:47,714 --> 00:59:51,239
I'VE NEVER DATED A GIRL
I DIDN'T CHEAT ON.

1268
00:59:51,283 --> 00:59:53,633
WHAT A SAD EXISTENCE.

1269
00:59:53,677 --> 00:59:55,722
OH, DON'T WORRY
ABOUT IT.

1270
00:59:55,766 --> 00:59:57,637
IRENE IS GREAT.

1271
00:59:58,986 --> 01:00:01,728
YEAH, BUT...RAMONA.

1272
01:00:01,772 --> 01:00:04,818
RAMONA...

1273
01:00:04,862 --> 01:00:06,820
OH...

1274
01:00:06,864 --> 01:00:08,300
HEY, VINCE.

1275
01:00:08,343 --> 01:00:11,172
I'M SURE LESTER'S
ALL RIGHT.

1276
01:00:11,216 --> 01:00:13,697
GOOD FRIENDS
ARE IMPORTANT.

1277
01:00:13,740 --> 01:00:16,264
THANKS FOR COMING.

1278
01:00:22,836 --> 01:00:27,667
LESTER COULD ACTUALLY
FEEL THE WORLD SPINNING
OUT OF CONTROL.

1279
01:00:27,711 --> 01:00:29,321
INTELLECTUALLY,

1280
01:00:29,364 --> 01:00:31,366
I HAVE TO PEE.

1281
01:00:31,410 --> 01:00:33,368
WELL, GO, THEN.

1282
01:00:33,412 --> 01:00:35,240
I DON'T ACTUALLY
HAVE TO.

1283
01:00:35,283 --> 01:00:37,677
I JUST FEEL
THAT I SHOULD.

1284
01:00:37,721 --> 01:00:38,983
AH...

1285
01:00:41,986 --> 01:00:44,728
HEY, LESTER,

1286
01:00:44,771 --> 01:00:46,773
CAN I TELL YOU
SOMETHING?

1287
01:00:46,817 --> 01:00:49,210
HEY, RAMONA.

1288
01:00:49,254 --> 01:00:50,342
YES.

1289
01:00:52,344 --> 01:00:55,303
I'M NOT SURE
YOU'RE GONNA
LIKE IT.

1290
01:00:55,347 --> 01:00:57,305
WELL...

1291
01:00:57,349 --> 01:00:59,307
I GUESS I STILL
WANNA HEAR IT.

1292
01:00:59,351 --> 01:01:02,310
I JUST...
HAD TO COME BY...

1293
01:01:02,354 --> 01:01:06,140
AND RAMONA RELATED THE EVENTS
OF THAT ALREADY-CONTROVERSIAL
EARLIER NIGHT.

1294
01:01:06,184 --> 01:01:07,402
I'M LYING
ALREADY, MAN.

1295
01:01:07,446 --> 01:01:08,403
I BEEN OUTSIDE
FOR HALF AN HOUR.

1296
01:01:08,447 --> 01:01:10,101
I'M GOIN' NUTS!

1297
01:01:10,144 --> 01:01:11,406
STEPHEN HAD STOPPED BY
UNINVITED.

1298
01:01:11,450 --> 01:01:13,147
HE'D BEEN UPSET.

1299
01:01:13,191 --> 01:01:14,496
HIS AND RAMONA'S BREAKUP

1300
01:01:14,540 --> 01:01:16,324
HAD NOT BEEN WHAT
HE THOUGHT IT WOULD BE.

1301
01:01:16,368 --> 01:01:18,283
...TO STOP THINKING
ABOUT YOU EVER
SINCE THEN.

1302
01:01:18,326 --> 01:01:21,373
THEY TALKED, SMALL TALK,
FOR A WHILE,

1303
01:01:21,416 --> 01:01:23,723
AND THEN HE MADE
A PASS AT HER.

1304
01:01:23,767 --> 01:01:26,334
AND FIRST SHE RESPONDED.
IT FELT COMFORTABLE.

1305
01:01:26,378 --> 01:01:28,249
IT WAS A KISS
SHE KNEW WELL.

1306
01:01:28,293 --> 01:01:31,078
BUT THEN SHE THOUGHT AGAIN.
SHE WAS SEEING LESTER.

1307
01:01:31,122 --> 01:01:32,166
NO.

1308
01:01:32,210 --> 01:01:33,037
YOU SURE?

1309
01:01:33,080 --> 01:01:34,038
YEAH.

1310
01:01:34,081 --> 01:01:35,779
AND...I'M...

1311
01:01:35,822 --> 01:01:38,042
THEN SHE KISSED HIM AGAIN.

1312
01:01:39,783 --> 01:01:42,176
I DECIDED...

1313
01:01:42,220 --> 01:01:44,439
IT WAS OVER.

1314
01:01:44,483 --> 01:01:47,486
I MEAN, I DECIDED
FOR BOTH OF US.

1315
01:01:49,401 --> 01:01:51,272
I LIKE YON.

1316
01:01:51,316 --> 01:01:52,796
NOW?

1317
01:01:56,234 --> 01:01:58,366
I MEAN, YOU HAVE
TO UNDERSTAND,

1318
01:01:58,410 --> 01:02:00,412
I DIDN'T PLAN
TO SEE HIM.

1319
01:02:00,455 --> 01:02:02,501
HE JUST, UH,
STOPPED BY.

1320
01:02:04,459 --> 01:02:06,548
I MEAN, WE HAD
A RELATIONSHIP
BEFORE.

1321
01:02:06,592 --> 01:02:08,507
IT HAD NOTHING
TO DO WITH YOU.

1322
01:02:08,550 --> 01:02:10,030
I UNDERSTAND.

1323
01:02:10,074 --> 01:02:12,032
NO, YOU DON'T.

1324
01:02:12,076 --> 01:02:14,034
YOU SHOULD.

1325
01:02:14,078 --> 01:02:15,035
NO...

1326
01:02:15,079 --> 01:02:16,776
YOU SORTA SHOULD.

1327
01:02:16,820 --> 01:02:20,040
I MEAN, I DON'T
KNOW IF I WOULD
CONDONE IT.

1328
01:02:20,084 --> 01:02:22,826
I MEAN, I DON'T
WANT IT TO MEAN
ANYTHING.

1329
01:02:22,869 --> 01:02:24,088
IT DOESN'T MEAN
ANYTHING.

1330
01:02:24,131 --> 01:02:25,480
I'M NOT ANGRY.

1331
01:02:25,524 --> 01:02:28,483
BUT I COULD UNDERSTAND
IF YOU WERE ANGRY,

1332
01:02:28,527 --> 01:02:33,575
FROM A PERFECTLY NORMAL,
PARANOID, SEMI-SICK,

1333
01:02:33,619 --> 01:02:35,795
IRRATIONALLY JEALOUS
POINT OF VIEW.

1334
01:02:39,059 --> 01:02:42,323
AND I HID IT FROM YOU
AS WELL, WHICH COULD
MAKE IT WORSE.

1335
01:02:42,367 --> 01:02:46,501
OF COURSE I WOULD HAVE
PREFERRED TO HAVE HEARD
ABOUT IT EARLIER,

1336
01:02:46,545 --> 01:02:50,462
OR FOR IT NEVER TO HAVE
EVER TO HAVE HAPPENED,

1337
01:02:50,505 --> 01:02:53,291
BUT IT'S NOT
SUCH A BIG DEAL.

1338
01:02:53,334 --> 01:02:54,596
BUT YOU HAVE TO
UNDERSTAND.

1339
01:02:54,640 --> 01:02:56,294
I DIDN'T KNOW
WHAT WAS GONNA
HAPPEN BETWEEN US.

1340
01:02:56,337 --> 01:02:58,252
FOR ALL I KNOW,
WE COULD HAVE BEEN
A SURE THING.

1341
01:02:58,296 --> 01:02:59,558
IT WAS NOTHING.
AND WE DIDN'T DO IT.

1342
01:02:59,601 --> 01:03:01,255
STEPHEN AND I DIDN'T
DO IT...THEN.

1343
01:03:01,299 --> 01:03:04,519
I MEAN, WE HAD
DONE IT BEFORE,
BUT NOT THAT NIGHT.

1344
01:03:04,563 --> 01:03:07,261
WELL, I'M GLAD
YOU DIDN'T DO IT.

1345
01:03:07,305 --> 01:03:08,959
AND WE DIDN'T
HAVE ANY CONDOMS.

1346
01:03:11,962 --> 01:03:14,834
WELL, YOU--YOU COULD
HAVE GOT THEM WHEN
YOU--AHEM--

1347
01:03:14,878 --> 01:03:18,577
WHEN YOU WENT OUT
FOR THE MILK.

1348
01:03:18,620 --> 01:03:21,885
BUT, THE THING IS
IS I DIDN'T GO OUT
FOR MILK.

1349
01:03:21,928 --> 01:03:25,410
I HAD MILK.
I HAD UNPLUGGED
THE PHONE, BUT...

1350
01:03:25,453 --> 01:03:30,371
YOU HAVE TO UNDERSTAND,
THIS IS FROM
ANOTHER TIME.

1351
01:03:30,415 --> 01:03:34,549
I WAS CLEARING UP
BUSINESS FROM BEFORE YOU.

1352
01:03:37,117 --> 01:03:38,249
UH...SCREEN.

1353
01:03:39,990 --> 01:03:40,947
LESTER...

1354
01:03:40,991 --> 01:03:42,949
NO, LISTEN,
I UNDERSTAND.

1355
01:03:42,993 --> 01:03:46,257
BEFORE ME,
WE WEREN'T US
YET.

1356
01:03:46,300 --> 01:03:48,868
UH, LESTER, THIS IS VINCE.

1357
01:03:48,912 --> 01:03:51,479
I'M JUST WONDERING
IF THERE'S...

1358
01:03:51,523 --> 01:03:54,134
ANYTHING YOU WANT
TO TELL ME...TCH.

1359
01:03:54,178 --> 01:03:55,962
JUST CHECKING IN.

1360
01:03:56,006 --> 01:03:57,137
OK!

1361
01:03:57,181 --> 01:03:58,486
JUST CALL ME.

1362
01:03:58,530 --> 01:04:00,488
HELLO TO RAMONA.
LUCRETIA SAYS HI.

1363
01:04:00,532 --> 01:04:03,578
HEY, MAYBE IT'S SOMETHING
YOU CAN TALK ABOUT
IN THERAPY.

1364
01:04:06,016 --> 01:04:07,539
YEAH.

1365
01:04:09,367 --> 01:04:10,498
RAMONA FELT GOOD
ABOUT CONFESSING.

1366
01:04:10,542 --> 01:04:12,979
THE ONLY THING
SHE DIDN'T MENTION

1367
01:04:13,023 --> 01:04:14,981
WAS THAT A FEW DAYS AFTER
HE'D STOPPED BY,

1368
01:04:15,025 --> 01:04:16,330
STEPHEN SHOWED UP AGAIN
AT THE MUSEUM.

1369
01:04:16,374 --> 01:04:18,898
RAMONA, FALLING FURTHER PREY
TO SUPERSTITION,

1370
01:04:18,942 --> 01:04:20,726
THE RULES HER OWN,

1371
01:04:20,769 --> 01:04:23,990
FOUND HERSELF TRYING TO
MAKE IT FROM GALLERY ROOM 7
TO GALLERY ROOM 9

1372
01:04:24,034 --> 01:04:25,470
IN UNDER 25 SECONDS.

1373
01:04:25,513 --> 01:04:27,646
IF SHE MADE IT,
SHE'D GET HER Ph.D.
BEFORE SHE WAS 33.

1374
01:04:27,689 --> 01:04:31,171
IF SHE DIDN'T,
SHE WOULDN'T FINISH
UNTIL CLOSE TO 40.

1375
01:04:31,215 --> 01:04:34,348
THE CATCH WAS SHE COULDN'T RUN,
AND SHE COULDN'T STEP ON
THE BLACK LINES.

1376
01:04:34,392 --> 01:04:35,349
WHOA!

1377
01:04:35,393 --> 01:04:36,350
YIKES!

1378
01:04:36,394 --> 01:04:37,351
WHOA. HA!

1379
01:04:37,395 --> 01:04:38,352
JESUS, STEPHEN!

1380
01:04:38,396 --> 01:04:39,353
YEAH!

1381
01:04:39,397 --> 01:04:41,573
OH, I FORGOT
YOU WORK HERE!

1382
01:04:41,616 --> 01:04:44,228
AND THEY RACED THROUGH
THE PLEASANTRIES WHILE
RAMONA CAUGHT HER BREATH,

1383
01:04:44,271 --> 01:04:46,273
AND THEN STEPHEN ASKED...

1384
01:04:46,317 --> 01:04:48,275
WHAT DO YOU THINK
OF THE GOATEE?

1385
01:04:51,061 --> 01:04:52,976
N-OH...

1386
01:04:53,019 --> 01:04:55,369
N-YEAH. I FEEL
STUPID WITH IT.

1387
01:04:55,413 --> 01:04:57,589
LOIS SUGGESTED I DO IT,

1388
01:04:57,632 --> 01:05:00,026
AND I'M CONVINCED NOW
THAT SHE WAS JUST TRYING
TO MAKE ME UNATTRACTIVE

1389
01:05:00,070 --> 01:05:02,115
TO THE REST OF THE WORLD
SO I WOULDN'T GO ANYWHERE.

1390
01:05:04,422 --> 01:05:05,945
BUT STEPHEN DIDN'T GIVE UP.

1391
01:05:05,989 --> 01:05:07,991
THE NEXT DAY HE MET RAMONA
AGAIN AT WORK

1392
01:05:08,034 --> 01:05:09,993
AND OFFERED TO
WALK HER HOME.

1393
01:05:10,036 --> 01:05:12,430
HEY. HEY!THEN HE MADE HIS MOVE.

1394
01:05:12,473 --> 01:05:15,302
BUT RAMONA WAS COMMITTED
TO SEEING THINGS THROUGH
WITH LESTER.

1395
01:05:15,346 --> 01:05:17,435
WE BROKE UP.

1396
01:05:17,478 --> 01:05:19,698
I'M HAPPY
ABOUT THAT.

1397
01:05:28,489 --> 01:05:32,537
MEANWHILE, VINCE AND LUCRETIA
WERE HAVING THE TIME OF
THEIR LIVES...

1398
01:05:32,580 --> 01:05:36,323
DANCING, FANCY RESTAURANTS,
AND PRESENTS TWICE A WEEK.

1399
01:05:36,367 --> 01:05:38,456
AND NO LINT.

1400
01:05:38,499 --> 01:05:40,675
LUCRETIA WAS DEEPLY IN LOVE,

1401
01:05:40,719 --> 01:05:42,460
AND VINCE FELT HE WAS
BECOMING AN ADULT.

1402
01:05:48,161 --> 01:05:50,947
LUCRETIA DID
THE CUTEST THING
THE OTHER DAY.

1403
01:05:54,080 --> 01:05:57,214
GOD, I WISH I COULD
REMEMBER WHAT IT WAS.

1404
01:05:57,257 --> 01:05:59,651
I MENTIONED HOW YOU
HAVE TROUBLE FINISHING
THINGS, AND THEY SAID--

1405
01:05:59,694 --> 01:06:01,305
WHAT ARE YOU
TALKING ABOUT?

1406
01:06:01,348 --> 01:06:02,610
I DON'T HAVE
THAT PROBLEM.

1407
01:06:02,654 --> 01:06:04,612
WELL, I GUESS
THAT'S MY PROBLEM.

1408
01:06:04,656 --> 01:06:07,006
YOU'RE TELLING
YOUR PROBLEMS, TOO?

1409
01:06:07,050 --> 01:06:10,009
AH, MAYBE I SNEAK ONE IN
EVERY NOW AND THEN.

1410
01:06:10,053 --> 01:06:12,620
I DUNNO.
I'VE COMBINED BOTH OUR
LIVES AT THIS POINT,

1411
01:06:12,664 --> 01:06:15,362
BUT I DOUBT IT AFFECTS
THE DIAGNOSIS.

1412
01:06:15,406 --> 01:06:17,103
MMM. WELL, BE CAREFUL.

1413
01:06:17,147 --> 01:06:19,236
YOU KNOW, YOU MUTATE
INFORMATION LIKE THAT,

1414
01:06:19,279 --> 01:06:20,541
WE'LL BOTH TURN INTO
IDIOTS.

1415
01:06:20,585 --> 01:06:22,369
HEY, I COULD USE
A LITTLE HELP, TOO,
YOU KNOW.

1416
01:06:22,413 --> 01:06:24,371
I'VE BEEN THINKING.

1417
01:06:24,415 --> 01:06:27,461
ONE OF US HAS TO
BREAK THIS TO MILLY.

1418
01:06:27,505 --> 01:06:29,550
WE GOTTA STOP WITH
THE SAME ORDERS
EVERY TIME.

1419
01:06:29,594 --> 01:06:31,248
IF I EAT ANOTHER
CHEESEBURGER--

1420
01:06:31,291 --> 01:06:32,336
HOW ABOUT ANOTHER HIT,
SWEETHEART?

1421
01:06:32,379 --> 01:06:33,598
YES, THANK YOU, MILLY.

1422
01:06:33,641 --> 01:06:35,600
COFFEE'S GOOD
TODAY.

1423
01:06:35,643 --> 01:06:37,080
WHAT ABOUT YOU,
DARLING?

1424
01:06:37,123 --> 01:06:38,385
NO, I'M FINE, THANKS.

1425
01:06:38,429 --> 01:06:40,039
WHAT IS THIS?

1426
01:06:40,083 --> 01:06:42,215
I JUST FEEL
IT'S TIME TO STOP,

1427
01:06:42,259 --> 01:06:44,478
CHANGE OUR ORDERS,
EVEN OUR DINER.

1428
01:06:44,522 --> 01:06:46,176
AT LEAST OUR BOOTH.

1429
01:06:46,219 --> 01:06:48,656
WHAT THE HELL
ARE YOU TALKING ABOUT?

1430
01:06:48,700 --> 01:06:50,180
IT JUST ISN'T MAKING
ME FEEL GOOD ANYMORE,

1431
01:06:50,223 --> 01:06:51,572
THE SAME THING,
DRINKING COFFEE.

1432
01:06:51,616 --> 01:06:53,096
I ALWAYS FEEL BAD,
WORRIED.

1433
01:06:53,139 --> 01:06:54,706
IF I'M NOT SHAKING,

1434
01:06:54,749 --> 01:06:56,055
IT'S LIKE I'M ABOUT
TO HAVE A HEART ATTACK
ALL THE TIME.

1435
01:06:56,099 --> 01:06:57,622
YOU DON'T LIKE
THAT FEELING?

1436
01:06:57,665 --> 01:06:59,667
I'M GETTING THIS
FROM YOU.

1437
01:06:59,711 --> 01:07:01,669
THIS IS YOUR
ADVICE TO ME.

1438
01:07:01,713 --> 01:07:03,323
I MEAN, RECENTLY,
LUCRETIA--

1439
01:07:03,367 --> 01:07:05,064
WE TALK ABOUT
THE ISSUES AT HAND.

1440
01:07:05,108 --> 01:07:07,675
WE DON'T AVOID THINGS,
BUT WE ATTACK THEM
HEAD ON.

1441
01:07:07,719 --> 01:07:09,677
THAT'S GREAT.

1442
01:07:09,721 --> 01:07:11,679
AND SEX...

1443
01:07:11,723 --> 01:07:13,333
OH, BABY.

1444
01:07:13,377 --> 01:07:15,509
WELL, SEX IS THE BEST
IT'S EVER BEEN.

1445
01:07:23,735 --> 01:07:27,434
I JUST FEEL ALL THIS
SHOULD BLEED OVER
INTO MY EATING LIFE.

1446
01:07:27,478 --> 01:07:30,263
I JUST FIND IT
VERY HELPFUL, KI--
LESTER.

1447
01:07:30,307 --> 01:07:32,135
I MEAN, IT'S GREAT.

1448
01:07:32,178 --> 01:07:35,138
I THOUGHT I WAS STUCK
WITH THIS VINCE,
BUT I'M NOT.

1449
01:07:35,181 --> 01:07:37,444
AND I'M LIKING
THE NEW VINCE.

1450
01:07:37,488 --> 01:07:40,491
THAT'S A NEW THING
FOR THE NEW VINCE.

1451
01:07:42,493 --> 01:07:46,366
WELL, DON'T MARRY
LUCRETIA IF YOU DON'T
WANNA HAVE BALD KIDS.

1452
01:07:46,410 --> 01:07:47,585
HA HA HA.

1453
01:07:47,628 --> 01:07:48,847
WHAT?

1454
01:07:50,457 --> 01:07:52,416
WHAT HAPPENED
IN THERAPY TODAY?

1455
01:07:52,459 --> 01:07:57,116
YOU KNOW, I WAS
SAYING IN THERAPY,
THAT, UH,

1456
01:07:57,160 --> 01:08:00,728
I DIDN'T REALLY
HAVE SEX THAT MUCH
IN COLLEGE.

1457
01:08:00,772 --> 01:08:02,469
ME NEITHER.

1458
01:08:03,383 --> 01:08:04,776
REALLY?

1459
01:08:05,603 --> 01:08:07,561
YOU DIDN'T JUST
PLAY AROUND?

1460
01:08:07,605 --> 01:08:09,476
YOU KNOW, JUST CURIOUS,

1461
01:08:09,520 --> 01:08:11,261
JUST LEARNIN' ABOUT SEX?

1462
01:08:11,304 --> 01:08:12,697
NO.

1463
01:08:14,525 --> 01:08:16,788
JUST PLAYING AROUND...

1464
01:08:16,831 --> 01:08:18,790
ATTRACTIVE STUDENTS,

1465
01:08:18,833 --> 01:08:21,445
ATTRACTIVE...
TEACHERS?

1466
01:08:21,488 --> 01:08:23,577
NOPE.

1467
01:08:24,622 --> 01:08:27,364
IN COLLEGE,
IT WAS JUST...

1468
01:08:27,407 --> 01:08:28,887
DONALD...

1469
01:08:28,930 --> 01:08:30,889
SANDRO...

1470
01:08:30,932 --> 01:08:32,282
MAX AND ARLO...

1471
01:08:32,325 --> 01:08:34,545
AND...JEFF.

1472
01:08:34,588 --> 01:08:37,156
AND THEN AFTER COLLEGE,

1473
01:08:37,200 --> 01:08:39,245
ART, DASHIELL,

1474
01:08:39,289 --> 01:08:41,552
MIKEY...

1475
01:08:41,595 --> 01:08:43,554
RICK...

1476
01:08:43,597 --> 01:08:44,946
YOU KNOW.

1477
01:08:44,990 --> 01:08:47,210
WHOA. WHOA,
WAIT A SECOND.

1478
01:08:47,253 --> 01:08:51,257
WHO'S MIKEY,
SOME 12

1479
01:08:51,301 --> 01:08:54,304
NO, JUST SOME GUY.

1480
01:08:54,347 --> 01:08:56,871
I'VE MENTIONED HIM
TO YOU, I'M SURE.

1481
01:08:56,915 --> 01:08:59,483
NO. WE WENT THROUGH
OUR LOVERS.

1482
01:08:59,526 --> 01:09:02,660
YOU NEVER HAD A MIKEY.

1483
01:09:04,705 --> 01:09:06,794
WELL, I FORGOT.

1484
01:09:06,838 --> 01:09:08,927
O-OR I LEFT IT OUT
ACCIDENTALLY.

1485
01:09:10,450 --> 01:09:12,235
MAYBE WE
DIDN'T DO IT.
I DON'T REMEMBER.

1486
01:09:12,278 --> 01:09:14,715
MAYBE WE JUST DID,
LIKE, YOU KNOW...

1487
01:09:14,759 --> 01:09:16,804
OTHER STUFF,
EVERYTHING BUT.

1488
01:09:16,848 --> 01:09:19,198
MIKEY.

1489
01:09:19,242 --> 01:09:20,678
HI, IT'S RAMONA...

1490
01:09:20,721 --> 01:09:23,202
IT DIDN'T MEAN
ANYTHING.

1491
01:09:24,290 --> 01:09:25,813
GOOD, A HANG UP.

1492
01:09:25,857 --> 01:09:29,382
WELL, ARE THERE
ANY MORE?

1493
01:09:29,426 --> 01:09:32,690
DON'T WORRY.
I DIDN'T SLEEP WITH
A MILLION PEOPLE.

1494
01:09:34,257 --> 01:09:36,911
WELL, THAT'S
A HUGE RELIEF.

1495
01:09:38,391 --> 01:09:40,698
WE FOOLED AROUND
PRETTY QUICK.

1496
01:09:40,741 --> 01:09:43,309
WE SLEPT TOGETHER
ON THE FIRST DATE.

1497
01:09:43,353 --> 01:09:44,571
UH-HUH.

1498
01:09:44,615 --> 01:09:46,269
YOU WERE AWFUL TRUSTING.

1499
01:09:46,312 --> 01:09:49,315
FOR ALL YOU KNEW,
I COULD HAVE BEEN
SOME MANIAC.

1500
01:09:49,359 --> 01:09:50,795
WE USED A CONDOM.

1501
01:09:50,838 --> 01:09:53,493
TH-THAT'S NOT WHAT
I MEAN.

1502
01:09:53,537 --> 01:09:55,713
YOU COULD HAVE WAITED.

1503
01:09:55,756 --> 01:09:57,497
YOU COULD HAVE
LET ME WAIT.

1504
01:09:57,541 --> 01:09:59,630
WHAT?

1505
01:09:59,673 --> 01:10:02,415
WHY WERE YOU SO QUICK
TO MAKE LOVE TO ME?

1506
01:10:02,459 --> 01:10:04,417
I LIKED YOU.

1507
01:10:04,461 --> 01:10:07,290
SO YOU HOP IN THE SACK
WITH EVERYONE YOU LIKE?

1508
01:10:07,333 --> 01:10:08,508
NO.

1509
01:10:09,596 --> 01:10:12,033
WHAT?

1510
01:10:12,077 --> 01:10:15,428
ARE YOU USING
MY BEHAVIOR WITH YOU
AGAINST ME?

1511
01:10:15,472 --> 01:10:18,910
I'M JUST SAYING
THAT I THINK YOU MOVED
A LITTLE FAST WITH ME.

1512
01:10:18,953 --> 01:10:20,999
I DON'T BELIEVE YOU.

1513
01:10:21,042 --> 01:10:22,914
I'M JUST SAYING.

1514
01:10:24,394 --> 01:10:26,657
ARE YOU JEALOUS
OF YOURSELF?

1515
01:10:28,311 --> 01:10:30,574
I'M JUST SAYING.

1516
01:10:44,457 --> 01:10:46,677
I'M SORRY.

1517
01:10:51,812 --> 01:10:54,380
I'M SO SORRY.

1518
01:10:55,903 --> 01:10:58,297
I DIDN'T MEAN IT.

1519
01:11:05,652 --> 01:11:08,568
LESTER MUST HAVE BEEN SETTING
SOME KIND OF PERSONAL RECORD,

1520
01:11:08,612 --> 01:11:11,702
TAKING WEEKS TO READ
A 45-PAGE SHORT STORY.

1521
01:11:11,745 --> 01:11:14,705
TONIGHT, HOWEVER, HE CAME TO
THE END OF NOT ONLY THE STORY

1522
01:11:14,748 --> 01:11:16,750
BUT THE RELATIONSHIP
DASHIELL DEPICTED.

1523
01:11:16,794 --> 01:11:18,752
IN THE LAST PARAGRAPH,

1524
01:11:18,796 --> 01:11:21,668
DASHIELL QUOTED FROM
GUSTAVE FLAUBERT'S
THE SENTIMENTAL EDUCATION.

1525
01:11:21,712 --> 01:11:24,323
"IN EVERY PARTING,
THERE COMES A MOMENT

1526
01:11:24,367 --> 01:11:26,369
WHEN THE BELOVED
IS ALREADY GONE FROM US."

1527
01:11:29,546 --> 01:11:31,678
DON'T...

1528
01:11:31,722 --> 01:11:34,072
BE GENTLE.

1529
01:11:36,640 --> 01:11:38,598
AND, UH--AHEM--

1530
01:11:38,642 --> 01:11:41,122
YOU WERE SAYING, LEO?

1531
01:11:41,166 --> 01:11:43,647
YEAH, UM, SO,
INITIALLY,

1532
01:11:43,690 --> 01:11:46,780
SHE LIED AND SAID
THE GUY WASN'T THERE,

1533
01:11:46,824 --> 01:11:51,350
BUT IT TURNS OUT
THAT SHE'D INVITED
HER EX-BOYFRIEND OVER

1534
01:11:51,394 --> 01:11:53,657
BEHIND MY BACK.

1535
01:11:53,700 --> 01:11:56,007
AND...THEREIN IS--
IS THE LIE...

1536
01:11:56,050 --> 01:11:59,837
THAT IT--IT SETS A TONE

1537
01:11:59,880 --> 01:12:02,361
FOR THE ENTIRE
RELATIONSHIP.

1538
01:12:02,405 --> 01:12:04,363
YOU'RE ALWAYS, NOW,

1539
01:12:04,407 --> 01:12:07,714
YOU'RE ALWAYS PLAYING
CATCH UP.

1540
01:12:07,758 --> 01:12:10,630
A WEEK EARLIER,
LESTER HAD ASKED VINCE
FOR A FAVOR.

1541
01:12:10,674 --> 01:12:13,459
BECAUSE I--I HAVE
TO LEAVE THE ANALYSIS,

1542
01:12:13,503 --> 01:12:16,157
AND NOW YOU CAN COME IN
AND JUST CHANGE OVER
TO MY PROBLEMS.

1543
01:12:16,201 --> 01:12:17,768
I MEAN, TO VINCE'S
PROBLEMS.

1544
01:12:17,811 --> 01:12:19,465
TO YOUR PROBLEMS.

1545
01:12:19,509 --> 01:12:21,032
BECOME MYSELF.

1546
01:12:21,075 --> 01:12:23,991
RIGHT! RIGHT.
SEE, THAT WAY,
I CAN GET OUT,

1547
01:12:24,035 --> 01:12:26,124
AND YOU CAN STILL
BENEFIT.

1548
01:12:26,167 --> 01:12:27,430
SO YOU COME IN,
HELP ME OUT
A LITTLE BIT,

1549
01:12:27,473 --> 01:12:30,389
AND THEN SLOWLY
CHANGE OVER TO YOUR
REAL LIFE.

1550
01:12:30,433 --> 01:12:33,610
I MEAN, YOU'LL HAVE
TO USE DIFFERENT
NAMES AND MAKE UP
SOME STUFF,

1551
01:12:33,653 --> 01:12:35,568
BUT IT'LL WORK.

1552
01:12:35,612 --> 01:12:38,136
I MEAN, REALLY,
THERE ARE JUST A FEW
PROBLEMS OUT THERE
ANYWAY.

1553
01:12:38,179 --> 01:12:39,964
YOU'RE BOUND TO HAVE
MOST OF THEM.

1554
01:12:40,007 --> 01:12:41,400
WE MUST SHARE
A LOT OF THEM.

1555
01:12:41,444 --> 01:12:43,620
COME ON,
WHADDAYA SAY?

1556
01:12:43,663 --> 01:12:46,100
BE ME.

1557
01:12:48,494 --> 01:12:50,757
AND THEN SHE LIED.

1558
01:12:50,801 --> 01:12:52,759
I MEAN, IT WAS
EARLY IN OUR RELATIONSHIP.

1559
01:12:52,803 --> 01:12:54,500
SHE SAYS WE WEREN'T
US THEN,

1560
01:12:54,544 --> 01:12:56,850
BUT I DUNNO,

1561
01:12:56,894 --> 01:12:58,852
TO ME IT SUGGESTS
A LACK OF COMMITMENT

1562
01:12:58,896 --> 01:13:00,419
OOP FRONT...

1563
01:13:00,463 --> 01:13:02,682
AND THAT IS
THE STARTING POINT.

1564
01:13:02,726 --> 01:13:05,685
THAT IS THE SPRINGBOARD
INTO THE RELATIONSHIP.

1565
01:13:05,729 --> 01:13:07,687
I CARE LESS NOW,

1566
01:13:07,731 --> 01:13:10,081
AND WHEN SHE COMES
RRROUND
WONDERING...

1567
01:13:10,124 --> 01:13:12,605
AND SO, AS AGREED UPON,

1568
01:13:12,649 --> 01:13:14,781
VINCE BECAME LESTER
NAMED LEO

1569
01:13:14,825 --> 01:13:16,740
WHILE LESTER REMAINED VINCE.

1570
01:13:16,783 --> 01:13:19,699
BUT WHY VINCE SPOKE WITH
AN ENGLISH ACCENT,

1571
01:13:19,743 --> 01:13:21,919
LESTER COULDN'T EVEN
BEGIN TO IMAGINE.

1572
01:13:21,962 --> 01:13:23,921
AND I FEEL ALSO,
NOW IF I SAY TO HER,

1573
01:13:23,964 --> 01:13:27,011
"DO YOU SMELL THAT?"
AND, "OH, YEAH, I SMELL IT."

1574
01:13:27,054 --> 01:13:30,057
DOES SHE? I DON'T KNOW.
BECAUSE YOU LIED BEFORE.

1575
01:13:30,101 --> 01:13:31,929
MAYBE YOU DON'T SMELL
THIS NOW.

1576
01:13:31,972 --> 01:13:33,104
MAYBE--

1577
01:13:34,192 --> 01:13:35,062
LEO?

1578
01:13:35,106 --> 01:13:37,021
YEAH.

1579
01:13:37,064 --> 01:13:39,110
DO YOU THINK
SHE STILL CARES ABOUT
THE BOYFRIEND?

1580
01:13:39,153 --> 01:13:41,852
AH...DO I, UH...

1581
01:13:41,895 --> 01:13:43,854
THINK SHE CARES?

1582
01:13:43,897 --> 01:13:46,857
DO I? I--

1583
01:13:46,900 --> 01:13:48,554
I DON'T KNOW. WHAT--

1584
01:13:48,598 --> 01:13:49,729
WHAT DO YOU THINK?

1585
01:13:49,773 --> 01:13:54,865
HOW DO I KNOW?
I--I...DON'T KNOW HER.

1586
01:13:54,908 --> 01:13:59,870
WELL, I GUESS IN MY
DEEPEST, DARKEST THOUGHTS,
SHE DOES,

1587
01:13:59,913 --> 01:14:02,481
MAYBE...F...YEAH.

1588
01:14:02,525 --> 01:14:04,918
YOU MENTIONED YOU'D BEEN
JEALOUS IN THE PAST, LEO.

1589
01:14:04,962 --> 01:14:07,181
WHY DON'T YOU
TALK ABOUT THAT?

1590
01:14:07,225 --> 01:14:08,792
UM...

1591
01:14:10,576 --> 01:14:13,057
EH...T-THIS HAS BEEN
A PATTERN.

1592
01:14:13,100 --> 01:14:15,276
WHEN I WAS 15,
I CAUGHT MY FIRST GIRLFRIEND

1593
01:14:15,320 --> 01:14:18,105
MAKING OUT WITH
A CLUB PROMOTER.

1594
01:14:22,980 --> 01:14:25,156
AND LATER ON IN COLLEGE,

1595
01:14:25,199 --> 01:14:28,159
I DATED THIS GIRL,
AND I BECAME QUITE OBSESSED

1596
01:14:28,202 --> 01:14:31,031
WITH THE NOTION
OF HER EX-BOYFRIEND,

1597
01:14:31,075 --> 01:14:33,643
THEN THE REALITY
OF HER EX-BOYFRIEND.

1598
01:14:33,686 --> 01:14:38,038
I TRAILED HIM AROUND
LIKE A DETECTIVE
TRAILING A SUBJECT.

1599
01:14:38,082 --> 01:14:40,127
I CAN'T BELIEVE
YOU WENT OUT
WITH THIS GUY.

1600
01:14:40,171 --> 01:14:41,825
YOU KNOW WHAT KIND
OF REFLECTION
THAT IS ON ME?

1601
01:14:41,868 --> 01:14:44,131
AND SHE ENDED UP...
DOOMPING ME BECAUSE, AH...

1602
01:14:44,175 --> 01:14:46,786
I WASN'T AROUND MUCH.

1603
01:14:46,830 --> 01:14:49,310
OF COURSE, I WAS ALWAYS
WITH HER EX-BOYFRIEND.

1604
01:14:49,354 --> 01:14:51,965
IT'S A SELF-FULFILLING
PROPHECY, I GUESS.

1605
01:14:52,009 --> 01:14:53,967
I MEAN, I REGRET NOTHING.

1606
01:14:54,011 --> 01:14:57,971
IT JUST SEEMS I ALWAYS
GET TO THIS POINT IN
RELATIONSHIPS

1607
01:14:58,015 --> 01:15:00,713
WHERE MY JEALOUSY
KEEPS THEM

1608
01:15:00,757 --> 01:15:03,063
FROM MOVING ON
PAST A CERTAIN POINT.

1609
01:15:03,107 --> 01:15:05,022
UH...

1610
01:15:05,065 --> 01:15:06,980
I'M GETTING OLDER.

1611
01:15:07,024 --> 01:15:08,329
I'D LIKE TO--

1612
01:15:08,373 --> 01:15:09,940
SEEMS PERFECTLY
NORMAL TO ME.

1613
01:15:09,983 --> 01:15:11,332
YOUR GIRLFRIEND NOW...

1614
01:15:11,376 --> 01:15:12,986
LISA.

1615
01:15:13,030 --> 01:15:14,553
LISA POPADIMITRIO.

1616
01:15:14,597 --> 01:15:17,817
LISA WAS PROBABLY
INSECURE ABOUT
YOUR FEELINGS

1617
01:15:17,861 --> 01:15:21,647
AT SUCH A PREMATURE
TIME IN YOUR
RELATIONSHIP.

1618
01:15:21,691 --> 01:15:23,606
IT--IT PROTECTS HER,

1619
01:15:23,649 --> 01:15:25,695
KEEPS HER FROM GETTING
TOO INVOLVED.

1620
01:15:25,738 --> 01:15:27,740
SHE HASN'T SEEN
THIS GUY SINCE THE NIGHT

1621
01:15:27,784 --> 01:15:29,176
YOU RAN OVER TO HER
HOUSE, HAS SHE?

1622
01:15:29,220 --> 01:15:31,614
HMM...AH...
I DON'T...KNOW...

1623
01:15:31,657 --> 01:15:33,006
WHAT DO YOU THINK?

1624
01:15:33,050 --> 01:15:35,661
UH, NO. I--
I DOUBT IT.

1625
01:15:35,705 --> 01:15:38,708
I--

1626
01:15:38,751 --> 01:15:40,579
YEAH. YEAH, ME, TOO.

1627
01:15:40,623 --> 01:15:43,364
WELL,
SO DON'T WORRY, THEN.
YOU'RE A JEALOUS GUY.

1628
01:15:43,408 --> 01:15:46,237
WE ALL GET THAT WAY.
YOU'RE JUST EXPRESSING IT
MORE DEEPLY.

1629
01:15:46,280 --> 01:15:47,325
YES.

1630
01:15:47,368 --> 01:15:49,675
YES?

1631
01:15:49,719 --> 01:15:51,895
YES.

1632
01:15:51,938 --> 01:15:54,027
THAT'S GREAT.

1633
01:15:54,071 --> 01:15:56,595
AND HOW ARE THINGS
WITH LESTER, VINCE?

1634
01:15:57,378 --> 01:15:58,554
GOOD.

1635
01:16:00,077 --> 01:16:03,994
IS HE STILL PUSHING YOU
AWAY FROM THE MARRIAGE?

1636
01:16:04,037 --> 01:16:06,997
NO, NO, NO.
HE'S--HE'S BETTER
ABOUT THAT.

1637
01:16:07,040 --> 01:16:10,914
HAVE YOU FELT MORE
AWARE OF HIS...
ULTERIOR MOTIVES?

1638
01:16:13,351 --> 01:16:14,744
SO ALL THIS TIME,
THEY'VE BEEN TELLING ME

1639
01:16:14,787 --> 01:16:16,180
NOT TO HANG OUT
WITH YOU.

1640
01:16:16,223 --> 01:16:17,877
NO, THEY'VE BEEN
TELLING ME NOT TO
HANG OUT WITH ME.

1641
01:16:17,921 --> 01:16:19,618
YOU HID THAT FROM ME.

1642
01:16:19,662 --> 01:16:20,880
THAT'S A VALUABLE PART
OF MY THERAPY, AND YOU
HID IT FROM ME.

1643
01:16:20,924 --> 01:16:22,621
NOW I DON'T KNOW
WHAT TO DO.

1644
01:16:22,665 --> 01:16:24,405
I'M PROBABLY
HALF A DIAGNOSIS.
I'M HALF A MAN!

1645
01:16:24,449 --> 01:16:26,625
BUT YOU AND LUCRETIA
ARE GETTING ALONG
SO WELL.

1646
01:16:26,669 --> 01:16:28,888
IT'S PROBABLY
AN ILLUSION.
WE'RE LIVING A LIE.

1647
01:16:28,932 --> 01:16:30,194
DON'T BE SO DRAMATIC.

1648
01:16:30,237 --> 01:16:31,151
YOU CAN'T MESS
WITH THESE THINGS.

1649
01:16:31,195 --> 01:16:32,239
IT'S LIKE
A CHROMOSOMAL MAKEUP.

1650
01:16:32,283 --> 01:16:34,198
AND YOU WERE HURTFUL
AND MEAN IN THERAPY.

1651
01:16:34,241 --> 01:16:35,765
I WAS--AND--AND--

1652
01:16:35,808 --> 01:16:38,071
WHY IN GOD'S NAME
WERE YOU SPEAKING
WITH A BRITISH ACCENT?

1653
01:16:38,115 --> 01:16:41,248
I DON'T KNOW.
HE FEELS BRITISH TO ME.
LEO FEELS BRITISH.

1654
01:16:41,292 --> 01:16:43,642
LEO FEELS--
LEO'S SUPPOSED TO
BE ME!

1655
01:16:43,686 --> 01:16:45,949
LOOK, IT'S A CHOICE
I MADE, AND I STICK
BY IT.

1656
01:16:45,992 --> 01:16:47,907
IF YOU'RE UNHAPPY
WITH IT, I'LL TRY
SOMETHING ELSE
NEXT SESSION.

1657
01:16:47,951 --> 01:16:50,910
YOU CAN'T VERY WELL
CHANGE IT NOW, CAN YOU?

1658
01:16:50,954 --> 01:16:52,912
NO, I SUPPOSE THAT
WOULD BE CONFUSING.

1659
01:16:52,956 --> 01:16:55,262
ALL RIGHT, THAT'S IT.
IT'S OVER.
THERAPY IS OVER.

1660
01:16:55,306 --> 01:16:57,221
WE'RE TERMINATING
OUR ANALYSIS.

1661
01:16:57,264 --> 01:16:59,310
WHERE ARE YOU GOING?

1662
01:16:59,353 --> 01:17:02,313
THE NEW VINCE
DOESN'T FEEL LIKE
BEING WITH YOU
SUDDENLY.

1663
01:17:05,490 --> 01:17:09,886
THE NEXT SESSION,
RAMONA THOUGHT SHE'D
SURPRISE LESTER AFTER THERAPY.

1664
01:17:09,929 --> 01:17:12,671
IN HER HASTE,
SHE ACTUALLY RECALLED
THE ADDRESS INCORRECTLY,

1665
01:17:12,715 --> 01:17:14,673
AND REINVERTED THE DIGITS
4 AND 6

1666
01:17:14,717 --> 01:17:17,807
AND WENT TO 264 WEST 4th STREET,

1667
01:17:17,850 --> 01:17:20,418
WHICH, IN FACT,
WAS THE RIGHT ADDRESS.

1668
01:17:24,074 --> 01:17:25,858
CONFUSED AND SUSPICIOUS,

1669
01:17:25,902 --> 01:17:27,904
THAT EVENING,
RAMONA AND LUCRETIA
TOOK IN A SHOW

1670
01:17:27,947 --> 01:17:30,950
OF THE BLACK AND WHITE
THE MAN WHO SHOT LIBERTY
VALANCE.

1671
01:17:36,347 --> 01:17:38,958
AND THEN THEY WAITED
FOR THEIR BOYFRIENDS.

1672
01:17:39,002 --> 01:17:42,266
BUT UNTIL THEY HAD FURTHER PROOF
OF WHAT EXACTLY WAS GOING ON,

1673
01:17:42,309 --> 01:17:49,795
THEY SWORE EACH OTHER
TO SECRECY.

1674
01:17:49,839 --> 01:17:51,492
LESTER?

1675
01:17:51,536 --> 01:17:54,060
YEAH?

1676
01:17:54,104 --> 01:17:57,194
THE MAN WHO SHOT
LIBERTY VALANCE
IS IN BLACK AND WHITE.

1677
01:17:59,413 --> 01:18:01,285
YEAH?

1678
01:18:01,328 --> 01:18:03,113
YOU SAID IT WAS
IN GLORIOUS COLOR.

1679
01:18:05,158 --> 01:18:06,899
YEAH.

1680
01:18:06,943 --> 01:18:08,901
REMEMBER THAT?

1681
01:18:08,945 --> 01:18:11,338
YEAH.

1682
01:18:11,382 --> 01:18:13,689
SO--WHAT'S
YOUR POINT?

1683
01:18:15,865 --> 01:18:17,431
ARE YOU HAVING
AN AFFAIR?

1684
01:18:18,781 --> 01:18:20,217
WHAT?

1685
01:18:20,260 --> 01:18:21,740
WHAT ARE YOU
TALKING ABOUT?

1686
01:18:21,784 --> 01:18:22,872
YES OR NO.

1687
01:18:22,915 --> 01:18:24,308
NO, OF COURSE NOT.

1688
01:18:24,351 --> 01:18:27,137
WELL, I DON'T KNOW.
YOU'RE PREOCCUPIED.

1689
01:18:27,180 --> 01:18:29,095
THE MOVIE IS IN COLOR.

1690
01:18:29,139 --> 01:18:31,315
WE DON'T SEE AS MUCH
OF ONE ANOTHER.

1691
01:18:31,358 --> 01:18:34,013
WE HAVEN'T MADE LOVE
IN OVER A WEEK,
I THINK.

1692
01:18:34,057 --> 01:18:36,712
I'M ABSOLUTELY NOT
HAVING AN AFFAIR.

1693
01:18:40,019 --> 01:18:41,455
ARE YOU?

1694
01:18:43,893 --> 01:18:44,937
NO.

1695
01:18:54,555 --> 01:18:58,037
AND I, UM, FINALLY
GOT THE NERVE

1696
01:18:58,081 --> 01:19:00,866
TO GET THE CABARET
ACT UP AND GOING.

1697
01:19:00,910 --> 01:19:02,955
I THINK IT WILL
BE WELL RECEIVED.

1698
01:19:02,999 --> 01:19:05,871
VINCE,

1699
01:19:05,915 --> 01:19:08,569
ANYTHING YOU'D LIKE
TO, UM, TALK ABOUT?

1700
01:19:08,613 --> 01:19:11,224
NO. I'M GOOD TODAY.

1701
01:19:11,268 --> 01:19:13,226
LUCRETIA AND I HAD
A BIG TALK.

1702
01:19:13,270 --> 01:19:14,837
I FEEL FINE.

1703
01:19:14,880 --> 01:19:18,144
FEEL FREE TO PIPE IN
AT ANY TIME.

1704
01:19:18,188 --> 01:19:19,842
LEO?

1705
01:19:19,885 --> 01:19:25,499
NO, I'M FINE.
THANKS.

1706
01:19:26,892 --> 01:19:28,328
DASHIELL?

1707
01:19:28,372 --> 01:19:33,420
4 DAYS AGO, I HAD
TO MAKE SOME CALLS.

1708
01:19:33,464 --> 01:19:37,120
BUSINESS. MY AGENT,
MY EDITOR,

1709
01:19:37,163 --> 01:19:39,165
A PRODUCER WHO WANTS TO
OPTION THE SENSUALIS.

1710
01:19:39,209 --> 01:19:40,819
SUDDENLY, I--

1711
01:19:40,863 --> 01:19:44,867
FOUND MYSELF
LOOKING UP A NAME IN
THE PHONE BOOK...

1712
01:19:44,910 --> 01:19:47,608
RAMONA RAY, MY EX.

1713
01:19:47,652 --> 01:19:50,611
SHE WAS LISTED.

1714
01:19:50,655 --> 01:19:52,918
I LET THE PHONE RING
ONCE...

1715
01:19:52,962 --> 01:19:55,051
TWICE, MY FINGER ON
THE HANG-UP BUTTON,

1716
01:19:55,094 --> 01:19:57,531
PRAYING, OF COURSE,
SHE DOESN'T HAVE THAT
CALLER ID.

1717
01:19:57,575 --> 01:19:59,359
AND THEN I HEAR THIS VOICE.
"HELLO."

1718
01:19:59,403 --> 01:20:02,275
I LISTENED,
I JUST SAT THERE.

1719
01:20:02,319 --> 01:20:05,104
"HELLO,"
SHE REPEATED.

1720
01:20:05,148 --> 01:20:07,846
"HELLO."

1721
01:20:07,890 --> 01:20:09,587
I FINALLY HUNG UP.

1722
01:20:09,630 --> 01:20:11,632
IT WAS CHILDISH,
I KNOW, BUT...

1723
01:20:11,676 --> 01:20:14,592
A LOT OF WHAT
WE TALKED ABOUT

1724
01:20:14,635 --> 01:20:16,072
RACED THROUGH MY HEAD.

1725
01:20:16,115 --> 01:20:18,117
THINGS I'VE BEEN
TRYING TO WRITE,

1726
01:20:18,161 --> 01:20:21,555
FRIENDSHIPS I'VE
FORMED RECENTLY.

1727
01:20:21,599 --> 01:20:25,951
VINCE, LEO.

1728
01:20:25,995 --> 01:20:30,129
I THINK THAT WE HAVE
ALL BEEN GETTING
BETTER TOGETHER,

1729
01:20:30,173 --> 01:20:32,175
FIGURING OUT
OUR RELATIONSHIPS.

1730
01:20:32,218 --> 01:20:35,265
AND I DON'T GENERALLY
BELIEVE IN LUCK OR FAITH.

1731
01:20:35,308 --> 01:20:36,309
BUT ONE DAY
AFTER THERAPY,

1732
01:20:36,353 --> 01:20:38,137
WHEN I CAME OUT OF
THE BUILDING,

1733
01:20:38,181 --> 01:20:39,704
AND THERE WAS RAMONA.

1734
01:20:39,747 --> 01:20:41,880
SHE WAS WITH A FRIEND,
WHO I GUESS I'D MET
A FEW YEARS AGO

1735
01:20:41,924 --> 01:20:43,490
WHEN WE WERE TOGETHER.

1736
01:20:43,534 --> 01:20:46,493
I WAS IN SHOCK BECAUSE
I'D BEEN THINKING
SO MUCH OF HER LATELY,

1737
01:20:46,537 --> 01:20:49,105
AND SHE SUDDENLY
MATERIALIZED IN FRONT OF ME.

1738
01:20:49,148 --> 01:20:52,108
SHE CAME TOWARDS ME
AND I ASKED HER TO
TAKE A WALK WITH ME.

1739
01:20:52,151 --> 01:20:56,025
WE TALKED.
WE TALKED FOR A WHILE,
WE HAD COFFEE.

1740
01:20:56,068 --> 01:20:58,070
IT WAS A LITTLE AWKWARD,
YES,

1741
01:20:58,114 --> 01:20:59,985
BUT IT WAS SO GOOD
TO SEE HER.

1742
01:21:00,029 --> 01:21:03,162
SHE'S GOT THIS GREAT JOB
AT THE BROOKLYN MUSEUM.

1743
01:21:03,206 --> 01:21:04,511
SO SHE WAS IN
GREAT SPIRITS.

1744
01:21:04,555 --> 01:21:07,036
SHE HAD A WHOLE OTHER
ART DEGREE WHEN I KNEW HER.

1745
01:21:07,079 --> 01:21:08,689
NOW SHE HAS, LIKE, 4.

1746
01:21:08,733 --> 01:21:12,606
AND HER ACCENT,
HER ADORABLE BROOKLYN ACCENT

1747
01:21:12,650 --> 01:21:15,174
THAT SHE'D BEEN TRYING
TO LOSE HAS TURNED INTO
SOMETHING SO ELEGANT,

1748
01:21:15,218 --> 01:21:17,350
SO UN-BROOKLYN.

1749
01:21:17,394 --> 01:21:18,961
WE TALKED ABOUT
HER WANTING TO GET OUT.

1750
01:21:19,004 --> 01:21:20,310
SHE WANTS TO MOVE
TO MANHATTAN.

1751
01:21:20,353 --> 01:21:22,312
ABOUT THE FILM
SHE WANTS TO MAKE
ABOUT BROOKLYN.

1752
01:21:22,355 --> 01:21:24,531
IT WAS GREAT TO FOCUS
ONLY ON HER.

1753
01:21:24,575 --> 01:21:26,925
IT WAS ALL ABOUT ME
YEARS BEFORE.

1754
01:21:29,710 --> 01:21:31,277
I DON'T KNOW.

1755
01:21:31,321 --> 01:21:35,194
I--I LOVED FLIRTING
WITH HER AGAIN.

1756
01:21:35,238 --> 01:21:37,327
OUR RELATIONSHIP
HAD TURNED SO SOUR,

1757
01:21:37,370 --> 01:21:41,592
AND--TO WONDER AGAIN,
TO--

1758
01:21:41,635 --> 01:21:43,594
IMAGINE HER NAKED.

1759
01:21:45,074 --> 01:21:47,728
TO RE-FALL IN LOVE
WAS SUCH AN EXPERIENCE,

1760
01:21:47,772 --> 01:21:50,253
BETTER THAN IF
WE'D NEVER MET.

1761
01:21:50,296 --> 01:21:51,950
FOR THE FIRST TIME,

1762
01:21:51,994 --> 01:21:53,647
I UNDERSTOOD WHY
PEOPLE WOULD REMARRY.

1763
01:21:53,691 --> 01:21:56,215
AND DID SHE SEEM
TO FEEL THE SAME WAY
FOR YOU?

1764
01:21:56,259 --> 01:21:58,348
I DON'T KNOW.

1765
01:21:58,391 --> 01:22:01,003
I DON'T KNOW.
SHE LIKED TALKING TO ME
AND--

1766
01:22:01,046 --> 01:22:03,048
AFTERWARDS WHEN
WE MADE LOVE,

1767
01:22:03,092 --> 01:22:05,746
I KNEW SHE WANTED
TO MAKE LOVE TO ME.

1768
01:22:05,790 --> 01:22:08,488
THAT MUCH I DO KNOW.

1769
01:22:08,532 --> 01:22:11,578
WHAT A GREAT
NEW YORK STORY.

1770
01:22:11,622 --> 01:22:14,581
IT'S LIKE A GODDAMN
FANTASY.

1771
01:22:14,625 --> 01:22:18,542
Lester:
I'M GONNA DO SOMETHING.

1772
01:22:23,329 --> 01:22:24,417
Man: HMM.

1773
01:22:24,461 --> 01:22:26,245
Woman:
WHERE'S HE GOING?

1774
01:22:26,289 --> 01:22:27,551
DASHIELL.

1775
01:22:27,594 --> 01:22:30,075
YOU MENTIONED ANOTHER
GIRL WITH RAMONA.

1776
01:22:30,119 --> 01:22:31,642
YES.

1777
01:22:33,296 --> 01:22:36,255
THAT'S GREAT. FINE.

1778
01:22:36,299 --> 01:22:37,604
JUST CHECKING.

1779
01:22:45,047 --> 01:22:46,744
WHO ARE YOU
WAITING FOR?

1780
01:22:46,787 --> 01:22:49,181
YOU LIED TO ME.

1781
01:22:49,225 --> 01:22:51,053
YOU SLEPT WITH HIM.

1782
01:22:51,096 --> 01:22:53,490
YES.

1783
01:22:53,533 --> 01:22:55,622
OK, I'M JUST GLAD
YOUR STORIES ARE STRAIGHT.

1784
01:22:55,666 --> 01:22:57,015
Dashiell:
VINCE.
ISN'T THAT WHAT
YOU WANTED?

1785
01:22:57,059 --> 01:22:58,451
VINCE!

1786
01:22:58,495 --> 01:22:59,278
UH, YEAH, YEAH.

1787
01:22:59,322 --> 01:23:00,366
VINCE, WHAT ARE
YOU DOING?

1788
01:23:00,410 --> 01:23:01,193
I'M IN THERAPY.

1789
01:23:01,237 --> 01:23:03,326
WHAT? WHY ARE
YOU BRITISH?

1790
01:23:03,369 --> 01:23:05,371
RAMONA. VINCE,
I NEED TO TALK TO YOU.

1791
01:23:05,415 --> 01:23:09,332
AND WHY IS HE
CALLING LESTER,
VINCE?

1792
01:23:09,375 --> 01:23:11,029
UH, BECAUSE THAT'S
THE NAME LESTER GOES BY
IN OUR GROUP THERAPY.

1793
01:23:11,073 --> 01:23:12,813
HEY, LESTER,
YOU LIED TO ME ABOUT
ALMOST EVERYTHING

1794
01:23:12,857 --> 01:23:14,076
THAT EXISTS
BETWEEN US.

1795
01:23:14,119 --> 01:23:16,774
Lester: YEAH.
YOU MADE
THIS HAPPEN.

1796
01:23:16,817 --> 01:23:19,646
Lester: RAMONA.VINCE,
YOU KNOW RAMONA?

1797
01:23:19,690 --> 01:23:22,388
I THINK WE ALL HAVE
OUR DIFFERENT WAYS
OF RUINING THINGS.

1798
01:23:22,432 --> 01:23:24,825
LESTER.YES?

1799
01:23:24,869 --> 01:23:26,436
I CAN'T BELIEVE YOU,
VINCE.

1800
01:23:26,479 --> 01:23:28,220
RAMONA, YOU KNOW--
LESTER.

1801
01:23:28,264 --> 01:23:31,267
I JUST WISH YOU COULD BE
AS JEALOUS OF ME AS
I AM OF YOU.

1802
01:23:31,310 --> 01:23:34,487
WE LOVE DIFFERENTLY,
LESTER.

1803
01:23:34,531 --> 01:23:35,575
AND YOU BOTH KNOW
EACH OTHER.

1804
01:23:35,619 --> 01:23:37,142
SHE'S MY GIRLFRIEND,
DASH.

1805
01:23:37,186 --> 01:23:38,535
Lucretia:
I CAN'T
BELIEVE THIS.

1806
01:23:38,578 --> 01:23:40,058
I'M SORRY, DR. POKE.

1807
01:23:40,102 --> 01:23:42,060
AND THAT'S MY FIANCEE,
VINCE.

1808
01:23:42,104 --> 01:23:43,714
OH, GOD.
SO YOU'RE VINCE?

1809
01:23:43,757 --> 01:23:44,497
I'M--LEO.

1810
01:23:44,541 --> 01:23:45,498
NO, YOU'RE VINCE NOW.

1811
01:23:45,542 --> 01:23:47,326
OK, I'M VINCE.

1812
01:23:47,370 --> 01:23:48,501
I KNEW NO ONE WHO
SOUNDED LIKE THAT

1813
01:23:48,545 --> 01:23:49,850
COULD POSSIBLY
BE BRITISH.

1814
01:23:49,894 --> 01:23:52,549
SO YOU'RE VINCE.
YOU'RE THE ONE
GETTING MARRIED.

1815
01:23:52,592 --> 01:23:54,638
YOU'RE THE ONE WHO
WISHES HIS FIANCEE BE
MORE OPEN

1816
01:23:54,681 --> 01:23:57,249
ABOUT DIFFERENT
SEXUAL POSITIONS.

1817
01:23:57,293 --> 01:23:58,685
OH, VINCE.

1818
01:23:58,729 --> 01:24:00,339
RAMONA.RAMONA.

1819
01:24:00,383 --> 01:24:02,211
SHUT UP
FOR A MINUTE!

1820
01:24:02,254 --> 01:24:03,125
Lucretia:
HOW COULD YOU
DO THIS TO ME?

1821
01:24:03,168 --> 01:24:05,170
RAMONA, DID YOU KNOW
THIS IS...

1822
01:24:05,214 --> 01:24:07,607
YOU SUCK!

1823
01:24:07,651 --> 01:24:09,696
Vince: LU, LU!
LUCRETIA!

1824
01:24:09,740 --> 01:24:12,308
PERHAPS WE SHOULD
ALL GO BACK INSIDE.

1825
01:24:12,351 --> 01:24:13,700
YOU SON OF A BITCH.

1826
01:24:19,402 --> 01:24:20,751
Ramona: GEEZ.

1827
01:24:44,383 --> 01:24:46,124
SHE'S MY GIRLFRIEND!

1828
01:24:48,170 --> 01:24:49,345
OW!

1829
01:24:50,911 --> 01:24:54,437
I'VE--NEVER HIT
ANYONE BEFORE.

1830
01:24:54,480 --> 01:24:56,221
IT'S ONLY MY SECOND.

1831
01:25:01,792 --> 01:25:03,837
I'M SORRY.

1832
01:25:10,453 --> 01:25:13,586
♪ I LOVE YOU IN THE MORNING

1833
01:25:13,630 --> 01:25:16,415
♪ OUR KISSES DEEP AND WARM

1834
01:25:16,459 --> 01:25:17,895
Narrator:
THE SAD THING, LESTER THOUGHT,

1835
01:25:17,938 --> 01:25:21,246
THAT IN ALL THIS HE'D JUST
BECOME WHAT HE DETESTED MOST,

1836
01:25:21,290 --> 01:25:22,769
RAMONA'S EX-BOYFRIEND.

1837
01:25:24,684 --> 01:25:27,165
♪ MANY LOVED BEFORE US

1838
01:25:27,209 --> 01:25:32,257
♪ I KNOW THAT WE ARE NOT
NEW IN THE CITY ♪

1839
01:25:32,301 --> 01:25:37,436
♪ AND IN THE FORESTS
THEY SMILED LIKE ME AND YOU ♪

1840
01:25:37,480 --> 01:25:39,177
♪ BUT NOW...

1841
01:25:39,221 --> 01:25:41,484
SEVERAL MONTHS LATER
AT THE UNIVERSITY OF IOWA.

1842
01:25:41,527 --> 01:25:43,921
LESTER! LESTER!YEAH?

1843
01:25:43,964 --> 01:25:45,618
WE JUST WANTED
TO TELL YOU

1844
01:25:45,662 --> 01:25:47,272
THAT WE THINK
THAT YOUR PLAY
IS REALLY TERRIFIC.

1845
01:25:47,316 --> 01:25:48,447
IT WAS REALLY
NICELY DONE.

1846
01:25:48,491 --> 01:25:50,014
JESUS, IT WAS
SO INVOLVED.

1847
01:25:50,057 --> 01:25:52,973
I MEAN, THE GUY,
HE FOLLOWS HIS GIRLFRIEND'S
EX-BOYFRIEND,

1848
01:25:53,017 --> 01:25:54,192
AND HE JOINS
HIS GROUP THERAPY.

1849
01:25:54,236 --> 01:25:56,325
I MEAN, IT WAS WILD,
YOU KNOW.

1850
01:25:56,368 --> 01:25:57,804
YEAH, THEN THE
EX-BOYFRIEND TURNS
OUT TO BE A KILLER.

1851
01:25:57,848 --> 01:25:59,719
YEAH, THAT WAS...

1852
01:25:59,763 --> 01:26:00,938
I WAS REALLY
BLOWN AWAY BY IT.

1853
01:26:00,981 --> 01:26:02,809
THANK YOU.

1854
01:26:02,853 --> 01:26:04,550
NO OFFENSE, BUT IT
WAS MUCH BETTER THAN
YOUR OTHER PLAY,

1855
01:26:04,594 --> 01:26:06,204
THE ONE ABOUT
THE 3 MIDDLE-AGED WOMEN

1856
01:26:06,248 --> 01:26:08,902
WHO ARE DRIVING
CROSS-COUNTRY.
THEY WERE ALCOHOLICS.

1857
01:26:08,946 --> 01:26:11,557
YEAH, THAT WAS
A LITTLE MISGUIDED.

1858
01:26:11,601 --> 01:26:12,863
WELL...

1859
01:26:15,431 --> 01:26:16,214
WELL,
WE'LL SEE YOU.

1860
01:26:16,258 --> 01:26:17,346
YEAH.
GREAT WORK, MAN.

1861
01:26:17,389 --> 01:26:18,564
THANK YOU.

1862
01:26:19,913 --> 01:26:22,438
♪ YOU KNOW MY LOVE
GOES WITH YOU ♪

1863
01:26:22,481 --> 01:26:24,222
LESTER LOVED SCHOOL.

1864
01:26:24,266 --> 01:26:26,572
HE LIVED ALONE IN HIS
STUDIO APARTMENT IN IOWA,

1865
01:26:26,616 --> 01:26:28,357
WITHOUT A TV
I MIGHT ADD,

1866
01:26:28,400 --> 01:26:29,923
AND WROTE.

1867
01:26:31,447 --> 01:26:33,013
LESTER WAS INVITED
TO NEW YORK FOR A WEDDING,

1868
01:26:33,057 --> 01:26:35,233
AND HIS MIND FELL BACK
ON OLDER TIMES.

1869
01:26:35,277 --> 01:26:36,756
HE DIDN'T KNOW WHY,

1870
01:26:36,800 --> 01:26:37,844
BUT HE BEGAN TO SEARCH
HIS POOR MEMORY

1871
01:26:37,888 --> 01:26:39,585
IN AN ATTEMPT
TO HAVE IT OVER AGAIN.

1872
01:26:39,629 --> 01:26:42,371
I DO A PRETTY GOOD
MUPPET WALK.

1873
01:26:48,290 --> 01:26:53,686
♪ ...WE SAID GOOD-BYE

1874
01:27:00,737 --> 01:27:04,523
♪ I LOVED YOU
IN THE MORNING ♪

1875
01:27:04,567 --> 01:27:07,613
♪ OUR KISSES
DEEP AND WARM ♪

1876
01:27:07,657 --> 01:27:10,877
♪ YOUR HEAD ON THE PILLOW

1877
01:27:10,921 --> 01:27:15,578
♪ LIKE A SLEEPY,
GOLDEN STORM ♪

1878
01:27:15,621 --> 01:27:17,884
♪ MANY LOVED BEFORE US

1879
01:27:17,928 --> 01:27:22,541
♪ I KNOW THAT WE ARE NOT
NEW IN THE CITY ♪

1880
01:27:22,585 --> 01:27:27,329
♪ AND IN THE FOREST
THEY SMILED LIKE ME AND YOU ♪

1881
01:27:27,372 --> 01:27:28,504
WHEN RAMONA HAD DECIDED
TO GO BACK INTO THERAPY,

1882
01:27:28,547 --> 01:27:31,028
SHE HESITATED CALLING
DR. POKE.

1883
01:27:31,071 --> 01:27:33,596
HE HAD BEEN, AFTER ALL,
LESTER'S PSYCHIATRIST.

1884
01:27:33,639 --> 01:27:36,076
BUT AS TIME PROGRESSED,
SHE HADN'T MET ANYONE
SHE LIKED,

1885
01:27:36,120 --> 01:27:39,297
AND DR. POKE'S REPUTATION
WAS QUITE IMPRESSIVE.

1886
01:27:39,341 --> 01:27:41,299
THEY MET, AND THE TALKS
WERE VALUABLE.

1887
01:27:41,343 --> 01:27:43,562
AND WHEN IT GOT
RIGHT DOWN TO IT,

1888
01:27:43,606 --> 01:27:45,434
HE REALLY KNEW
NOTHING ABOUT THE REAL LESTER.

1889
01:27:45,477 --> 01:27:46,696
OH, SO, HEY.

1890
01:27:46,739 --> 01:27:48,872
I CROSSED THE STREET
ALL LAST WEEK

1891
01:27:48,915 --> 01:27:51,657
AND IT DIDN'T MATTER
HOW MANY PIGEONS WERE
AROUND ME

1892
01:27:51,701 --> 01:27:54,791
OR IF THE LIGHT
WAS BLINKING WHEN
I GOT TO THE OTHER
SIDE OF THE STREET.

1893
01:27:54,834 --> 01:27:57,097
WELL, AS LONG AS YOU
CROSS ON THE GREEN.

1894
01:27:57,141 --> 01:27:58,708
OH, YEAH, OF COURSE,

1895
01:27:58,751 --> 01:28:00,971
ON THE GREEN,
ON THE GREEN.

1896
01:28:02,799 --> 01:28:05,628
...THE FOUNDATION
OF A CIVILIZED NATION.

1897
01:28:05,671 --> 01:28:09,762
NOW, IN KEEPING WITH
THE PERSONALIZED NATURE
OF THIS SERVICE,

1898
01:28:09,806 --> 01:28:12,461
VINCE AND LUCRETIA
HAVE WRITTEN THEIR OWN VOWS.

1899
01:28:15,768 --> 01:28:17,074
THANKS.

1900
01:28:18,989 --> 01:28:19,903
GO AHEAD.

1901
01:28:24,690 --> 01:28:28,041
LUCRETIA, AS WE EMBARK
ON WHAT WILL HOPEFULLY BE

1902
01:28:28,085 --> 01:28:30,957
A LIFELONG JOURNEY
TOGETHER,

1903
01:28:31,001 --> 01:28:36,659
UH, I FIND MYSELF
ASKING MYSELF
WHAT IS A MARRIAGE?

1904
01:28:36,702 --> 01:28:39,966
WEBSTER'S DEFINES
MARRIAGE VERY SUCCINCTLY,
VERY CLINICALLY,

1905
01:28:40,010 --> 01:28:42,491
AND TOLD ME NOTHING
I DIDN'T ALREADY KNOW.

1906
01:28:42,534 --> 01:28:45,668
UH, FRIENDS AND FAMILY
ALL ECHOED SIMILAR THEMES.

1907
01:28:45,711 --> 01:28:49,019
AND YET STILL,
I FOUND NO ENLIGHTENMENT.

1908
01:28:49,062 --> 01:28:50,368
AND THEN IT HIT ME.

1909
01:28:50,412 --> 01:28:52,414
TRUE LOVE DEFIES
DEFIN--

1910
01:28:52,457 --> 01:28:54,067
TRUE LOVE DEFIES
DEFINITION.

1911
01:28:54,111 --> 01:28:55,373
IT IS A MYSTERY.

1912
01:28:55,417 --> 01:28:59,551
TREE, THEY ADEQUATELY
NAMED THIS FOREST STAPLE,

1913
01:28:59,595 --> 01:29:01,814
BUT SAYS NOTHING
OF ITS COMPLEXITIES.

1914
01:29:01,858 --> 01:29:04,077
THUSLY, I TAKE YOUR HAND,

1915
01:29:04,121 --> 01:29:07,907
AND TOGETHER WE STEP
TOGETHER INTO A VOID,

1916
01:29:07,951 --> 01:29:11,433
A DARKNESS THAT WE WILL
ILLUMINATE WITH OUR HEARTS

1917
01:29:11,476 --> 01:29:13,478
AND CREATE
OUR OWN DEFINITION,

1918
01:29:13,522 --> 01:29:16,742
ONE THAT MR. WEBSTER
COULD NEVER CONCEIVE OF.

1919
01:29:16,786 --> 01:29:19,658
I BELIEVE AND KNOW
IT WAS FATED THAT WE MEET.

1920
01:29:19,702 --> 01:29:23,183
AND IF IT WASN'T
AT THE MILO O'SHAY
ST. PATTY'S DAY DO--

1921
01:29:23,227 --> 01:29:25,621
UH, DAY DO--

1922
01:29:25,664 --> 01:29:27,579
IT WOULD HAVE BEEN
IN SOME OTHER BAR.

1923
01:29:27,623 --> 01:29:28,928
SORRY, MOM.

1924
01:29:28,972 --> 01:29:30,843
AS ROGER DALTREY SAYS,

1925
01:29:30,887 --> 01:29:32,758
"ONE AND ONE DON'T MAKE TWO,

1926
01:29:32,802 --> 01:29:34,630
ONE AND ONE MAKE ONE."

1927
01:29:34,673 --> 01:29:36,022
THANK YOU.

1928
01:29:36,066 --> 01:29:38,155
OH, AND WITH YOU, LUC,

1929
01:29:38,198 --> 01:29:41,811
ONE ISN'T THE ONLY--
ISN'T THE LONELIEST NUMBER.

1930
01:29:41,854 --> 01:29:43,465
THANK YOU, LESTER.
SORRY I BOTCHED THAT.

1931
01:29:43,508 --> 01:29:50,602
UH, LUCRETIA, THANKS FOR
THE JELLO SHOTS THOSE
8 YEARS AGO.

1932
01:29:50,646 --> 01:29:52,778
THANK YOU.
AND THANK YOU FOR
THAT EVENING 8 YEARS AGO.

1933
01:29:52,822 --> 01:29:56,869
THANKS FOR ACCEPTING
MY PROPOSAL 4 YEARS AGO.

1934
01:29:56,913 --> 01:29:59,611
AND THANKS FOR GOING
THROUGH WITH MARRYING
ME TODAY.

1935
01:29:59,655 --> 01:30:03,528
I AM ETERNALLY GRATEFUL
AND TERMINALLY SMITTEN.

1936
01:30:03,572 --> 01:30:05,400
LOVE, VINCE.

1937
01:30:10,709 --> 01:30:13,190
VINCE, I LOVE YOU

1938
01:30:13,233 --> 01:30:15,714
AND I WANT TO
SPEND THE REST OF
MY LIFE WITH YOU,

1939
01:30:15,758 --> 01:30:17,716
AND I INTEND TO.

1940
01:30:20,153 --> 01:30:21,677
AND NOW YOU MAY
KISS THE BRIDE.

1941
01:30:40,130 --> 01:30:42,045
HOW'S L.A.?

1942
01:30:42,088 --> 01:30:43,176
IT'S GOOD.

1943
01:30:43,220 --> 01:30:44,177
HOW'S IOWA?

1944
01:30:44,221 --> 01:30:46,615
GOOD.

1945
01:30:46,658 --> 01:30:48,791
I READ THAT
SHORT STORY OF YOURS
IN THE NEW YORKE.

1946
01:30:48,834 --> 01:30:52,098
IT WAS GREAT,
REALLY TOUCHING.

1947
01:30:52,142 --> 01:30:54,797
MY CLASSMATES ARE
JEALOUS I KNOW YOU.

1948
01:30:54,840 --> 01:30:56,668
THEY RESPECT
YOU A LOT.

1949
01:30:56,712 --> 01:30:58,148
THANK YOU.

1950
01:31:00,759 --> 01:31:02,892
I--FINALLY FINISHED
YOUR BOOK.

1951
01:31:02,935 --> 01:31:05,547
YEAH?
WHAT'D YOU THINK?

1952
01:31:05,590 --> 01:31:07,679
I LIKED IT.

1953
01:31:07,723 --> 01:31:12,118
I THOUGHT THE LAST
STORY WAS A LITTLE
LONG AT THE END.

1954
01:31:15,818 --> 01:31:18,516
I THINK YOU WERE
A HELP TO VINCE.

1955
01:31:18,560 --> 01:31:20,823
I THINK THE MARRIAGE
WILL BENEFIT FROM
YOUR HELP.

1956
01:31:23,347 --> 01:31:26,132
I STILL EXPECTED
TO SEE YOU UP THERE
GETTING MARRIED.

1957
01:31:26,176 --> 01:31:27,960
YEAH, WELL.

1958
01:31:28,004 --> 01:31:29,266
NO. QUIT.

1959
01:33:05,362 --> 01:33:06,842
WHEN YOU BREAK UP
WITH SOMEONE

1960
01:33:06,885 --> 01:33:08,757
YOU GET THAT
DRAMATIC FEELING
LIKE--

1961
01:33:08,800 --> 01:33:11,890
THAT WAS IT.

1962
01:33:11,934 --> 01:33:14,676
I'M NEVER GONNA SEE THAT
PERSON AGAIN IN MY LIFE.

1963
01:33:17,722 --> 01:33:19,942
THEN YOU RUN INTO HIM
AT A WEDDING.

1964
01:33:19,985 --> 01:33:21,160
AND IT RUINS THE DRAMA.

1965
01:33:25,904 --> 01:33:27,166
IT'S LIKE THAT
IN THE BEGINNING, TOO.

1966
01:33:27,210 --> 01:33:29,386
IT'S NOT JUST
A KISS AND LOVE BEGINS.

1967
01:33:33,956 --> 01:33:37,655
I GUESS WE HAD TO
FIGURE OUT OUR OWN
STORIES, TOO.

1968
01:33:41,006 --> 01:33:42,355
I GUESS WE DID.

1969
01:33:46,882 --> 01:33:48,840
HEY, HOW DOES
YOUR STORY END, LESTER?

1970
01:34:02,767 --> 01:34:04,203
I'VE JUST--

1971
01:34:04,247 --> 01:34:06,379
GOT USED TO BEING
WITHOUT YOU.

1972
01:34:15,737 --> 01:34:16,868
I KNOW.

1973
01:34:18,087 --> 01:34:21,046
IT TOOK ME A WHILE
TO STOP THINKING
OF MYSELF

1974
01:34:21,090 --> 01:34:24,267
AS YOUR BOYFRIEND.

1975
01:34:24,310 --> 01:34:25,442
AND EVEN LONGER
TO STOP THINKING
OF MYSELF

1976
01:34:25,485 --> 01:34:29,446
AS YOUR EX-BOYFRIEND...

1977
01:34:29,489 --> 01:34:34,320
TO STOP THINKING OF
MYSELF IN REFERENCE
TO YOU.

1978
01:34:37,019 --> 01:34:38,934
Narrator:
SHE THINKS IT'LL
NEVER WORK OUT;

1979
01:34:38,977 --> 01:34:40,718
WE'RE DIFFERENT NOW.

1980
01:34:40,762 --> 01:34:42,981
HE THINKS,
I MESSED THIS UP ONCE,

1981
01:34:43,025 --> 01:34:45,288
WHO THINKS I'LL BE BETTER
THIS TIME?

1982
01:34:45,331 --> 01:34:48,944
AND YET, WITH ALL THIS
FATALISM FLOATING AROUND
IN THEIR BRAINS,

1983
01:34:48,987 --> 01:34:51,120
THEY COULDN'T MOVE
AWAY FROM EACH OTHER.

1984
01:34:51,163 --> 01:34:53,862
WHO WAS THAT GUY
OVER THERE THAT
YOU WERE TALKING TO?

1985
01:35:27,504 --> 01:35:30,812
CAPTIONING MADE POSSIBLE BY
BMG VIDEO

1986
01:35:30,855 --> 01:35:36,948
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.♪ I WAS DREAMING OF THE PAST

1987
01:35:36,992 --> 01:35:40,865
♪ AND MY HEART WAS
BEATING FAST ♪

1988
01:35:44,390 --> 01:35:48,743
♪ I BEGAN TO LOSE CONTROL

1989
01:35:51,397 --> 01:35:57,447
♪ I BEGAN
TO LOSE CONTROL ♪

1990
01:35:58,840 --> 01:36:03,540
♪ I DIDN'T MEAN TO HURT YOU

1991
01:36:06,108 --> 01:36:11,853
♪ I'M SORRY THAT
I MADE YOU CRY ♪

1992
01:36:13,289 --> 01:36:18,163
♪ I DIDN'T WANT TO HURT YOU

1993
01:36:20,339 --> 01:36:22,820
♪ I'M JUST A JEALOUS GUY

1994
01:36:26,432 --> 01:36:30,785
♪ I WAS FEELING INSECURE

1995
01:36:33,483 --> 01:36:37,835
♪ YOU MIGHT NOT
LOVE ME ANYMORE ♪

1996
01:36:40,925 --> 01:36:45,538
♪ I WAS SHIVERING INSIDE

1997
01:36:48,585 --> 01:36:54,591
♪ I WAS SHIVERING
INSIDE ♪

1998
01:36:55,679 --> 01:37:00,466
♪ I DIDN'T MEAN
TO HURT YOU ♪

1999
01:37:02,991 --> 01:37:08,170
♪ I'M SORRY THAT
I MADE YOU CRY ♪

2000
01:37:10,346 --> 01:37:15,481
♪ I DIDN'T WANT
TO HURT YOU ♪

2001
01:37:17,570 --> 01:37:20,399
♪ I'M JUST A JEALOUS GUY

2002
01:37:53,128 --> 01:37:57,872
♪ I DIDN'T MEAN TO HURT YOU

2003
01:38:00,657 --> 01:38:05,880
♪ I'M SORRY THAT
I MADE YOU CRY ♪

2004
01:38:07,969 --> 01:38:12,538
♪ I DIDN'T WANT
TO HURT YOU ♪

2005
01:38:15,193 --> 01:38:17,935
♪ I'M JUST A JEALOUS GUY

2006
01:38:20,546 --> 01:38:25,595
♪ I WAS TRYING
TO CATCH YOUR EYE ♪

2007
01:38:28,641 --> 01:38:32,907
♪ THOUGHT THAT YOU
WERE TRYING TO HIDE ♪

2008
01:38:36,171 --> 01:38:40,915
♪ I WAS SWALLOWING
MY PAIN ♪

2009
01:38:43,439 --> 01:38:50,489
♪ I WAS SWALLOWING
MY PAIN ♪

2010
01:38:50,533 --> 01:38:55,668
♪ I DIDN'T MEAN
TO HURT YOU ♪

2011
01:38:57,801 --> 01:39:03,589
♪ I'M SORRY THAT
I MADE YOU CRY ♪

2012
01:39:05,417 --> 01:39:10,945
♪ I DIDN'T WANT
TO HURT YOU ♪

2013
01:39:12,468 --> 01:39:16,037
♪ I'M JUST A JEALOUS GUY

2014
01:39:16,080 --> 01:39:19,736
♪ I'M JUST
A JEALOUS GUY ♪

2015
01:39:19,779 --> 01:39:23,740
♪ I'M JUST A JEALOUS GUY

2016
01:40:10,526 --> 01:40:12,267
I'M NOT PLAYING
ANOTHER GAME.

2017
01:40:12,310 --> 01:40:13,572
LET'S PACK THEM UP.

2018
01:40:13,616 --> 01:40:15,270
I'D SOONER MAKE
CASTLES WITH THEM.

2019
01:40:15,313 --> 01:40:16,532
I'M NOT BRINGING THEM
AGAIN, EITHER.

2020
01:40:16,575 --> 01:40:18,882
I DON'T ASK YOU
TO BRING THEM.

2021
01:40:18,925 --> 01:40:20,318
IT'S JUST LIKE WHEN
WE USED TO PLAY D and D.

2022
01:40:20,362 --> 01:40:22,059
YOU'RE SO EXCITED.
YOU'RE PROBABLY HERE
HOURS EARLIER

2023
01:40:22,103 --> 01:40:23,321
GETTING 'EM READY.

2024
01:40:23,365 --> 01:40:27,064
OK, OK.
YOU STILL HAVE
MY 20-SIDED DICE, TOO.

2025
01:40:27,108 --> 01:40:29,023
THAT'S FROM--
WE WERE 12!

2026
01:40:29,066 --> 01:40:30,720
I WOULD LIKE IT BACK.

2027
01:40:30,763 --> 01:40:32,069
I DON'T KNOW
WHERE IT IS.

2028
01:40:32,113 --> 01:40:33,679
WE WERE 12,
WE WERE 15,
WE WERE 32.

2029
01:40:33,723 --> 01:40:35,116
WHAT DIFFERENCE
DOES IT MAKE?

2030
01:40:35,159 --> 01:40:36,639
THERE WE GO.
PLEASE, TRANSLATE.

2031
01:40:36,682 --> 01:40:37,814
I NEED -- I NEED --

2032
01:40:37,857 --> 01:40:39,337
TIME HAS NO MEANING.

2033
01:40:39,381 --> 01:40:40,947
WHAT WE NEED
IS SUBTITLES.

2034
01:40:40,991 --> 01:40:42,210
THANK YOU.
THAT'S HELPFUL.

2035
01:40:42,253 --> 01:40:43,646
TIME HAS NO MEANING,
SO I GUESS I'D BETTER...

2036
01:40:43,689 --> 01:40:45,039
VINCE NEEDS CONSTANT
SUBTITLES LIKE
THE OPERAS

2037
01:40:45,082 --> 01:40:46,779
SO WE KNOW WHAT'S
REALLY BEING SAID.

2038
01:40:46,823 --> 01:40:48,738
THAT'S GOOD AT THE OPERA.
I SAW TRAVIATAWITH LUCRETIA.

2039
01:40:48,781 --> 01:40:49,739
YEAH.
REALLY?

2040
01:40:49,782 --> 01:40:51,001
YOU'VE BECOME
SO UH--

2041
01:40:51,045 --> 01:40:52,872
I WENT THAT ONE TIME.

2042
01:40:52,916 --> 01:40:54,657
REALLY?THIN.

2043
01:40:54,700 --> 01:40:55,962
YOU'VE LOST WEIGHT
IN YOUR FACE.

2044
01:40:56,006 --> 01:40:56,963
OH, YEAH!

2045
01:40:57,007 --> 01:40:58,661
IN THE JOWLS.

2046
01:40:58,704 --> 01:41:00,445
YOU'VE LOST WEIGHT
IN YOUR JOWLS.

2047
01:41:00,489 --> 01:41:02,665
TO SAY I HAVE JOWLS
IMPLIES THAT I WAS--HEAVY.

2048
01:41:02,708 --> 01:41:04,101
WELL--YES.

2049
01:41:04,145 --> 01:41:05,668
THERE WAS
THAT PERIOD...

2050
01:41:05,711 --> 01:41:06,799
YES.

2051
01:41:06,843 --> 01:41:09,454
IN YOUR, UH,
MID TO LATE 20s
WHEN YOU--

2052
01:41:09,498 --> 01:41:10,412
YOU PORKED OUT.

2053
01:41:10,455 --> 01:41:11,804
YEAH.

2054
01:41:11,848 --> 01:41:13,110
YOU SHOULD DO THIS
WHEN YOU GO TO SLEEP.

2055
01:41:13,154 --> 01:41:14,155
I DO THAT.